7-9 years 

10-14 years 

15-17 years 

0-6 years 

Architecture

Photo

Journalism

Psychology

Music

Books in English

Family

Garage Dance

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Stream

Contemporary Critical Thought

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Art Guide

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Garage publishing program in collaboration with Artguide Editions

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Bilingual (russian/english)

Film programs

GARAGE Club

Programs for exhibitions

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Sign language

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Diversity

Events at Garage

Garage publishing program and Strelka Press 

Text

Audio

Video

Feature

Guide

GARAGE Individual +1

Research laboratories

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Translation to russian sign language

Subtitles

Adapted tours

Quiet room

Translation to uzbek, tajik, and kyrgyz

GARAGE Premium

“We Treasure Our Lucid Dreams”

Space 1520

GARAGE Circle

Temporality

Disability

Affect

Overcoming

Body

Timelessness

Non-normative body

GARAGE Collectors Circle  

Experience of the other

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Developmental disabilities

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Personal experience

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Language

7-11 years

Plain language

Garage Café

The computer class schedule

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Oleg Baranov Going Down

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Shelf of the Month. Theatrе

Publishing program page

Series of meetings with residents

Open call

Shelf of the Month. Cinema

Shelf of the Month. Modern Dance

Projects <i>Oral History</i> and <i>Oral History 2.0</i>

Visitors in a wheelchair

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Booking via phone or email is required

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Supervision

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Critical biography

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Minima

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Garage publishing program in collaboration with Ad Marginem Press

Garage publishing program in collaboration with Ad Marginem Press. GARAGE PRO Series

Garage publishing program in collaboration with Ad Marginem Press. Minima Series

City tours

Exhibition tours

Seminars, workshops & training

Lectures & talks

Наив: ХХ лет Рока

Available on request

<h2>About the archive </h2>
<p>
Tatyana Volkova’s art historical practice started at the beginning of the 2000s, under curator Andrey Erofeyev. The earliest period documented by her archive covers the projects she was involved in while working in the Department of the Newest Trends at Tsaritsyno Museum‑Reserve and the Department of the Newest Trends at State Tretyakov Gallery. In parallel to that, Volkova grew up professionally as an independent curator, soon becoming one of the pioneering Russian researchers of the new art movement known as activist art, or art activism. A key participant of art‑activist events since the late 2000s and co‑founder of the projects ZHIR (FAT), MediaUdar International Festival of Activist Art and the platform Fem‑Club, she has managed to collect a large amount of materials, including photo and video shoots, paper as well as digital documents. </p>

<p>An important part of the collection embraces records documenting the preparation of comprehensive institutional exhibitions realized with the curatorial involvement of Volkova: Russian Utopias, Garage Center for Contemporary Culture, Moscow (2010); Silence Equals Death: Art, Protest, Rock’n’Roll 1980–2010s, ARTPLAY Center of Design, Moscow (2012); global aCtIVISm, ZKM Karlsruhe (2013); 1st Garage Triennial of Contemporary Art, Garage Museum of Contemporary Art, Moscow (2017); dis/order. Art and Activism in Russia since 2000, Ludwig Forum, Aachen (2017). </p>

 <h2>About the collector </h2>

<p>Tatyana Volkova (b. 1978, Moscow) is a curator. She graduated in Cultural Management from the Moscow School of Social and Economic Sciences, where she received her master’s degree in 2000. Volkova also studied at the International Studio and Curatorial Program (ISCP) (New York, 2004). In 2000–2013 she worked in the team of curators headed by Andrey Erofeyev in the Department of the Newest Trends at Tsaritsyno Museum‑Reserve, the Department of the Newest Trends at State Tretyakov Gallery, and in the “ArtKladovka” Archive of Russian Contemporary Art.</p>

About the archive 

Tatyana Volkova’s art historical practice started at the beginning of the 2000s, under curator Andrey Erofeyev. The earliest period documented by her archive covers the projects she was involved in while working in the Department of the Newest Trends at Tsaritsyno Museum‑Reserve and the Department of the Newest Trends at State Tretyakov Gallery. In parallel to that, Volkova grew up professionally as an independent curator, soon becoming one of the pioneering Russian researchers of the new art movement known as activist art, or art activism. A key participant of art‑activist events since the late 2000s and co‑founder of the projects ZHIR (FAT), MediaUdar International Festival of Activist Art and the platform Fem‑Club, she has managed to collect a large amount of materials, including photo and video shoots, paper as well as digital documents. 

An important part of the collection embraces records documenting the preparation of comprehensive institutional exhibitions realized with the curatorial involvement of Volkova: Russian Utopias, Garage Center for Contemporary Culture, Moscow (2010); Silence Equals Death: Art, Protest, Rock’n’Roll 1980–2010s, ARTPLAY Center of Design, Moscow (2012); global aCtIVISm, ZKM Karlsruhe (2013); 1st Garage Triennial of Contemporary Art, Garage Museum of Contemporary Art, Moscow (2017); dis/order. Art and Activism in Russia since 2000, Ludwig Forum, Aachen (2017). 

 About the collector 

Tatyana Volkova (b. 1978, Moscow) is a curator. She graduated in Cultural Management from the Moscow School of Social and Economic Sciences, where she received her master’s degree in 2000. Volkova also studied at the International Studio and Curatorial Program (ISCP) (New York, 2004). In 2000–2013 she worked in the team of curators headed by Andrey Erofeyev in the Department of the Newest Trends at Tsaritsyno Museum‑Reserve, the Department of the Newest Trends at State Tretyakov Gallery, and in the “ArtKladovka” Archive of Russian Contemporary Art.

Tatiana Volkova archive

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Biography

Rock music

Self‑organization

Special collection: Artist's books and publications

Naive

Mentioned

Ivanov Alexander “Chacha”

Moscow

Moscow, Garage Archive Collection

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If our soup can could speak: Mikhail Lifshitz and the Soviet Sixties

Andro Wekua. Dolphin in the Fountain

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The collection created by the brand .solutions includes oversize cotton shirts and roomy bags made of waxed canvas

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Наив: ХХ лет Рока

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