Painting as Model
Informed by both structuralism and poststructuralism, these essays by art critic and historian Yve Alain Bois seek to redefine the status of theory in modernist critical discourse. Warning against the uncritical adoption of theoretical fashions and equally against the a priori rejection of all theory, Bois argues that theory is best employed in response to the specific demands of a critical problem. The essays lucidly demonstrate the uses of various theoretical approaches in conjunction with close reading of both paintings and texts.
Details
Storage location
Subjects
Keywords
Authors
Type
Series
Place of publication
Cambridge
Publisher
Year
1993
Number of pages
327 pages
Language
ISBN
0262023067
Open stacks or available on request
Available on request
Illustrations
Yes
Bibliography
Yes
UDC code and author sign
701.2 Boi
Volumes
1
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