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ARTMargins. — 2013. V. 2 no. 3

Available on request

In 2012, Garage Center for Contemporary Culture acquired the archive of Art Projects Foundation, which became the core of its own archive collection. In 2014, the Center became Garage Museum of Contemporary Art and its archive became a museum collection. The collection has inherited the structure of the Art Projects Foundation archive and contains documents on Russian contemporary artists and art events, press cuttings, press releases, exhibition booklets, invitations, programs, and posters.


See also <a href="/en/catalogue/collection/garage-center-for-contemporary-culture">Archive of Garage Center for Contemporary Culture</a>


In 2012, Garage Center for Contemporary Culture acquired the archive of Art Projects Foundation, which became the core of its own archive collection. In 2014, the Center became Garage Museum of Contemporary Art and its archive became a museum collection. The collection has inherited the structure of the Art Projects Foundation archive and contains documents on Russian contemporary artists and art events, press cuttings, press releases, exhibition booklets, invitations, programs, and posters.


See also Archive of Garage Center for Contemporary Culture

Garage Museum of Contemporary Art archive

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Argentina

Painting

Conceptual art

Criticism

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Palestine

Romania

Photography

Kay Ronald

Article author

Weiner Andrew Stefan

Quiles Daniel R.

Radu Magda

Schwartz Stephanie

Torre Osvaldo de la

Bernea Horia

Mentioned

Lamelas David

Nicholson Tom

Strand Paul

ARTMargins is an online/print publication that publishes original texts about contemporary art and art-related theory and philosophy from North Africa and the Middle East to the Americas, Eastern and Western Europe, Asia and Australasia, with a focus on postsocialism and neo-liberalism; postmodernism and postcolonialism and their critiques; and the problem of global art and global art history and its methodologies.

ARTMargins. — 2013. V. 2 no. 3

Details