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Каталог с  вступительными статьями А. А. Каменского, С. А. Чуйкова и Т. Г. Назаренко. Размер в закрытом виде: 29 × 22 см. Размер в открытом виде: 29 × 44 см.

Каталог к персональной выставке Макса Бирштейна 1984 года

Available on request

<p><h2>About the founder</h2>
<p>
Alexander Kamensky (1922–1992) was a Soviet art historian, one of the fathers of the new art history of the Khrushchev Thaw. He defended artists accused of formalism, including Vladimir Favorsky, Martiros Saryan, Robert Falk, and Alexander Tyshler, coined the term “severe style,” and was the ideologist and co‑organizer of the landmark exhibition 30 Years of the Moscow Union of Artists at the Moscow Manege. His archive is a unique collection of documents covering art from the 1950s to the 1990s.</p>
<p> 

<h2>About the archive</h2>
<p>
The archive includes manuscripts and typescripts of articles and monographs by Alexander Kamensky, clippings from Soviet and international journals and papers, photographs and videos, personal correspondence and documents. A separate section is devoted to Kamensky’s correspondence with publishers, the Soviet Copyright Agency, and other Soviet institutions (Ministry of Culture; Ministry of Communications and Finance; USSR State Committee on Publishing, Printing, and Book Trade; etc). These documents offer insight into the publishing process in the Soviet Union, as well as the bureaucratic and economic aspects of a Soviet art historian’s work. The archive also includes internal correspondence of the Moscow Union of Artists that shows how the organization functioned and paper and journal clippings with critique of Kamensky’s works, including of an anti‑Semitic nature.</p>
<p> 

Kamensky’s major academic works include Private Views (1974), A Knight’s Feat. On the Sculptor Anna Golubkina (1978), and the albums Saryan (1968, 1987) and Konenkov (1962, 1975), preparatory materials for which are also included in the archive. It also contains Kamensky’s correspondence with Marc Chagall and negatives and reproductions of Chagall’s works, which Kamensky used in the preparation of his book Marc Chagall. An Artist from Russia (1991–1992), as well as materials relating to Chagall’s only visit to the Soviet Union in 1973.</p>
<p>

In the 1970s, Kamensky developed an interest in the work of Armenian artists (Martiros Saryan, Nikoghayos Nikoghosyan, Yervand Kochar, Minas Avetisyan, and Akop Akopyan, among others) and made an in‑depth study of the Armenian art tradition, which resulted in the publication of Studies on Armenian Artists (1979). The archive contains a large number of reproductions, exhibition catalogues of Armenian artists, and fiction and academic writings on Armenia and its art. 
</p>

About the founder

Alexander Kamensky (1922–1992) was a Soviet art historian, one of the fathers of the new art history of the Khrushchev Thaw. He defended artists accused of formalism, including Vladimir Favorsky, Martiros Saryan, Robert Falk, and Alexander Tyshler, coined the term “severe style,” and was the ideologist and co‑organizer of the landmark exhibition 30 Years of the Moscow Union of Artists at the Moscow Manege. His archive is a unique collection of documents covering art from the 1950s to the 1990s.
 

About the archive

The archive includes manuscripts and typescripts of articles and monographs by Alexander Kamensky, clippings from Soviet and international journals and papers, photographs and videos, personal correspondence and documents. A separate section is devoted to Kamensky’s correspondence with publishers, the Soviet Copyright Agency, and other Soviet institutions (Ministry of Culture; Ministry of Communications and Finance; USSR State Committee on Publishing, Printing, and Book Trade; etc). These documents offer insight into the publishing process in the Soviet Union, as well as the bureaucratic and economic aspects of a Soviet art historian’s work. The archive also includes internal correspondence of the Moscow Union of Artists that shows how the organization functioned and paper and journal clippings with critique of Kamensky’s works, including of an anti‑Semitic nature.
 

Kamensky’s major academic works include Private Views (1974), A Knight’s Feat. On the Sculptor Anna Golubkina (1978), and the albums Saryan (1968, 1987) and Konenkov (1962, 1975), preparatory materials for which are also included in the archive. It also contains Kamensky’s correspondence with Marc Chagall and negatives and reproductions of Chagall’s works, which Kamensky used in the preparation of his book Marc Chagall. An Artist from Russia (1991–1992), as well as materials relating to Chagall’s only visit to the Soviet Union in 1973.


In the 1970s, Kamensky developed an interest in the work of Armenian artists (Martiros Saryan, Nikoghayos Nikoghosyan, Yervand Kochar, Minas Avetisyan, and Akop Akopyan, among others) and made an in‑depth study of the Armenian art tradition, which resulted in the publication of Studies on Armenian Artists (1979). The archive contains a large number of reproductions, exhibition catalogues of Armenian artists, and fiction and academic writings on Armenia and its art. 


Alexander Kamensky archive

Макс Бирштейн. Живопись. Графика

Moscow

Центральный дом художника

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1980s

Graphic art

Painting

Art history and art criticism

Criticism

Still life

Landscape

Portrait

Book

Kamenskiy Aleksander

Author

Chuikov Semen

Tatyana Nazarenko was born in Moscow in 1944. She graduated from Moscow Surikov State Institute of Fine Arts (studios of Aleksei Gritsai and Dmitry Zhilinsky, 1968). From 1969 to 1972 she worked in the studio of the Soviet Academy of Arts under Geliy Korzhev, and from 1999 to 2016 was professor and studio head at Moscow Surikov State Academic Institute of Fine Arts. She has had solo exhibitions at the State Tretyakov Gallery (Moscow), the State Russian Museum (St. Petersburg), Moscow Museum of Modern Art, and other museums in Russia and abroad. In 1982 she was among the artists representing the Soviet Union at the 40th Venice Biennale. She has been awarded the title of the People’s Artist of Russia (2014), the State Award of the Russian Federation (1993), and the Moscow Government Prize in Fine Art (1999). She was a member of the Soviet Union of Artists (from 1969) and is a full member and Presidium member of the Russian Academy of Arts (since 2001).

Nazarenko Tatyana

Каталог к персональной выставке Макса Бирштейна 1984 года

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