Modernist Montage: The Obscurity of Vision in Cinema and Literature
Tracing the history of modernism in cinema, this study provides readings of a range of classic films made between 1925 and 1980 by such filmmakers as Carl Dreyer, Ingmar Bergman and Robert Bresson. It argues that the act of vision and visual experience are problematized in literary modernism.
Details
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Subjects
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Authors
Personalities
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Place of publication
New York City
Publisher
Year
1990
Number of pages
250 pages
Language
ISBN
9780231071826
Open stacks or available on request
Available on request
Illustrations
Yes
Bibliography
Yes
UDC code and author sign
791 Sit
Volumes
1
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