Dance Beyond Itself. A lecture cycle by Anna Kozonina and Anastasia Proshutinskaya

Date

Place

Garage Auditorium

ЗАГОЛОВОК

The cycle is composed of two theoretical sessions and three lectures for professionals as well as a wider audience introducing the phenomenon of contemporary dance and the type of knowledge generated by this art.

Contemporary dance today is a multiformat field of aesthetics operating on the intersection of theater, performance, and visual mediums. This understanding is equally relevant within the context of Western art—where dance is well-established on museum territory, inscribed in site specific art and has contributed to the development of socially oriented aesthetic initiatives, and for the Russian one—where it begins to move away from conventional theater performance toward original practices such as dance exhibition projects, fake laboratories, or urban interventions. Critic Anna Kozonina and curators Anastasia Proshutinskaya and Anastasia Mityushina dedicate their education cycle to the kind of dance which is essentially experimental and often times radical, the dance that strives to reconsider its own limits and questions its study object.

The classes will concentrate on novel dance forms successfully evolving in the Russian cultural tradition which is marked, on the one hand, by the emphasize on classical ballet and the lack of investment in contemporary dance, and on the other, by interest toward an interdisciplinary approach and the search of new formats. These parallel trends will be analyzed from two perspectives: dance history and theory, with Anna Kozonina, and curatorial and infrastructural issues, with Anastasia Proshutinskaya. The authors will try to provide answers to the following questions: what is happening to dance today, and how should we approach it? What’s the difference between the Russian and Western European dance scenes? What forms of contemporary art criticism do exist, and can we hope that quality criticism in this field can be produced in Russia?

The theoretical block involving dance professionals will be accompanied by lectures delivered by international thinkers and choreographers who will share their vision of what contemporary dance means today.

ABOUT THE SPEAKERS

Anastasia Proshutinskaya (b. 1983, Yaroslavl) is a curator and researcher in the field of contemporary dance. She worked at ZIL Cultural Center from 2012 to 2018 focusing on the organization of residencies for young choreographers and the production of new works. She was included in the selection committee of the [8:tension] Young Choreographers’ Series at ImPulsTanz, Vienna, in 2019. She has a master’s degree in Performance Studies from the University of Southern Illinois and in Art History from Lomonosov Moscow State University.


Anna Kozonina (b. 1992, Nizhny Novgorod) is a critic, editor, and researcher in the field of contemporary dance. Author of critical articles published by Colta.ru, Aroundart.org, Roomfor.ru, in the Moscow Art Magazine (Khudozhestvenny Zhurnal), and Springback Magazine. Participant of the Proscenium laboratory of contemporary dance and performance at the Volga-Vyatka branch of the National Center for Contemporary Art. Winner of the GARAGE.txt grant for the publication of a book about contemporary Russian dance performance and of the 2019 Innovation Prize in the New Generation category.

HOW TO TAKE PART

Free admission with advance registration

Schedule

“Twerk sessions, fake festivals, and Google Hangouts choreography: a guide to experimental Russian dance and the history of its ideas.” A lecture by Anna Kozonina

The lecture will introduce the audience to the Russian contemporary dance scene. Select experimental works will trace the evolution of Western ideas about the tasks of a dance artist, point out where Russian dance follows in Western footsteps and demonstrate its specific features, and explain how dance ended up being what it is.

Date
Sunday, September 22
Time
17:00–19:00
Place
Garage Auditorium

Panel Discussion: “In Support of Language, or Current Knowledge about Contemporary Dance”

Researchers and curators working with knowledge produced in the field of contemporary dance will discuss the legitimacy of transferring approaches developed by Western dance studies to the Russian context. Where does the Western theoretical thought seem to correspond with the local scene, and where does it conceal and obscure its authenticity? What falls into the definition of current dance criticism? What kind or approaches does the integration into the Russian context require? Can there be a dance theory written in the Russian language? And what will it mean for the development of the art scene?

Date
Sunday, September 29
Time
18:00–20:00
Place
Garage Auditorium

Discussion: Actual Knowledge. Curating Live Acts

Anastasia Proshutinskaya will discuss with fellow colleagues the specifics of curating live arts, especially focusing on contemporary dance.

Date
Thursday, October 31
Time
19:00–20:30
Place
Garage Auditorium