Due to the current restrictions, visits to the 2nd Garage Triennial are based on fixed-time tickets. Please purchase tickets online, where you will find information about free time slots.
One Time Only is a series of unique and usually single screenings of new films that will not be shown in Russian cinemas outside of Garage Screen. The program includes new festival films, documentaries, experimental pictures, and features as well as works by contemporary artists.
Standard: 350 rubles
Student: 250 rubles*
Tickets for seniors, veterans, large families, under 18s, and visitors with disabilities (with one carer): 175 RUB**
We recommend that you buy tickets in advance. All ticket categories are available online.
* Students aged 18–25 on production of relevant ID
** Please show proof of eligibility at the cinema entrance
In the twenty-first century, a girl digs up two skeletons in the woods. Two hundred years earlier, a quiet American chef nicknamed Cookie and a venturous Chinese immigrant King Lu are trying to earn a living in a provincial town. Cookie, who has worked as a baker's assistant, dreams of opening his own bakery in San Francisco; King Lu has seen the world and knows how to make money. The key to their success is cow's milk, which makes the best pastries, but the only cow in the area belongs to a wealthy and uncompromising Englishman. Kelly Reichardt's revisionist Western premiered in Telluride in 2019 and has been screened at New York and Berlin Film Festivals. Garage Screen will host the Russian premiere of the picture.
In the twenty-first century, a girl digs up two skeletons in the woods. Two hundred years earlier, a quiet American chef nicknamed Cookie and a venturous Chinese immigrant King Lu are trying to earn a living in a provincial town. Cookie, who has worked as a baker's assistant, dreams of opening his own bakery in San Francisco; King Lu has seen the world and knows how to make money. The key to their success is cow's milk, which makes the best pastries, but the only cow in the area belongs to a wealthy and uncompromising Englishman. Kelly Reichardt's revisionist Western premiered in Telluride in 2019 and has been screened at New York and Berlin Film Festivals. Garage Screen will host the Russian premiere of the picture.
Despite his proletarian background, young Martin Eden is fighting for his right to become an author as well as for the love of a girl from high society. A non-canonical adaptation of the eponymous novel by Jack London, this is a sensual and tactile movie about the twentieth century which is being literally animated and documented on screen.
In the twenty-first century, a girl digs up two skeletons in the woods. Two hundred years earlier, a quiet American chef nicknamed Cookie and a venturous Chinese immigrant King Lu are trying to earn a living in a provincial town. Cookie, who has worked as a baker's assistant, dreams of opening his own bakery in San Francisco; King Lu has seen the world and knows how to make money. The key to their success is cow's milk, which makes the best pastries, but the only cow in the area belongs to a wealthy and uncompromising Englishman. Kelly Reichardt's revisionist Western premiered in Telluride in 2019 and has been screened at New York and Berlin Film Festivals. Garage Screen will host the Russian premiere of the picture.
Leading a lonely life in a house in the mountains, Kang suffers from an unknown disease. Illegal immigrant Non nestles in a tiny shack in Bangkok. A new film by Tsai Ming-liang, this picture is a wordless visual poem about solitude, intimacy, and desire. Garage Screen presents the Russian premiere of the movie where the languages of cinema and contemporary art dissolve in each other.
A moving animation picture-dream about love and revolution in 1960s Hong Kong, which turned out to be a genuine find at 76th Venice Film Festival in 2019, where it won the Best Screenplay Award.
Leading a lonely life in a house in the mountains, Kang suffers from an unknown disease. Illegal immigrant Non nestles in a tiny shack in Bangkok. A new film by Tsai Ming-liang, this picture is a wordless visual poem about solitude, intimacy, and desire. Garage Screen presents the Russian premiere of the movie where the languages of cinema and contemporary art dissolve in each other.
Despite his proletarian background, young Martin Eden is fighting for his right to become an author as well as for the love of a girl from high society. A non-canonical adaptation of the eponymous novel by Jack London, this is a sensual and tactile movie about the twentieth century which is being literally animated and documented on screen.
A young woman visits friends she hasn’t seen for a long time. These meetings imperceptibly change her view of herself and the world around her. A new tragicomedy by Hong Sang-soo, The Woman Who Ran is a weightless transparent movie saturated with subtle philosophical humor. Garage Screen presents the Russian premiere of the film.
A young woman visits friends she hasn’t seen for a long time. These meetings imperceptibly change her view of herself and the world around her. A new tragicomedy by Hong Sang-soo, The Woman Who Ran is a weightless transparent movie saturated with subtle philosophical humor. Garage Screen presents the Russian premiere of the film.
A moving animation picture-dream about love and revolution in 1960s Hong Kong, which turned out to be a genuine find at 76th Venice Film Festival in 2019, where it won the Best Screenplay Award.
In the twenty-first century, a girl digs up two skeletons in the woods. Two hundred years earlier, a quiet American chef nicknamed Cookie and a venturous Chinese immigrant King Lu are trying to earn a living in a provincial town. Cookie, who has worked as a baker's assistant, dreams of opening his own bakery in San Francisco; King Lu has seen the world and knows how to make money. The key to their success is cow's milk, which makes the best pastries, but the only cow in the area belongs to a wealthy and uncompromising Englishman. Kelly Reichardt's revisionist Western premiered in Telluride in 2019 and has been screened at New York and Berlin Film Festivals. Garage Screen will host the Russian premiere of the picture.
In the twenty-first century, a girl digs up two skeletons in the woods. Two hundred years earlier, a quiet American chef nicknamed Cookie and a venturous Chinese immigrant King Lu are trying to earn a living in a provincial town. Cookie, who has worked as a baker's assistant, dreams of opening his own bakery in San Francisco; King Lu has seen the world and knows how to make money. The key to their success is cow's milk, which makes the best pastries, but the only cow in the area belongs to a wealthy and uncompromising Englishman. Kelly Reichardt's revisionist Western premiered in Telluride in 2019 and has been screened at New York and Berlin Film Festivals. Garage Screen will host the Russian premiere of the picture.
Despite his proletarian background, young Martin Eden is fighting for his right to become an author as well as for the love of a girl from high society. A non-canonical adaptation of the eponymous novel by Jack London, this is a sensual and tactile movie about the twentieth century which is being literally animated and documented on screen.
In the twenty-first century, a girl digs up two skeletons in the woods. Two hundred years earlier, a quiet American chef nicknamed Cookie and a venturous Chinese immigrant King Lu are trying to earn a living in a provincial town. Cookie, who has worked as a baker's assistant, dreams of opening his own bakery in San Francisco; King Lu has seen the world and knows how to make money. The key to their success is cow's milk, which makes the best pastries, but the only cow in the area belongs to a wealthy and uncompromising Englishman. Kelly Reichardt's revisionist Western premiered in Telluride in 2019 and has been screened at New York and Berlin Film Festivals. Garage Screen will host the Russian premiere of the picture.
Leading a lonely life in a house in the mountains, Kang suffers from an unknown disease. Illegal immigrant Non nestles in a tiny shack in Bangkok. A new film by Tsai Ming-liang, this picture is a wordless visual poem about solitude, intimacy, and desire. Garage Screen presents the Russian premiere of the movie where the languages of cinema and contemporary art dissolve in each other.
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