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В издании собраны тексты С. Эйзенштейна, Б. Арватова, С. Третьякова, В. Плетнёва, расположение которых даёт возможность ощутить терминологическое и стилистическое сходство разных литературных работ.

От «театра аттракционов» к «монтажу киноаттракционов»

Open stacks

In 2012, Garage Center for Contemporary Culture acquired the archive of Art Projects Foundation, which became the core of its own archive collection. In 2014, the Center became Garage Museum of Contemporary Art and its archive became a museum collection. The collection has inherited the structure of the Art Projects Foundation archive and contains documents on Russian contemporary artists and art events, press cuttings, press releases, exhibition booklets, invitations, programs, and posters.


See also <a href="/en/catalogue/collection/garage-center-for-contemporary-culture">Archive of Garage Center for Contemporary Culture</a>


In 2012, Garage Center for Contemporary Culture acquired the archive of Art Projects Foundation, which became the core of its own archive collection. In 2014, the Center became Garage Museum of Contemporary Art and its archive became a museum collection. The collection has inherited the structure of the Art Projects Foundation archive and contains documents on Russian contemporary artists and art events, press cuttings, press releases, exhibition booklets, invitations, programs, and posters.


See also Archive of Garage Center for Contemporary Culture

Garage Museum of Contemporary Art archive

image.jpg

Cinema

Eisenstein Sergei

Article author

Arvatov Boris

Tretyakov Sergey

Плетнёв В.

Zabrodin Vladimir

Compiling Editor

Preface

Moscow

Государственный центральный музей кино

Moscow, Garage Archive Collection

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If our soup can could speak: Mikhail Lifshitz and the Soviet Sixties

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От «театра аттракционов» к «монтажу киноаттракционов»

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