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Издание, приуроченное к первой в России полномасштабной ретроспективе некрореализма — оригинального художественного движения, возникшего в Ленинграде в середине 1980‑х годов. Событие проходило в Московском музее современного искусства в 2011 году.

Некрореализм

Available on request

<h2>About the Collection</h2>
In 2018, Garage Museum of Contemporary Art began building an archive collection that brought together materials related to the history of the local scene since the 1950s and documents covering the latest developments in contemporary art. 

The collection contains materials on the key artists and events of the St. Petersburg art scene, self‑organized initiatives, short‑lived artist associations, and various subcultures. The archive contains sections devoted to particular artists, events, institutions, street art and graffiti, and club culture. The core of the collection is formed by ephemera related to exhibitions and events (posters, programs, press releases, invitations, booklets), both digital and analogue. The collection also features archival documents, photographs, original artworks and prints, as well as zines. The library collection contains 4,000 publications on the history of Russian and international art in the twentieth and twenty‑first centuries. 

The collection expands through donations from artists, curators, researchers, collectors, and institutions, as well as through acquisitions based on research activity by Garage staff. The collection contains an archive and a library, which are continuously supplemented with new materials reflecting changes in the contemporary art scene and capturing important cultural phenomena of recent decades.

About the Collection
In 2018, Garage Museum of Contemporary Art began building an archive collection that brought together materials related to the history of the local scene since the 1950s and documents covering the latest developments in contemporary art. 

The collection contains materials on the key artists and events of the St. Petersburg art scene, self‑organized initiatives, short‑lived artist associations, and various subcultures. The archive contains sections devoted to particular artists, events, institutions, street art and graffiti, and club culture. The core of the collection is formed by ephemera related to exhibitions and events (posters, programs, press releases, invitations, booklets), both digital and analogue. The collection also features archival documents, photographs, original artworks and prints, as well as zines. The library collection contains 4,000 publications on the history of Russian and international art in the twentieth and twenty‑first centuries. 

The collection expands through donations from artists, curators, researchers, collectors, and institutions, as well as through acquisitions based on research activity by Garage staff. The collection contains an archive and a library, which are continuously supplemented with new materials reflecting changes in the contemporary art scene and capturing important cultural phenomena of recent decades.

Garage Museum of Contemporary Art archive in St. Petersburg

Московский музей современного искусства в Ермолаевском переулке

Moscow

L47613.jpg

Graphic art

Painting

Installation

Moscow Biennale of Contemporary Art

Necrorealism

Objects

Group exhibition catalogue

Tsereteli Vasili

Preface

Weibel Peter

Article author

Imanse Geurt

Borovsky Alexander

Mazin Viktor

Turkina Olesya

Podgorskaya Nelly

Compiling Editor

Kurmoyartsev (The Dead) Andrei

Mentioned

Tsirkul Yuri

Kondratiev (Debil) Evgeny

Mortyukov Anatoly

Bezrukov Igor

Родился в Ленинграде. Окончил Высшее техническое учебное заведение при Ленинградском механическом заводе (1984). В том же году организовал любительскую студию экспериментального кино «Мжалалафильм». В 1980–1990‑х принимал участие в выставках группы «Новые художники», а также в перформативных выступлениях оркестра «Поп‑механика» Сергея Курёхина. В 1987–1988 годах проходил стажировку на киностудии «Ленфильм» в киношколе Александра Сокурова. Автор полнометражного фильма «Папа, умер Дед Мороз» (1991), получившего Гран‑при международного кинофестиваля в Римини (Италия, 1992). Экспонент программы Filmmaker in Focus Роттердамского кинофестиваля (2005). Лауреат премии им. Сергея Курёхина в номинации «Произведение визуального искусства» (2012).

Yufit Yevgeniy

Некрореализм

Details