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А-Я. Современное русское искусство. — 1983, № 5

Available on request

Art Projects Foundation came into existence in 2001, partly as a replacement for the Soros Center for Contemporary Art, which was active between 1994 and 2000. Its archive was transferred to the Foundation with the help of a grant from the Open Society Institute. In the 11 years it was managed by the Foundation, the archive saw the addition of new documents and publications donated by Moscow artists and art historians, and new material gathered by the staff. One of the main contributors to the archive was Yulia Ovchinnikova, an art historian and filmmaker who started documenting the Moscow art scene in 1994.
<h2>The Archive</h2>

The archive contains documentary materials relating to contemporary art in Moscow, Saint Petersburg, and other cities within Russia dating back to the late 1950s. Materials include documentary photographs and videos, articles published by newspapers and magazines, unpublished essays by artists and critics, exhibition posters, invitations and press releases.
Video documentation from the archive allows us to trace the careers of particular artists and identify the general currents of the Moscow art scene. Footage from the archive has already enabled the production of a range of films including the seven‑part Chronicles of Moscow Contemporary Art, and has been used in the making of many other documentaries and films about exhibitions in Moscow and abroad, as well as in educational events.


Art Projects Foundation came into existence in 2001, partly as a replacement for the Soros Center for Contemporary Art, which was active between 1994 and 2000. Its archive was transferred to the Foundation with the help of a grant from the Open Society Institute. In the 11 years it was managed by the Foundation, the archive saw the addition of new documents and publications donated by Moscow artists and art historians, and new material gathered by the staff. One of the main contributors to the archive was Yulia Ovchinnikova, an art historian and filmmaker who started documenting the Moscow art scene in 1994.
The Archive

The archive contains documentary materials relating to contemporary art in Moscow, Saint Petersburg, and other cities within Russia dating back to the late 1950s. Materials include documentary photographs and videos, articles published by newspapers and magazines, unpublished essays by artists and critics, exhibition posters, invitations and press releases.
Video documentation from the archive allows us to trace the careers of particular artists and identify the general currents of the Moscow art scene. Footage from the archive has already enabled the production of a range of films including the seven‑part Chronicles of Moscow Contemporary Art, and has been used in the making of many other documentaries and films about exhibitions in Moscow and abroad, as well as in educational events.

Art Projects Foundation archive

Один конверт, рукопись.

Письмо Свена Гундлаха Виктору Тупицыну 1983 года

Image20170215162656-001.jpg

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Erik Bulatov was born in 1933 in Sverdlovsk. He attended the art studio at the Moscow House of Pioneers and studied at Moscow Middle Art School and then at the Moscow Surikov State Art Institute. From 1959, he worked at the Detgiz publishing house with Ilya Kabakov and Oleg Vassiliev. He has participated in numerous exhibitions, including the Biennale of Dissent (Venice, 1977) and the 43rd and 50th Venice Biennale (1988, 2003). He is a recipient of the Innovation Prize in the nomination For Creative Contribution to the Development of Contemporary Art (2012).

Bulatov Erik

Barabanov Evgeny

Kuzminsky Konstantin

Kosolapov Alexander

Gambrell Jamey

Vassiliev Oleg

Groys Boris

Художник, поэт, музыкант. Учился в Московском полиграфическом институте на отделении книжной графики (1976–1978). Один из основателей АPТАRТ, художественной группы «Мухомор» и рок‑группы «Среднерусская возвышенность». После распада СССР прекратил художественную деятельность.

Gundlakh Sven

Родился в Днепропетровске. Ведущий представитель московского концептуализма, создатель жанра тотальной инсталляции. Окончил отделение графики Московского государственного художественного института им. В. И. Сурикова (1951). После окончания вуза занимался иллюстрацией книг для издательств «Малыш» и «Детская литература». Со второй половины 1950‑х стал заниматься собственными художественными проектами. В 1988 году переехал в Нью‑Йорк, с 1989 года работал в соавторстве с женой Эмилией Кабаковой. Многократный участник крупных международных проектов в России и за рубежом: documenta IX (1993), Венецианской биеннале (1977 — Биеннале диссидентов; 1993 — павильон СНГ; 1988, 1997, 2001, 2003, 2007 — основной проект) и др.

Kabakov Ilya

Ney Alexander

Mentioned

Dyshlenko Yuri

А-Я. Современное русское искусство. — 1983, № 5

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