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Пятый зин в серии «Открытый ключ» с переводом статьи Давиды Фернандес‑Баркан «Russian Train Graffiti: A History of Performance», опубликованной в 2022 году в журнале Social Semiotics. 
28‑й экземпляр из общего числа 30 копий.

Давида Фернандес-Баркан. Российское граффити на поездах: история перформанса

Available on request

In 2012, Garage Center for Contemporary Culture acquired the archive of Art Projects Foundation, which became the core of its own archive collection. In 2014, the Center became Garage Museum of Contemporary Art and its archive became a museum collection. The collection has inherited the structure of the Art Projects Foundation archive and contains documents on Russian contemporary artists and art events, press cuttings, press releases, exhibition booklets, invitations, programs, and posters.


See also <a href="/en/catalogue/collection/garage‑center‑for‑contemporary‑culture">Archive of Garage Center for Contemporary Culture</a>


In 2012, Garage Center for Contemporary Culture acquired the archive of Art Projects Foundation, which became the core of its own archive collection. In 2014, the Center became Garage Museum of Contemporary Art and its archive became a museum collection. The collection has inherited the structure of the Art Projects Foundation archive and contains documents on Russian contemporary artists and art events, press cuttings, press releases, exhibition booklets, invitations, programs, and posters.


See also Archive of Garage Center for Contemporary Culture

Garage Museum of Contemporary Art archive

Image_22239.jpg

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If our soup can could speak: Mikhail Lifshitz and the Soviet Sixties

Andro Wekua. Dolphin in the Fountain

Давида Фернандес-Баркан. Российское граффити на поездах: история перформанса

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