From November 5 to&nbsp;25, new works will be&nbsp;installed in&nbsp;open storage. Tickets for the project <a href="https://garagemca.org/en/open-storage/open-storage-backstein-function" target="_blank">Backstein Function&sup2;</a> and&nbsp;the <a href="https://garagemca.org/ru/open-storage/the-artist-s-book-kabakov-meets-pivovarov-in-a-corridor-of-a-publishing-house" target="_blank">artists' books section</a> are available at&nbsp;half price

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Каталог выставки фотографий Геннадия Приходько 1960‑х -1980‑х годов, выполненных в жанре ню.

Обнажённая Геннадия Приходько

Available on request

<h2>About the archive</h2>
The archive donated by Gennady Prikhodko contains two parts. One is located in Moscow and includes materials related to the history of Dvizhenie (Movement) group, including archive documents (manifestos, group members’ autobiographies, scenarios of kinetic performances, etc.), photographs, sketches of installations, and private documents of Lev Nussberg. This part was collected and preserved by Prikhodko in the 1970s, when, in the process of emigration from the Soviet Union, Nussberg could not take some of his archival materials with him. It also features several letters written by Nussberg to Prikhodko.

The second part of the archive, located in St. Petersburg, is composed of photographs taken by Prikhodko from the 1970s to the 1990s. These shots document exhibitions of Leningrad non‑official artists at the Gaz House of Culture (1974), Nevsky House of Culture (1975), and Ordzhonikidze House of Culture (1976), as well as apartment exhibitions, concerts and meetings, and studio interiors of the 1970s and 1980s. The archive includes over sixty original photographs printed by the artist and over 300 digital and digitalized photographs.

Gennady Prikhodko (b. 1938) was part of “gaza‑nevskaya culture”, a grouping within Leningrad’s unofficial art scene. In the 1960s, he began taking photographs. From 1972 until the mid‑1980s, he documented numerous unofficial exhibitions and events in Leningrad. He lives and works in St. Petersburg.

About the archive
The archive donated by Gennady Prikhodko contains two parts. One is located in Moscow and includes materials related to the history of Dvizhenie (Movement) group, including archive documents (manifestos, group members’ autobiographies, scenarios of kinetic performances, etc.), photographs, sketches of installations, and private documents of Lev Nussberg. This part was collected and preserved by Prikhodko in the 1970s, when, in the process of emigration from the Soviet Union, Nussberg could not take some of his archival materials with him. It also features several letters written by Nussberg to Prikhodko.

The second part of the archive, located in St. Petersburg, is composed of photographs taken by Prikhodko from the 1970s to the 1990s. These shots document exhibitions of Leningrad non‑official artists at the Gaz House of Culture (1974), Nevsky House of Culture (1975), and Ordzhonikidze House of Culture (1976), as well as apartment exhibitions, concerts and meetings, and studio interiors of the 1970s and 1980s. The archive includes over sixty original photographs printed by the artist and over 300 digital and digitalized photographs.

Gennady Prikhodko (b. 1938) was part of “gaza‑nevskaya culture”, a grouping within Leningrad’s unofficial art scene. In the 1960s, he began taking photographs. From 1972 until the mid‑1980s, he documented numerous unofficial exhibitions and events in Leningrad. He lives and works in St. Petersburg.

Gennady Prikhodko collection

Музей Анны Ахматовой в Фонтанном Доме

St. Petersburg

При 709.204 — L33858.tif

Unofficial art

Photography

Solo exhibition catalogue

Вальран Валерий

Author

Приходько Геннадий

Mentioned

Родился в Орле. Автор объектов, перформансов, живописных работ. Графический дизайнер. Окончил Высшее художественно‑промышленное училище им. В. И. Мухиной (Ленинград). Соорганизатор «Товарищества Новые Тупые» (1996). Соавтор многих перформансов группы, а также автор индивидуальных перформансов. В конце 1990‑х одним из направлений его практики было создание саморазрушающихся перформативных объектов и сайт‑специфичных объектов из найденных материалов. В 2000‑е годы стал участником художественного объединения PARAZIT. С первой половины 1990‑х работает графическим дизайнером издательства галереи «Борей».

Панин Игорь

Designer

St. Petersburg, Garage Archive Collection

Russian artists of the second half of the 20th century and the 21st century

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An international online platform, initiated by Garage Museum of Contemporary Art, bringing together archives on Russian art from the postwar period to the present.

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If our soup can could speak: Mikhail Lifshitz and the Soviet Sixties

Andro Wekua. Dolphin in the Fountain

The Other Trans-Atlantic

Обнажённая Геннадия Приходько

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