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Книга представляет собой документацию нереализованного проекта Ильи и Эмилии Кабаковых «Памятник исчезнувшей цивилизации» и одноимённой инсталляции, впервые построенной художниками в итальянском Палермо в 1999 году. Тотальная инсталляция воплощала идею подземного города‑музея, включающего в себя 38 отдельных инсталляций разных лет, разделённых на семь тематических «районов».

Илья и Эмилия Кабаковы: Памятник исчезнувшей цивилизации. Проект в форме тотальной инсталляции

Available on request

In 2012, Garage Center for Contemporary Culture acquired the archive of Art Projects Foundation, which became the core of its own archive collection. In 2014, the Center became Garage Museum of Contemporary Art and its archive became a museum collection. The collection has inherited the structure of the Art Projects Foundation archive and contains documents on Russian contemporary artists and art events, press cuttings, press releases, exhibition booklets, invitations, programs, and posters.


See also <a href="/en/catalogue/collection/garage‑center‑for‑contemporary‑culture">Archive of Garage Center for Contemporary Culture</a>


In 2012, Garage Center for Contemporary Culture acquired the archive of Art Projects Foundation, which became the core of its own archive collection. In 2014, the Center became Garage Museum of Contemporary Art and its archive became a museum collection. The collection has inherited the structure of the Art Projects Foundation archive and contains documents on Russian contemporary artists and art events, press cuttings, press releases, exhibition booklets, invitations, programs, and posters.


See also Archive of Garage Center for Contemporary Culture

Garage Museum of Contemporary Art archive

Илья и Эмилия Кабаковы. Памятник исчезнувшей цивилизации

Государственный Эрмитаж

St. Petersburg

Image_25216.jpg

Installation

Moscow Conceptualism

Solo exhibition catalogue

Пиотровский Михаил

Article author

Шульц Марина

Родился в Днепропетровске. Ведущий представитель московского концептуализма, создатель жанра тотальной инсталляции. Окончил отделение графики Московского государственного художественного института им. В. И. Сурикова (1951). После окончания вуза занимался иллюстрацией книг для издательств «Малыш» и «Детская литература». Со второй половины 1950‑х стал заниматься собственными художественными проектами. В 1988 году переехал в Нью‑Йорк, с 1989 года работал в соавторстве с женой Эмилией Кабаковой. Многократный участник крупных международных проектов в России и за рубежом: documenta IX (1993), Венецианской биеннале (1977 — Биеннале диссидентов; 1993 — павильон СНГ; 1988, 1997, 2001, 2003, 2007 — основной проект) и др.

Кабаков Илья

Ilya and Emilia Kabakovy

Mentioned

Moscow

Бюро Маяк

Moscow, Garage Archive Collection

Russian artists of the second half of the 20th century and the 21st century

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Илья и Эмилия Кабаковы: Памятник исчезнувшей цивилизации. Проект в форме тотальной инсталляции

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