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Garage publishing program in collaboration with Ad Marginem Press. GARAGE PRO Series

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October. — 2015. no. 151 (151)

Open stacks

In 2012, Garage Center for Contemporary Culture acquired the archive of Art Projects Foundation, which became the core of its own archive collection. In 2014, the Center became Garage Museum of Contemporary Art and its archive became a museum collection. The collection has inherited the structure of the Art Projects Foundation archive and contains documents on Russian contemporary artists and art events, press cuttings, press releases, exhibition booklets, invitations, programs, and posters.


See also <a href="/en/catalogue/collection/garage-center-for-contemporary-culture">Archive of Garage Center for Contemporary Culture</a>


In 2012, Garage Center for Contemporary Culture acquired the archive of Art Projects Foundation, which became the core of its own archive collection. In 2014, the Center became Garage Museum of Contemporary Art and its archive became a museum collection. The collection has inherited the structure of the Art Projects Foundation archive and contains documents on Russian contemporary artists and art events, press cuttings, press releases, exhibition booklets, invitations, programs, and posters.


See also Archive of Garage Center for Contemporary Culture

Garage Museum of Contemporary Art archive

Painting

Biography

Sculpture

Installation

Theory and history of art

Politics

Japan

Lajer-Burcharth Ewa

Article author

Costello Leo

Greeley Robin Adèle

Adriasola Ignacio

Blumenthal-Barby Martin

Alter Nora M.

Melius Jeremy

Lévinas Emmanuel

Mentioned

Cruzvillegas Abraham

Farocki Harun

Picasso Pablo

Giacometti Alberto

Описание на сайте: “At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts-film, painting, music, media, photography, performance, sculpture, and literature-and their various contexts of interpretation.
Examining relationships between the arts and their critical and social contexts, October addresses a broad range of readers. Original, innovative, and provocative, each issue presents the best, most current texts by and about today’s artistic, intellectual, and critical vanguard.”

October. — 2015. no. 151 (151)

Details