On&nbsp;Thursday December 12, the Museum, Library, Caf&eacute;, and Shop will be&nbsp;closed.

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Книга Дмитрия Гутова представляет собой 74 психологических портрета современных художников, критиков и галеристов. Она состоит из двух разделов. Первый включает результаты исследования, проведённого с помощью теста Люшера. Во втором рассматриваются астрологические карты. Работа насыщена конкретным актуальным материалом психологического характера.

Портреты

Available on request

Art Projects Foundation came into existence in 2001, partly as a replacement for the Soros Center for Contemporary Art, which was active between 1994 and 2000. Its archive was transferred to the Foundation with the help of a grant from the Open Society Institute. In the 11 years it was managed by the Foundation, the archive saw the addition of new documents and publications donated by Moscow artists and art historians, and new material gathered by the staff. One of the main contributors to the archive was Yulia Ovchinnikova, an art historian and filmmaker who started documenting the Moscow art scene in 1994.
<h2>The Archive</h2>

The archive contains documentary materials relating to contemporary art in Moscow, Saint Petersburg, and other cities within Russia dating back to the late 1950s. Materials include documentary photographs and videos, articles published by newspapers and magazines, unpublished essays by artists and critics, exhibition posters, invitations and press releases.
Video documentation from the archive allows us to trace the careers of particular artists and identify the general currents of the Moscow art scene. Footage from the archive has already enabled the production of a range of films including the seven-part Chronicles of Moscow Contemporary Art, and has been used in the making of many other documentaries and films about exhibitions in Moscow and abroad, as well as in educational events.


Art Projects Foundation came into existence in 2001, partly as a replacement for the Soros Center for Contemporary Art, which was active between 1994 and 2000. Its archive was transferred to the Foundation with the help of a grant from the Open Society Institute. In the 11 years it was managed by the Foundation, the archive saw the addition of new documents and publications donated by Moscow artists and art historians, and new material gathered by the staff. One of the main contributors to the archive was Yulia Ovchinnikova, an art historian and filmmaker who started documenting the Moscow art scene in 1994.
The Archive

The archive contains documentary materials relating to contemporary art in Moscow, Saint Petersburg, and other cities within Russia dating back to the late 1950s. Materials include documentary photographs and videos, articles published by newspapers and magazines, unpublished essays by artists and critics, exhibition posters, invitations and press releases.
Video documentation from the archive allows us to trace the careers of particular artists and identify the general currents of the Moscow art scene. Footage from the archive has already enabled the production of a range of films including the seven-part Chronicles of Moscow Contemporary Art, and has been used in the making of many other documentaries and films about exhibitions in Moscow and abroad, as well as in educational events.

Art Projects Foundation archive

Image20181210171919.jpg

Moscow Conceptualism

Portrait

Psychoanalysis

Dmitry Gutov was born in 1960 in Moscow. He studied in the Psychology Faculty at Moscow V. I. Lenin State Pedagogical Institute and graduated from the Easel Painting Faculty of the People’s Correspondence University of the Arts and the Department of History and Theory of Visual Art of the Repin Institute of Painting, Sculpture, and Architecture (St. Petersburg). In 1994, he founded the Lifshitz Institute. He took part in the 46th (Russian Pavilion, 1995) and 53rd Venice Biennale (main project, 2011), Manifesta 1 (Rotterdam, 1996), documenta 12 (Kassel, 2007), and other exhibitions.

Gutov Dmitriy

Author

Pepperstein Pavel

Article author

Gundlakh Sven

Mentioned

Litichevsky Georgy

Leiderman Yuri

Kozlov Nikolai

Dyogot Ekaterina

Infante-Arana Francisco

Bruskin Grisha

Bogdalov Farid

Chuikov Ivan

Gor Chahal is a mathematician by training, the author of poems and musical‑poetic performances, and one of the pioneers of multimedia art in Russia. In the late 1980s and early 1990s he was a member of Moscow’s art underground and rock scene. He was the founder of the performance groups Parallel Actions (1985–1987) and Theaterpost (1987–1988) and performed a series of actions with the art group World Champions (1988). In 1989, he played the lead role in Oleg Teptsov’s film The Initiated. In 1990, his debut solo exhibition took place at First Gallery (Moscow). In 1995 and 1996, he was a scholarship holder at the Berlin Academy of Arts and in 2004 at the Museum Quarter in Vienna. Since the late 1990s he has explored Christian themes, combining contemporary art, scientific methods, and theological discourse. In 2014, he became an honorary member of the Russian Academy of Arts and in 2022 a corresponding member of the Academy’s Department of New Art Trends.

Chahal Gor

Aydan Salahova was born in Moscow. She graduated Moscow Surikov State Academic Art Institute (1987). From 1989 to 1992 she was co‑director and curator of First Gallery (Moscow). She was the founder of Aidan Gallery (Moscow, 1992–2012). She took part in the 44th and 54th Venice Biennale (Russian Pavilion, 1990; Azerbaijan Pavilion, 2011). She was a member of the Union of Artists of the USSR (1988) and is an academician of the Russian Academy of Arts (2002).

Salakhova Aidan

Osmolovsky Anatoly

Mareev Alexander

Levashov Vladimir

Kurlyandtseva Elena

Konstantin Zvezdochotov was born in Moscow. From 1976 to 1981 he studied in the Production Department of the Higher School and Studio of Moscow Gorky Academic Art Theater. He was a founder and member of numerous art groups, including Toadstool Group and World Champions. Selected group exhibitions: 44th Venice Biennale (Aperto, 1990); documenta 9, Kassel (1992), 3rd Istanbul Biennial (1992); 2nd and 3rd Cetinski Bijenale (1994, 1997); 50th Venice Biennale (Russian Pavilion, 2003).

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