This book is an attempt to bridge the gap between art analysis and the staggering varity of means by which art is expressed. Its premise is this: firstly, any successful form of analysis must use the same techniques to explain all forms of art; secondly, effective art analysis must presuppose that the historical consistency of art is due to a highly sophisticated but hidden logical structure observed without exception by all successful artists; and finally, such a method must apply this logical structure to reveal how and in what particular sense artistic expression changes, while remainning the same.

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