Documentation of the performance Vanka-Vstanka
Alexander Lyashko, New Blockheads Cooperative
- With participation ofVadim Flyagin
- Category
- MediumColor photo print, 3 photographs
- Dimensions30 × 40 cm
- Сollection
- Inventory numberМСИГ_ОФ_170_Ф_23/1–23/3
- Acquired from
- Year of acquisition2025
Keywords
About the work
One of the centers of St. Petersburg’s 1990s art life was Borey Gallery on Liteiny Prospekt, the basement of which hosted exhibitions, readings, and conferences, while also housing a bookshop featuring the gallery’s own publications. It was in this environment that the artists who would form the New Blockheads Cooperative, an art group known for its performances and spontaneous actions, met: Vadim Flyagin, Vladimir Kozin, Alexander Lyashko, Inga Nagel, Igor Panin, Maxim Rayskin, and Sergey Spirikhin. Over six years of its existence, the group carried out around 70 performances, many of which were documented by photographer Alexander Lyashko.
The performance Vanka‑Vstanka was enacted at the Art Collegium Gallery (St. Petersburg) during the 2nd Festival Anatomy of Contemporary Art of St. Petersburg, held on March 25–27, 1999. The naked artist Vadim Flyagin tried for a long time, “to the point of complete exhaustion,” to lie down across four chairs in order to rest or nap. However, each time, just as he managed to position himself, he would lose balance, fall, rise again, and repeat the attempt. The performance was somewhat autobiographical: from 1994 to 2002, Flyagin lived in Borey Gallery, where he both slept and worked on four chairs. This monotonous, endlessly repeated sequence of movements turned into a metaphor for cyclical, unproductive activity locked in a state of constant collapse. Each gesture seemed to promise an end—rest, or pause—but in Vanka‑Vstanka that resolution was endlessly deferred, heightening the tension.

