7-9 years 

10-14 years 

15-17 years 

0-6 years 

Architecture

Photo

Journalism

Psychology

Music

Family

Stream

Series

Seminars, Workshops and Training

Lectures & Talks

Concerts & Performances

Film Screenings

Exhibitions

Courses

Tours

Concerts & performances

Conferences

Exhibitions & projects

News

Interview

Talks

Lecture cycles

Conferences and seminars

Book presentations

Art Guide

Garage publishing program

Sponsors, patrons, and partners

Information partners

Garage publishing program in collaboration with Artguide Editions

Garage International Publishing Program

Library events

Books in english

Garage Screen

Russian

English

Bilingual (russian/english)

Film programs

GARAGE Club

Programs for exhibitions

Events

Garage Live

Garage Dance

Academic program

Grants

Field research

Patronship

Garage Studios

Mosaic Music

GARAGE Student

Garage.txt

Film festival

Film distribution

Sign language

Mental disabilities

Migration

Audio description

Tactile models

Accessibility guide

Physical accessibility

GARAGE Individual

Digital accessibility

Diversity

Events at Garage

Garage publishing program and Strelka Press 

Text

Audio

Video

Feature

Guide

GARAGE Individual +1

Research laboratories

Artistic research

Translation to russian sign language

Subtitles

Adapted tours

Quiet room

Translation to uzbek, tajik, and kyrgyz

GARAGE Premium

“We Treasure Our Lucid Dreams”

Space 1520

Contemporary Critical Thought

Directors’ series

The Garage Journal

GARAGE Circle

Temporality

Disability

Affect

Overcoming

Body

Timelessness

Non-normative body

GARAGE Collectors Circle  

Experience of the other

Otherness

Developmental disabilities

Mental health

Trauma

Personal experience

Neural networks

Language

7-11 years

Plain language

Garage Café

The computer class schedule

Mediation

Oleg Baranov Going Down

Podcasts

Shelf of the Month. Theatrе

Publishing program page

Series of meetings with residents

Open call

Shelf of the Month. Cinema

Shelf of the Month. Modern Dance

Projects Oral History and Oral History 2.0

Visitors in a wheelchair

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Open storage

Public programs

Free

Registration required

Free for exhibition ticket holders

Paid

Booking required

Booking via phone or email is required

Booking on reception is required

Off-site projects

Architecture and design

Supervision

Museology

Philosophy

Economy

Cinematography

Critical biography

Memoirs and diaries

For Garage card holders

Exhibition catalogues

Research

For children

GARAGE + Ad Marginem

GARAGE PRO

Minima

Paperback

Hardcover

Hardcover with dust jacket

Book review

Professional programs

Video review

Garage publishing program in collaboration with Ad Marginem Press

Garage publishing program in collaboration with Ad Marginem Press. GARAGE PRO Series

Garage publishing program in collaboration with Ad Marginem Press. Minima Series

City tours

Exhibition tours

Seminars, workshops & training

Lectures & talks

«Конспект защиты» — иллюстрированное издание, документирующее серию настольных выставок «Защита Лужина», которые проходили в Музее Набокова в Санкт‑Петербурге летом‑осенью 2018 года. Выставки были организованы совместно с кабинетом графики WöD. Художники, представленные в кабинете, осмысляли одноимённый роман Владимира Набокова — каждый из них предлагал свою «защиту», подсказанную как сюжетом или темами романа, так и собственной творческой биографией.

Конспект защиты / Notes of the Defense

Available on request

<h2>About the Collection</h2>
In 2018, Garage Museum of Contemporary Art began building an archive collection that brought together materials related to the history of the local scene since the 1950s and documents covering the latest developments in contemporary art. 

The collection contains materials on the key artists and events of the St. Petersburg art scene, self‑organized initiatives, short‑lived artist associations, and various subcultures. The archive contains sections devoted to particular artists, events, institutions, street art and graffiti, and club culture. The core of the collection is formed by ephemera related to exhibitions and events (posters, programs, press releases, invitations, booklets), both digital and analogue. The collection also features archival documents, photographs, original artworks and prints, as well as zines. The library collection contains 4,000 publications on the history of Russian and international art in the twentieth and twenty‑first centuries. 

The collection expands through donations from artists, curators, researchers, collectors, and institutions, as well as through acquisitions based on research activity by Garage staff. The collection contains an archive and a library, which are continuously supplemented with new materials reflecting changes in the contemporary art scene and capturing important cultural phenomena of recent decades.

About the Collection
In 2018, Garage Museum of Contemporary Art began building an archive collection that brought together materials related to the history of the local scene since the 1950s and documents covering the latest developments in contemporary art. 

The collection contains materials on the key artists and events of the St. Petersburg art scene, self‑organized initiatives, short‑lived artist associations, and various subcultures. The archive contains sections devoted to particular artists, events, institutions, street art and graffiti, and club culture. The core of the collection is formed by ephemera related to exhibitions and events (posters, programs, press releases, invitations, booklets), both digital and analogue. The collection also features archival documents, photographs, original artworks and prints, as well as zines. The library collection contains 4,000 publications on the history of Russian and international art in the twentieth and twenty‑first centuries. 

The collection expands through donations from artists, curators, researchers, collectors, and institutions, as well as through acquisitions based on research activity by Garage staff. The collection contains an archive and a library, which are continuously supplemented with new materials reflecting changes in the contemporary art scene and capturing important cultural phenomena of recent decades.

Garage Museum of Contemporary Art archive in St. Petersburg

The Defense. Asya Marakulina

Санкт‑Петербургский музей В. В. Набокова

St. Petersburg

The Defense. Maria Baturina

Защита Лужина. Полина Гринберг

The Defense. Ilya Grishaev

The Defense. Mikhail Zaikanov

The Defense

L49842.jpg

Graphic art

Installation

Objects

Site‑specific

Textile (art)

Photography

Shabanov Andrey

Article author

Sergeev Danila

Compiling Editor

Baturina Maria

Mentioned

Zaikanov Mikhail

Grinberg Polina

Asya Marakulina was born in Perm. She graduated from Professional Lycee No. 1 as a computer graphics artist (Perm, 2006), the Faculty of Arts of St. Petersburg State University as an animation artist (2015), and studied at the PRO ARTE Foundation’s Young Artists’ School (St. Petersburg, 2015). She has taken part in group exhibitions, including Not a Museum. Laboratory of Aesthetic Suspicions (Novaya Industriya Art Space, St. Petersburg, 2014), Form of the Invisible (PERMM Museum of Contemporary Art, Perm, 2015; Winzavod Center for Contemporary Art, Moscow, 2016), Prospekt Nepokorennykh (Moscow Museum of Modern Art), 2017), and the 2nd Garage Triennial of Contemporary Russian Art (Garage Museum of Contemporary Art, Moscow, 2020). She is the recipient of the Credit Suisse and Cosmoscow Prize for Young Artists (2018) and a special prize of the Sergey Kuryokhin Contemporary Art Award (2019). She is a member of the association of Viennese artists IG Bildende Kunst.

Конспект защиты / Notes of the Defense

Details