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Каталог персональной выставки Ларисы Звездочётовой «Бутоньерка», прошедшей с 1 по 31 марта 2012 года в галерее «ХудПромо» (Одесса).

Лариса Звездочётова. Бутоньерка/ Boutonniere

Available on request

In 2012, Garage Center for Contemporary Culture acquired the archive of Art Projects Foundation, which became the core of its own archive collection. In 2014, the Center became Garage Museum of Contemporary Art and its archive became a museum collection. The collection has inherited the structure of the Art Projects Foundation archive and contains documents on Russian contemporary artists and art events, press cuttings, press releases, exhibition booklets, invitations, programs, and posters.


See also <a href="/en/catalogue/collection/garage-center-for-contemporary-culture">Archive of Garage Center for Contemporary Culture</a>


In 2012, Garage Center for Contemporary Culture acquired the archive of Art Projects Foundation, which became the core of its own archive collection. In 2014, the Center became Garage Museum of Contemporary Art and its archive became a museum collection. The collection has inherited the structure of the Art Projects Foundation archive and contains documents on Russian contemporary artists and art events, press cuttings, press releases, exhibition booklets, invitations, programs, and posters.


See also Archive of Garage Center for Contemporary Culture

Garage Museum of Contemporary Art archive

Лариса Звездочётова. Бутоньерка

ХудПромо

Odessa

Звездочётова Бутоньерка обл.jpeg

Painting

Conceptual art

Оdessa Conceptualist School

Ukraine

Nikita Alexeev was born in Moscow. From 1964 to 1967, he studied at Moscow Middle Art School of the Moscow Surikov State Art Institute and then at 1905 Moscow State Academic Art College in the Department of Industrial Graphics and Advertising. From 1973 to 1976, he studied at Moscow Printing Institute in the Faculty of Artistic and Technical Design of Print Products (he did not graduate). From 1976 to 1983, he was a member of the group Collective Actions. He took part in the Biennale of Dissent (Venice, 1977). He was one of the organizers of MANI (Moscow Archive of New Art). From 1982 to 1984, he was co‑founder and director of APTART Gallery, which was located in his studio apartment in Moscow.

Alexeev Nikita

Article author

Solomon Andrew

Selina Elena

Besprozvanny Vadim

Rashkovetsky Mikhail

Compiling Editor

Rezun‑Zvezdochetova Larisa

Mentioned

Preface

Moscow, Garage Archive Collection

Russian artists of the second half of the 20th century and the 21st century

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If our soup can could speak: Mikhail Lifshitz and the Soviet Sixties

Лариса Звездочётова. Бутоньерка/ Boutonniere

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