From November 5 to&nbsp;25, new works will be&nbsp;installed in&nbsp;open storage. Tickets for the project <a href="https://garagemca.org/en/open-storage/open-storage-backstein-function" target="_blank">Backstein Function&sup2;</a> and&nbsp;the <a href="https://garagemca.org/ru/open-storage/the-artist-s-book-kabakov-meets-pivovarov-in-a-corridor-of-a-publishing-house" target="_blank">artists' books section</a> are available at&nbsp;half price

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Каталог опубликован по случаю персональной выставки Ирины Наховой, проходившей с 19 июня по 30 июля 2004 года в галерее Тракльхаус в Зальцбурге.

Ирина Нахова / Irina Nakhova. Works / Werke / Работы. 1973–2004

Available on request

<h2>About the Collection</h2>
In 2018, Garage Museum of Contemporary Art began building an archive collection that brought together materials related to the history of the local scene since the 1950s and documents covering the latest developments in contemporary art. 

The collection contains materials on the key artists and events of the St. Petersburg art scene, self‑organized initiatives, short‑lived artist associations, and various subcultures. The archive contains sections devoted to particular artists, events, institutions, street art and graffiti, and club culture. The core of the collection is formed by ephemera related to exhibitions and events (posters, programs, press releases, invitations, booklets), both digital and analogue. The collection also features archival documents, photographs, original artworks and prints, as well as zines. The library collection contains 4,000 publications on the history of Russian and international art in the twentieth and twenty‑first centuries. 

The collection expands through donations from artists, curators, researchers, collectors, and institutions, as well as through acquisitions based on research activity by Garage staff. The collection contains an archive and a library, which are continuously supplemented with new materials reflecting changes in the contemporary art scene and capturing important cultural phenomena of recent decades.

About the Collection
In 2018, Garage Museum of Contemporary Art began building an archive collection that brought together materials related to the history of the local scene since the 1950s and documents covering the latest developments in contemporary art. 

The collection contains materials on the key artists and events of the St. Petersburg art scene, self‑organized initiatives, short‑lived artist associations, and various subcultures. The archive contains sections devoted to particular artists, events, institutions, street art and graffiti, and club culture. The core of the collection is formed by ephemera related to exhibitions and events (posters, programs, press releases, invitations, booklets), both digital and analogue. The collection also features archival documents, photographs, original artworks and prints, as well as zines. The library collection contains 4,000 publications on the history of Russian and international art in the twentieth and twenty‑first centuries. 

The collection expands through donations from artists, curators, researchers, collectors, and institutions, as well as through acquisitions based on research activity by Garage staff. The collection contains an archive and a library, which are continuously supplemented with new materials reflecting changes in the contemporary art scene and capturing important cultural phenomena of recent decades.

Garage Museum of Contemporary Art archive in St. Petersburg

Персональная выставка Ирины Наховой

Galerie im Traklhaus

Salzburg

L48988.jpg

1970s

1980s

1990s

2000s

Austria

International exhibitions by Russian artists

Painting

Installation

Moscow Conceptualism

Russian artists abroad

Solo exhibition catalogue

German

Andrei Monastyrsky was born in Petsamo (Pechenga, Murmansk Oblast). He graduated from the Philology Faculty of Moscow State University. He was a founder (1976), theorist, and author of large‑scale actions in the group Collective Actions. He took part in the Biennale of Dissent (Venice, 1977), the 50th (main project, 2003), 52nd (main project, 2007) and 54th Venice Biennale (Russian Pavilion, 2011) and also documenta 12 (Kassel, 2007). He is a recipient of the Andrei Bely Prize for his important contribution to the development of Russian literature (2003) and the Innovation Prize in the nominations Theory, Criticism, Art History (2010) and For Creative Contribution to the Development of Contemporary Art (2015).

Монастырский Андрей

Article author

Пацюков Виталий

Торми Джон

Дёготь Екатерина

Мангуби Марина

Родилась в Москве. Живописец, график, художник книги, мастер масштабных инсталляций и энвайронментов. Окончила Московский полиграфический институт (1978). С 1978‑го — участник Клуба авангардистов (КЛАВА). В начале 1980‑х входила в круг МАНИ (Московского архива нового искусства) и художественной группы «Коллективные действия». В 2015‑м — экспонент Павильона России на 56‑й Венецианской биеннале.

Нахова Ирина

Уоллах Амей

Nikita Alexeev was born in Moscow. From 1964 to 1967, he studied at Moscow Middle Art School of the Moscow Surikov State Art Institute and then at 1905 Moscow State Academic Art College in the Department of Industrial Graphics and Advertising. From 1973 to 1976, he studied at Moscow Printing Institute in the Faculty of Artistic and Technical Design of Print Products (he did not graduate). From 1976 to 1983, he was a member of the group Collective Actions. He took part in the Biennale of Dissent (Venice, 1977). He was one of the organizers of MANI (Moscow Archive of New Art). From 1982 to 1984, he was co‑founder and director of APTART Gallery, which was located in his studio apartment in Moscow.

Алексеев Никита

Хрипун Сергей

Бакштейн Иосиф

Ковалёв Андрей

Ирина Нахова / Irina Nakhova. Works / Werke / Работы. 1973–2004

Details