From May 18 to&nbsp;June 9 new works will be&nbsp;installed in&nbsp;open storage. Tickets for the project <a href="https://garagemca.org/en/open-storage/the-woman-artist-s-book-tattooed-with-emptiness" target="_blank">The Woman Artist&rsquo;s Book: Tattooed with Emptiness</a> are available at&nbsp;50% discount.

Please note

7-9 years 

10-14 years 

15-17 years 

0-6 years 

Architecture

Photo

Journalism

Psychology

Music

Family

Stream

Series

Seminars, Workshops and Training

Lectures & Talks

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Interview

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Garage publishing program in collaboration with Artguide Editions

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Garage Dance

Academic program

Grants

Field research

Patronship

Garage Studios

Mosaic Music

GARAGE Student

Garage.txt

Film festival

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Tactile models

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GARAGE Individual

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Events at Garage

Garage publishing program and Strelka Press 

Text

Audio

Video

Feature

Guide

GARAGE Individual +1

Research laboratories

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Subtitles

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Quiet room

Translation to uzbek, tajik, and kyrgyz

GARAGE Premium

“We Treasure Our Lucid Dreams”

Space 1520

Contemporary Critical Thought

Directors’ series

The Garage Journal

GARAGE Circle

Temporality

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GARAGE Collectors Circle  

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7-11 years

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Garage Café

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Oleg Baranov Going Down

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Shelf of the Month. Theatrе

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Open call

Shelf of the Month. Cinema

Shelf of the Month. Modern Dance

Projects Oral History and Oral History 2.0

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Open storage

Research Laboratory: I Am a Parcel, You Are a Stamp

VOKS kinema Research Laboratory

Avant-Garde Center Laboratory for the Study of Soviet Art Series

LISI_TsA

Region reviews

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8-14

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GARAGE + Ad Marginem

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Garage publishing program in collaboration with Ad Marginem Press

Garage publishing program in collaboration with Ad Marginem Press. GARAGE PRO Series

Garage publishing program in collaboration with Ad Marginem Press. Minima Series

City tours

Exhibition tours

Seminars, workshops & training

Lectures & talks

Издание к выставке «Не игрушки!?», проходившей в Третьяковской галерее на Крымском Валу с 22 сентября по 8 ноября 2009 года.

Не игрушки!? / Not Toys!?

Available on request

<h2>About the Collection</h2>
In 2018, Garage Museum of Contemporary Art began building an archive collection that brought together materials related to the history of the local scene since the 1950s and documents covering the latest developments in contemporary art. 

The collection contains materials on the key artists and events of the St. Petersburg art scene, self‑organized initiatives, short‑lived artist associations, and various subcultures. The archive contains sections devoted to particular artists, events, institutions, street art and graffiti, and club culture. The core of the collection is formed by ephemera related to exhibitions and events (posters, programs, press releases, invitations, booklets), both digital and analogue. The collection also features archival documents, photographs, original artworks and prints, as well as zines. The library collection contains 4,000 publications on the history of Russian and international art in the twentieth and twenty‑first centuries. 

The collection expands through donations from artists, curators, researchers, collectors, and institutions, as well as through acquisitions based on research activity by Garage staff. The collection contains an archive and a library, which are continuously supplemented with new materials reflecting changes in the contemporary art scene and capturing important cultural phenomena of recent decades.

About the Collection
In 2018, Garage Museum of Contemporary Art began building an archive collection that brought together materials related to the history of the local scene since the 1950s and documents covering the latest developments in contemporary art. 

The collection contains materials on the key artists and events of the St. Petersburg art scene, self‑organized initiatives, short‑lived artist associations, and various subcultures. The archive contains sections devoted to particular artists, events, institutions, street art and graffiti, and club culture. The core of the collection is formed by ephemera related to exhibitions and events (posters, programs, press releases, invitations, booklets), both digital and analogue. The collection also features archival documents, photographs, original artworks and prints, as well as zines. The library collection contains 4,000 publications on the history of Russian and international art in the twentieth and twenty‑first centuries. 

The collection expands through donations from artists, curators, researchers, collectors, and institutions, as well as through acquisitions based on research activity by Garage staff. The collection contains an archive and a library, which are continuously supplemented with new materials reflecting changes in the contemporary art scene and capturing important cultural phenomena of recent decades.

Garage Museum of Contemporary Art archive in St. Petersburg

Not Toys!?

Государственная Третьяковская галерея на Крымском Валу

Moscow

L71493.jpg

Assemblage

Graphic art

Painting

Installation

Objects

Group exhibition catalogue

Epikhin Sergei

Article author

Lebedeva Yuliya

Kiesewalter George

Berezkina Elena

Svetlyakov Kirill

Silaeva Asya

Compiling Editor

Editor

Konstantin Zvezdochotov was born in Moscow. From 1976 to 1981 he studied in the Production Department of the Higher School and Studio of Moscow Gorky Academic Art Theater. He was a founder and member of numerous art groups, including Toadstool Group and World Champions. Selected group exhibitions: 44th Venice Biennale (Aperto, 1990); documenta 9, Kassel (1992), 3rd Istanbul Biennial (1992); 2nd and 3rd Cetinski Bijenale (1994, 1997); 50th Venice Biennale (Russian Pavilion, 2003).

Zvezdochotov Konstantin

Mentioned

Jermolaewa Anna

Konstantinova Maria

Родился в Одессе. Окончил Московский химико‑технологический институт им. Д. И. Менделеева (1987). С 1982 года входил в круг московской концептуальной школы. В 1987 году вместе с Павлом Пепперштейном и Сергеем Ануфриевым основал группу «Инспекция „Медицинская герменевтика“». Участник 3‑й Стамбульской биеннале (1992), 1‑й Европейской биеннале «Манифеста» (Роттердам, 1996), 50‑й Венецианской биеннале (2003) и др.

Leiderman Yuri

Не игрушки!? / Not Toys!?

Details