On&nbsp;Saturday November 23 the 0+ Space will be&nbsp;closed.

Please note

7-9 years 

10-14 years 

15-17 years 

0-6 years 

Architecture

Photo

Journalism

Psychology

Music

Books in English

Family

Garage Dance

Garage.txt

Garage Screen

Stream

Contemporary Critical Thought

Directors’ series

The Garage Journal

Exhibition catalogues

Research

Children's books

Garage + Ad Marginem

Seminars, Workshops and Training

Lectures & Talks

Concerts & Performances

Film Screenings

Exhibitions

Courses

Tours

Concerts & performances

Conferences

Exhibitions & projects

News

Interview

Talks

Lecture cycles

Conferences and seminars

Book presentations

Art Guide

Garage publishing program

Sponsors, patrons, and partners

Information partners

Garage publishing program in collaboration with Artguide Editions

Garage International Publishing Program

Library events

Books in english

Russian

English

Bilingual (russian/english)

Film programs

GARAGE Club

Programs for exhibitions

Events

Garage Live

Academic program

Grants

Field research

Patronship

Garage Studios

Mosaic Music

GARAGE Student

Film festival

Film distribution

Sign language

Mental disabilities

Migration

Audio description

Tactile models

Accessibility guide

Physical accessibility

GARAGE Individual

Digital accessibility

Diversity

Events at Garage

Garage publishing program and Strelka Press 

Text

Audio

Video

Feature

Guide

GARAGE Individual +1

Research laboratories

Artistic research

Translation to russian sign language

Subtitles

Adapted tours

Quiet room

Translation to uzbek, tajik, and kyrgyz

GARAGE Premium

“We Treasure Our Lucid Dreams”

Space 1520

GARAGE Circle

Temporality

Disability

Affect

Overcoming

Body

Timelessness

Non-normative body

GARAGE Collectors Circle  

Experience of the other

Otherness

Developmental disabilities

Mental health

Trauma

Personal experience

Neural networks

Language

7-11 years

Plain language

Garage Café

The computer class schedule

Mediation

Oleg Baranov Going Down

Podcasts

Shelf of the Month. Theatrе

Publishing program page

Series of meetings with residents

Open call

Shelf of the Month. Cinema

Shelf of the Month. Modern Dance

Projects Oral History and Oral History 2.0

Visitors in a wheelchair

garage-txt

Open storage

Public programs

Free

Registration required

Free for exhibition ticket holders

Paid

Booking required

Booking via phone or email is required

Booking on reception is required

Off-site projects

Architecture and design

Supervision

Museology

Philosophy

Economy

Cinematography

Critical biography

Memoirs and diaries

For Garage card holders

For children

GARAGE + Ad Marginem

GARAGE PRO

Minima

Paperback

Hardcover

Hardcover with dust jacket

Book review

Professional programs

Video review

Garage publishing program in collaboration with Ad Marginem Press

Garage publishing program in collaboration with Ad Marginem Press. GARAGE PRO Series

Garage publishing program in collaboration with Ad Marginem Press. Minima Series

City tours

Exhibition tours

Seminars, workshops & training

Lectures & talks

Чёрно‑белая печать, цветные иллюстрации. Дарственная надпись рукой художника: «Саше Зайцеву на добрую память в знак старой дружбы 5.12.2000».

Каталог работ художника Николая Владимирова. 5-30 декабря 2000 г. Апатиты

Available on request

The archive contains materials from the personal archives of residents of Apatity (Murmansk Oblast) and interviews with representatives of artistic and public initiatives involved in the cultural processes of the region. It is constructed primarily around individuals and self‑organized collective initiatives and covers the period from the mid‑1970s to the end of the 2000s.
The archive is based on materials from the collection of the Apatity artist Alexander Zaitsev. Since being launched, it has been supplemented with the archive of Ravil and Olga Yusupov and other active participants of the art scene and also interviews with cultural actors and publications from local mass media.
The archive contains biographical information, interviews, information on events, press releases, exhibition photographs, collections of poems, almanacs, exhibition catalogues, journals, and articles. Most of the material comprises digital copies, with the originals retained by the authors.
Thanks to its location at the heart of Murmansk Oblast, close to major enterprises and scientific organizations, from the mid‑1960s, the young city of Apatity became a bright spot on the cultural map of Zapolyarye. Young people began to come to the city, mainly scientists and specialists in design and construction, chemistry, and mining. This intellectually saturated environment gave rise to creative initiatives and many young people became involved in artistic practices. Artists with a professional education who were members of official groups came to the city from the republics of the USSR and nearby major regional centers (Leningrad, Murmansk, and others).
There were no contemporary art institutions in Apatity. Nevertheless, for many years representatives of the local art scene, most of whom were not professional artists, organized creative groups (Spolokh, Master, Gallery M), exhibitions, and informal meetings. Events took place at various places in the city (Polyarny Cinema, Gladina Library, etc.). Some were independent and others were supported by the Kola Scientific Center of the Russian Academy of Sciences, the city authorities, and other state institutions.
The membership of artistic groups in Apatity was always fluid. Extreme mobility is a distinguishing feature of the region. Many people came to Zapolyarye temporarily. The outflow of the population in the 1990s and 2000s, during the economic slump, also influenced the structure and character of the city’s art scene. Regardless of this, many artists retained their links to Apatity and regularly took part in events in the city.
In the 1990s, a period of openness, glasnost, and interest in the Russian Arctic and the art scene there, artists from Murmansk Oblast, which borders Scandinavia, actively developed joint projects with colleagues from Finland, Norway, and Sweden. At this time there was also a search for new forms of functioning for art initiatives (including with the aim of organizing financial support). So, in 1991, Gallery M the first commercial gallery in Zapolyarye was founded in Apatity. It still exists today, although in a different form.
The art scene of Zapolyarye developed as a result of the dialogue between “amateurs” and “professionals” and attempts to form fragile temporary communities and find a balance between the “official” and the “unofficial”.
From 2020 to 2023, the archive materials were collected by independent curator and researcher Olga Shirokostup (who was Chief Curator of Radiance (Siyanie) Center for Contemporary Art, Apatity from 2021 to 2022). In 2021 and 2022, this work was done together with curator Marina Pugina.

The archive contains materials from the personal archives of residents of Apatity (Murmansk Oblast) and interviews with representatives of artistic and public initiatives involved in the cultural processes of the region. It is constructed primarily around individuals and self‑organized collective initiatives and covers the period from the mid‑1970s to the end of the 2000s.
The archive is based on materials from the collection of the Apatity artist Alexander Zaitsev. Since being launched, it has been supplemented with the archive of Ravil and Olga Yusupov and other active participants of the art scene and also interviews with cultural actors and publications from local mass media.
The archive contains biographical information, interviews, information on events, press releases, exhibition photographs, collections of poems, almanacs, exhibition catalogues, journals, and articles. Most of the material comprises digital copies, with the originals retained by the authors.
Thanks to its location at the heart of Murmansk Oblast, close to major enterprises and scientific organizations, from the mid‑1960s, the young city of Apatity became a bright spot on the cultural map of Zapolyarye. Young people began to come to the city, mainly scientists and specialists in design and construction, chemistry, and mining. This intellectually saturated environment gave rise to creative initiatives and many young people became involved in artistic practices. Artists with a professional education who were members of official groups came to the city from the republics of the USSR and nearby major regional centers (Leningrad, Murmansk, and others).
There were no contemporary art institutions in Apatity. Nevertheless, for many years representatives of the local art scene, most of whom were not professional artists, organized creative groups (Spolokh, Master, Gallery M), exhibitions, and informal meetings. Events took place at various places in the city (Polyarny Cinema, Gladina Library, etc.). Some were independent and others were supported by the Kola Scientific Center of the Russian Academy of Sciences, the city authorities, and other state institutions.
The membership of artistic groups in Apatity was always fluid. Extreme mobility is a distinguishing feature of the region. Many people came to Zapolyarye temporarily. The outflow of the population in the 1990s and 2000s, during the economic slump, also influenced the structure and character of the city’s art scene. Regardless of this, many artists retained their links to Apatity and regularly took part in events in the city.
In the 1990s, a period of openness, glasnost, and interest in the Russian Arctic and the art scene there, artists from Murmansk Oblast, which borders Scandinavia, actively developed joint projects with colleagues from Finland, Norway, and Sweden. At this time there was also a search for new forms of functioning for art initiatives (including with the aim of organizing financial support). So, in 1991, Gallery M the first commercial gallery in Zapolyarye was founded in Apatity. It still exists today, although in a different form.
The art scene of Zapolyarye developed as a result of the dialogue between “amateurs” and “professionals” and attempts to form fragile temporary communities and find a balance between the “official” and the “unofficial”.
From 2020 to 2023, the archive materials were collected by independent curator and researcher Olga Shirokostup (who was Chief Curator of Radiance (Siyanie) Center for Contemporary Art, Apatity from 2021 to 2022). In 2021 and 2022, this work was done together with curator Marina Pugina.

Archive of the Art Scene in Apatity

Scan_20231108_163127.jpg

Scan_20231108_163127_001.jpg

Scan_20231108_163127_002.jpg

Scan_20231108_163127_003.jpg

Scan_20231108_163127_004.jpg

Scan_20231108_163127_005.jpg

Autographs

Painting

Soviet official art

Vladimirov Nikolai

Author

Berlin Valerii

Compiling Editor

Designer

Kopeikin Vladimir

Illustrator

Apatity

Редакция альманаха «Живая Арктика»

Contact&nbsp;Us

Hours

GARAGE Card

Today at Garage

Youtube

Telegram

Mailing list

Subscribe to our mailing list and get the latest news from Garage

Press Mailing List

To join our press mailing list, please include your email address in the field

Toward the Source

An international online platform, initiated by Garage Museum of Contemporary Art, bringing together archives on Russian art from the postwar period to the present.

Russian Art Archive Network

If our soup can could speak: Mikhail Lifshitz and the Soviet Sixties

Andro Wekua. Dolphin in the Fountain

Каталог работ художника Николая Владимирова. 5-30 декабря 2000 г. Апатиты

Details