<p>The 0+ Space will be&nbsp;closed June 23-24.</p>

Please note

7-9 years 

10-14 years 

15-17 years 

0-6 years 

Architecture

Photo

Journalism

Psychology

Music

Family

Stream

Series

Seminars, Workshops and Training

Lectures & Talks

Concerts & Performances

Film Screenings

Exhibitions

Courses

Tours

Concerts & performances

Conferences

Exhibitions & projects

News

Interview

Talks

Lecture cycles

Conferences and seminars

Book presentations

Art Guide

Garage publishing program

Sponsors, patrons, and partners

Information partners

Garage publishing program in collaboration with Artguide Editions

Garage International Publishing Program

Library events

Books in english

Garage Screen

Russian

English

Bilingual (russian/english)

Film programs

GARAGE Club

Programs for exhibitions

Events

Garage Live

Garage Dance

Academic program

Grants

Field research

Patronship

Garage Studios

Mosaic Music

GARAGE Student

Garage.txt

Film festival

Film distribution

Sign language

Mental disabilities

Migration

Audio description

Tactile models

Accessibility guide

Physical accessibility

GARAGE Individual

Digital accessibility

Diversity

Events at Garage

Garage publishing program and Strelka Press 

Text

Audio

Video

Feature

Guide

GARAGE Individual +1

Research laboratories

Artistic research

Translation to russian sign language

Subtitles

Adapted tours

Quiet room

Translation to uzbek, tajik, and kyrgyz

GARAGE Premium

“We Treasure Our Lucid Dreams”

Space 1520

Contemporary Critical Thought

Directors’ series

The Garage Journal

GARAGE Circle

Temporality

Disability

Affect

Overcoming

Body

Timelessness

Non-normative body

GARAGE Collectors Circle  

Experience of the other

Otherness

Developmental disabilities

Mental health

Trauma

Personal experience

Neural networks

Language

7-11 years

Plain language

Garage Café

The computer class schedule

Mediation

Oleg Baranov Going Down

Podcasts

Shelf of the Month. Theatrе

Publishing program page

Series of meetings with residents

Open call

Shelf of the Month. Cinema

Shelf of the Month. Modern Dance

Projects <i>Oral History</i> and <i>Oral History 2.0</i>

Visitors in a wheelchair

garage-txt

Open storage

Research Laboratory: I Am a Parcel, You Are a Stamp

VOKS kinema Research Laboratory

Avant-Garde Center Laboratory for the Study of Soviet Art Series

LISI_TsA

Region reviews

Artist reviews

Thematic reviews

Exhibition reviews

Archive in St. Petersburg

8-14

Public programs

Free

Registration required

Free for exhibition ticket holders

Paid

Booking required

Booking via phone or email is required

Booking on reception is required

Off-site projects

Architecture and design

Supervision

Museology

Philosophy

Economy

Cinematography

Critical biography

Memoirs and diaries

For Garage card holders

Exhibition catalogues

Research

For children

GARAGE + Ad Marginem

GARAGE PRO

Minima

Paperback

Hardcover

Hardcover with dust jacket

Book Selection

Professional programs

Video review

Garage publishing program in collaboration with Ad Marginem Press

Garage publishing program in collaboration with Ad Marginem Press. GARAGE PRO Series

Garage publishing program in collaboration with Ad Marginem Press. Minima Series

City tours

Exhibition tours

Seminars, workshops & training

Lectures & talks

Четыре страницы, печатный текст. 42 × 31 см (в закрытом виде), 42 × 62 см (в раскрытом виде).

Московский художник. — 1987, № 29 (1242)

Available on request

<p><h2>About the archive</h2></p>
<p>
In 2019, Garage Museum of Contemporary Art acquired the archive of Muza Yegorova (Yegorova‑Troitskaya), a representative of the 1920s avant‑garde movement in Saratov. The archive contains materials related to Yegorova’s life and work: autobiographical and chronological notes, lists of works, catalogues, booklets, invitations, and press articles about exhibitions she participated in. It also includes documentary photographs, and correspondence addressed to her, as well as private documents. Offering insight into the details of Yegorova’s artistic career, the materials in the archive also help reconstruct the history of cultural events in the twentieth century. 
<p><h2>About Muza Yegorova</h2></p>
<p>
Muza Yegorova (Yegorova‑Troitskaya) (1904–1990) was a Russian and Soviet painter and graphic artist who was part of the 1920s avant‑garde movement in Saratov. She was a student of the avant‑garde artist and Head of the Proletkult Painting and Drawing Studio Valentin Yustitsky, who played a major role in artistic developments in Saratov after the revolution. As an art history student at Saratov Art College, Yegorova was a member of the student theater group Poekhma and a futuristic noise orchestra (1920–1925). She worked at the Nizhnevolzhsky Krai Museum and taught drawing at a local workers’ school (1925–1927). 
 </p><p>
In 1933, Muza Yegorova moved to Moscow with her husband, the set and stage designer and Moscow Union of Artists member Vladimir Yegorov. During World War II, she returned to Saratov (1941–1942), where she made puppets for a puppet theater, and in 1942–1943 she lived in Tashkent and Samarkand. After the war, she returned to Moscow, where she focused on landscape, still life, and portrait painting and played an active role in the Soviet art scene. Her works are in the collection of the State Tretyakov Gallery and the Radishchev Art Museum in Saratov.
 </p>

About the archive

In 2019, Garage Museum of Contemporary Art acquired the archive of Muza Yegorova (Yegorova‑Troitskaya), a representative of the 1920s avant‑garde movement in Saratov. The archive contains materials related to Yegorova’s life and work: autobiographical and chronological notes, lists of works, catalogues, booklets, invitations, and press articles about exhibitions she participated in. It also includes documentary photographs, and correspondence addressed to her, as well as private documents. Offering insight into the details of Yegorova’s artistic career, the materials in the archive also help reconstruct the history of cultural events in the twentieth century. 
About Muza Yegorova

Muza Yegorova (Yegorova‑Troitskaya) (1904–1990) was a Russian and Soviet painter and graphic artist who was part of the 1920s avant‑garde movement in Saratov. She was a student of the avant‑garde artist and Head of the Proletkult Painting and Drawing Studio Valentin Yustitsky, who played a major role in artistic developments in Saratov after the revolution. As an art history student at Saratov Art College, Yegorova was a member of the student theater group Poekhma and a futuristic noise orchestra (1920–1925). She worked at the Nizhnevolzhsky Krai Museum and taught drawing at a local workers’ school (1925–1927). 
 
In 1933, Muza Yegorova moved to Moscow with her husband, the set and stage designer and Moscow Union of Artists member Vladimir Yegorov. During World War II, she returned to Saratov (1941–1942), where she made puppets for a puppet theater, and in 1942–1943 she lived in Tashkent and Samarkand. After the war, she returned to Moscow, where she focused on landscape, still life, and portrait painting and played an active role in the Soviet art scene. Her works are in the collection of the State Tretyakov Gallery and the Radishchev Art Museum in Saratov.
 

Московский художник. — 1987, № 29 (1242)

Details