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Каталог к выставке Товарищества «Искусство или смерть» в рамках программы «Добрые друзья», прошедшей в 1990 году в Москве. Каталог содержит статьи Александра и Дмитрия Гутовых, диалог С. Ануфриева и П. Пепперштейна, а также фотографии и репродукции представленных на выставке работ.

За культурный отдых

Available on request

<p>
Art Projects Foundation came into existence in 2001, partly as a replacement for the Soros Center for Contemporary Art, which was active between 1994 and 2000. Its archive was transferred to the Foundation with the help of a grant from the Open Society Institute. In the 11 years it was managed by the Foundation, the archive saw the addition of new documents and publications donated by Moscow artists and art historians, and new material gathered by the staff. One of the main contributors to the archive was Yulia Ovchinnikova, an art historian and filmmaker who started documenting the Moscow art scene in 1994.</p>
<h2>The Archive</h2>
<p>
The archive contains documentary materials relating to contemporary art in Moscow, Saint Petersburg, and other cities within Russia dating back to the late 1950s. Materials include documentary photographs and videos, articles published by newspapers and magazines, unpublished essays by artists and critics, exhibition posters, invitations and press releases.
Video documentation from the archive allows us to trace the careers of particular artists and identify the general currents of the Moscow art scene. Footage from the archive has already enabled the production of a range of films including the seven‑part Chronicles of Moscow Contemporary Art, and has been used in the making of many other documentaries and films about exhibitions in Moscow and abroad, as well as in educational events.</p>


Art Projects Foundation came into existence in 2001, partly as a replacement for the Soros Center for Contemporary Art, which was active between 1994 and 2000. Its archive was transferred to the Foundation with the help of a grant from the Open Society Institute. In the 11 years it was managed by the Foundation, the archive saw the addition of new documents and publications donated by Moscow artists and art historians, and new material gathered by the staff. One of the main contributors to the archive was Yulia Ovchinnikova, an art historian and filmmaker who started documenting the Moscow art scene in 1994.
The Archive

The archive contains documentary materials relating to contemporary art in Moscow, Saint Petersburg, and other cities within Russia dating back to the late 1950s. Materials include documentary photographs and videos, articles published by newspapers and magazines, unpublished essays by artists and critics, exhibition posters, invitations and press releases.
Video documentation from the archive allows us to trace the careers of particular artists and identify the general currents of the Moscow art scene. Footage from the archive has already enabled the production of a range of films including the seven‑part Chronicles of Moscow Contemporary Art, and has been used in the making of many other documentaries and films about exhibitions in Moscow and abroad, as well as in educational events.

Art Projects Foundation archive

Выставочный зал «На Каширке»

Moscow

otd.jpg

1990s

Moscow Conceptualism

Unofficial art

Group exhibition catalogue

Dmitry Gutov was born in 1960 in Moscow. He studied in the Psychology Faculty at Moscow V. I. Lenin State Pedagogical Institute and graduated from the Easel Painting Faculty of the People’s Correspondence University of the Arts and the Department of History and Theory of Visual Art of the Repin Institute of Painting, Sculpture, and Architecture (St. Petersburg). In 1994, he founded the Lifshitz Institute. He took part in the 46th (Russian Pavilion, 1995) and 53rd Venice Biennale (main project, 2011), Manifesta 1 (Rotterdam, 1996), documenta 12 (Kassel, 2007), and other exhibitions.

Гутов Дмитрий

Article author

Гутов Александр

Родился в Одессе в семье художников. Представитель школы московского концептуализма. В 1987 году вместе с Павлом Пепперштейном и Юрием Лейдерманом основал группу «Инспекция „Медицинская герменевтика“». Автор романа «Мифогенная любовь каст» (совместно с Павлом Пепперштейном). Участник «Клуба авангардистов» (КЛАВА), группы «Облачная комиссия», Международной федерации художников ЮНЕСКО (IFA). В 2003 году выступил одним из основателей исследовательской лаборатории в области современной музыки «Оркестр неизвестных инструментов» (О.Н.И.).

Ануфриев Сергей

Mentioned

Аксёнов Павел

Богдалов Фарид

Бохоров Константин

Бурый Игорь

Войцехов Леонид

Заровный Артём

Konstantin Zvezdochotov was born in Moscow. From 1976 to 1981 he studied in the Production Department of the Higher School and Studio of Moscow Gorky Academic Art Theater. He was a founder and member of numerous art groups, including Toadstool Group and World Champions. Selected group exhibitions: 44th Venice Biennale (Aperto, 1990); documenta 9, Kassel (1992), 3rd Istanbul Biennial (1992); 2nd and 3rd Cetinski Bijenale (1994, 1997); 50th Venice Biennale (Russian Pavilion, 2003).

Звездочётов Константин

Зильберштейн Исидор

Китуп Илья

Козлов Николай

Константинова Мария

Кошляков Валерий

Родился в Одессе. Окончил Московский химико‑технологический институт им. Д. И. Менделеева (1987). С 1982 года входил в круг московской концептуальной школы. В 1987 году вместе с Павлом Пепперштейном и Сергеем Ануфриевым основал группу «Инспекция „Медицинская герменевтика“». Участник 3‑й Стамбульской биеннале (1992), 1‑й Европейской биеннале «Манифеста» (Роттердам, 1996), 50‑й Венецианской биеннале (2003) и др.

Лейдерман Юрий

За культурный отдых

Details