From April 21 to&nbsp;30 we&nbsp;will be&nbsp;installing new works in&nbsp;some parts of&nbsp;open storage. We&nbsp;recommend you visit during a&nbsp;<a href="https://garagemca.org/en/event/mediations-of-the-project-open-storage-a-prologue" target="_blank">mediated tour</a>.

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Artforum International. — 1994. V. 33 no. 4

Available on request

Art Projects Foundation came into existence in 2001, partly as a replacement for the Soros Center for Contemporary Art, which was active between 1994 and 2000. Its archive was transferred to the Foundation with the help of a grant from the Open Society Institute. In the 11 years it was managed by the Foundation, the archive saw the addition of new documents and publications donated by Moscow artists and art historians, and new material gathered by the staff. One of the main contributors to the archive was Yulia Ovchinnikova, an art historian and filmmaker who started documenting the Moscow art scene in 1994.
<h2>The Archive</h2>

The archive contains documentary materials relating to contemporary art in Moscow, Saint Petersburg, and other cities within Russia dating back to the late 1950s. Materials include documentary photographs and videos, articles published by newspapers and magazines, unpublished essays by artists and critics, exhibition posters, invitations and press releases.
Video documentation from the archive allows us to trace the careers of particular artists and identify the general currents of the Moscow art scene. Footage from the archive has already enabled the production of a range of films including the seven‑part Chronicles of Moscow Contemporary Art, and has been used in the making of many other documentaries and films about exhibitions in Moscow and abroad, as well as in educational events.


Art Projects Foundation came into existence in 2001, partly as a replacement for the Soros Center for Contemporary Art, which was active between 1994 and 2000. Its archive was transferred to the Foundation with the help of a grant from the Open Society Institute. In the 11 years it was managed by the Foundation, the archive saw the addition of new documents and publications donated by Moscow artists and art historians, and new material gathered by the staff. One of the main contributors to the archive was Yulia Ovchinnikova, an art historian and filmmaker who started documenting the Moscow art scene in 1994.
The Archive

The archive contains documentary materials relating to contemporary art in Moscow, Saint Petersburg, and other cities within Russia dating back to the late 1950s. Materials include documentary photographs and videos, articles published by newspapers and magazines, unpublished essays by artists and critics, exhibition posters, invitations and press releases.
Video documentation from the archive allows us to trace the careers of particular artists and identify the general currents of the Moscow art scene. Footage from the archive has already enabled the production of a range of films including the seven‑part Chronicles of Moscow Contemporary Art, and has been used in the making of many other documentaries and films about exhibitions in Moscow and abroad, as well as in educational events.

Art Projects Foundation archive

History of exhibitions

Cinema

Curatorial practices

Literature

Fashion

Television

Slonim Jeffrey

Article author

Mosquera Gerardo

Marcus Greil

Coupland Douglas

Schwartzman Allan

Shiff Richard

Chua Lawrence

Hultkrans Andrew

Eugenides Jeffrey

Lieberman Rhonda

Rajchman John

Davidson Cathy N.

Mann Sally

Mentioned

Gutiérrez Alea Tomás

Wood Ed

Koolhaas Rem

Kline Franz

Международный журнал художественной критики, сосредоточенный на проблемах современного искусства. Выходит в количестве 10 номеров в год. Главный редактор (с 2003 года) — Тим Гриффин.
Был основан в 1962 году в Сан‑Франциско, в 1965 перебрался в Лос‑Анджелес, в 1967 — в Нью‑Йорк, где и выпускается до нынешнего дня.

Artforum International. — 1994. V. 33 no. 4

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