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Каталог групповой выставки, проходившей в Нью‑Йорке в 1990 году, издан в двух частях: тексты к выставке и иллюстрации к каталогу в конверте, напечатанные на отдельных листах.

The Green Show

Special collections

<p>
Art Projects Foundation came into existence in 2001, partly as a replacement for the Soros Center for Contemporary Art, which was active between 1994 and 2000. Its archive was transferred to the Foundation with the help of a grant from the Open Society Institute. In the 11 years it was managed by the Foundation, the archive saw the addition of new documents and publications donated by Moscow artists and art historians, and new material gathered by the staff. One of the main contributors to the archive was Yulia Ovchinnikova, an art historian and filmmaker who started documenting the Moscow art scene in 1994.</p>
<h2>The Archive</h2>
<p>
The archive contains documentary materials relating to contemporary art in Moscow, Saint Petersburg, and other cities within Russia dating back to the late 1950s. Materials include documentary photographs and videos, articles published by newspapers and magazines, unpublished essays by artists and critics, exhibition posters, invitations and press releases.
Video documentation from the archive allows us to trace the careers of particular artists and identify the general currents of the Moscow art scene. Footage from the archive has already enabled the production of a range of films including the seven‑part Chronicles of Moscow Contemporary Art, and has been used in the making of many other documentaries and films about exhibitions in Moscow and abroad, as well as in educational events.</p>


Art Projects Foundation came into existence in 2001, partly as a replacement for the Soros Center for Contemporary Art, which was active between 1994 and 2000. Its archive was transferred to the Foundation with the help of a grant from the Open Society Institute. In the 11 years it was managed by the Foundation, the archive saw the addition of new documents and publications donated by Moscow artists and art historians, and new material gathered by the staff. One of the main contributors to the archive was Yulia Ovchinnikova, an art historian and filmmaker who started documenting the Moscow art scene in 1994.
The Archive

The archive contains documentary materials relating to contemporary art in Moscow, Saint Petersburg, and other cities within Russia dating back to the late 1950s. Materials include documentary photographs and videos, articles published by newspapers and magazines, unpublished essays by artists and critics, exhibition posters, invitations and press releases.
Video documentation from the archive allows us to trace the careers of particular artists and identify the general currents of the Moscow art scene. Footage from the archive has already enabled the production of a range of films including the seven‑part Chronicles of Moscow Contemporary Art, and has been used in the making of many other documentaries and films about exhibitions in Moscow and abroad, as well as in educational events.

Art Projects Foundation archive

Лекция Маргариты Тупицыной и артист‑ток (дискуссия) с Андреем Молодкиным состоялись 11 февраля 2012 года и были приурочены к его персональной выставке Crude в Музее современного искусства Station.

Margarita Tupitsyn. Socio-Formalism or Aestetics of The Factory / Andrei Molodkin. Artist talk

A Green Discourse in an Expositional Frame (Anticipatory Commentary on “The Green Show”)

An Inspector's Statement

Participation/Compassion

Десять листов, машинопись с рукописными пометками. 

Перевод текста был опубликован в каталоге выставки The Green Show в галерее Exit Art, Нью‑Йорк.

Текст Иосифа Бакштейна «Коммунальные серии Ильи Кабакова»

Два листа, цифровая печать, машинопись.

The Green Show. Travelling Exhibition Fact Sheet

Один лист, копия страницы каталога.

Страница каталога The Green Show

Exit Art

New York City

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International exhibitions by Russian artists

Moscow Conceptualism

Group exhibition catalogue

Мастеркова‑Тупицына Маргарита

Author

Родился в Одессе в семье художников. Представитель школы московского концептуализма. В 1987 году вместе с Павлом Пепперштейном и Юрием Лейдерманом основал группу «Инспекция „Медицинская герменевтика“». Автор романа «Мифогенная любовь каст» (совместно с Павлом Пепперштейном). Участник «Клуба авангардистов» (КЛАВА), группы «Облачная комиссия», Международной федерации художников ЮНЕСКО (IFA). В 2003 году выступил одним из основателей исследовательской лаборатории в области современной музыки «Оркестр неизвестных инструментов» (О.Н.И.).

Ануфриев Сергей

Article author

Агамов‑Тупицын Виктор

Пепперштейн Павел

Бакштейн Иосиф

Рыклин Михаил

Andrei Monastyrsky was born in Petsamo (Pechenga, Murmansk Oblast). He graduated from the Philology Faculty of Moscow State University. He was a founder (1976), theorist, and author of large‑scale actions in the group Collective Actions. He took part in the Biennale of Dissent (Venice, 1977), the 50th (main project, 2003), 52nd (main project, 2007) and 54th Venice Biennale (Russian Pavilion, 2011) and also documenta 12 (Kassel, 2007). He is a recipient of the Andrei Bely Prize for his important contribution to the development of Russian literature (2003) and the Innovation Prize in the nominations Theory, Criticism, Art History (2010) and For Creative Contribution to the Development of Contemporary Art (2015).

Монастырский Андрей

The Green Show

Details