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Artforum International. — 1974. V. XII no. 9

Available on request

In 2012, Garage Center for Contemporary Culture acquired the archive of Art Projects Foundation, which became the core of its own archive collection. In 2014, the Center became Garage Museum of Contemporary Art and its archive became a museum collection. The collection has inherited the structure of the Art Projects Foundation archive and contains documents on Russian contemporary artists and art events, press cuttings, press releases, exhibition booklets, invitations, programs, and posters.


See also <a href="/en/catalogue/collection/garage-center-for-contemporary-culture">Archive of Garage Center for Contemporary Culture</a>


In 2012, Garage Center for Contemporary Culture acquired the archive of Art Projects Foundation, which became the core of its own archive collection. In 2014, the Center became Garage Museum of Contemporary Art and its archive became a museum collection. The collection has inherited the structure of the Art Projects Foundation archive and contains documents on Russian contemporary artists and art events, press cuttings, press releases, exhibition booklets, invitations, programs, and posters.


See also Archive of Garage Center for Contemporary Culture

Garage Museum of Contemporary Art archive

001.jpg

002.jpg

Painting

Alloway Lawrence

Article author

Kozloff Max

Locke John W.

Masheck Joseph

Krauss Rosalind

Plagens Peter

Abish Cecile

Mentioned

Lawder Stanish

Magritte René

Grosvenor Robert

Международный журнал художественной критики, сосредоточенный на проблемах современного искусства. Выходит в количестве 10 номеров в год. Главный редактор (с 2003 года) — Тим Гриффин.
Был основан в 1962 году в Сан‑Франциско, в 1965 перебрался в Лос‑Анджелес, в 1967 — в Нью‑Йорк, где и выпускается до нынешнего дня.

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If our soup can could speak: Mikhail Lifshitz and the Soviet Sixties

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Artforum International. — 1974. V. XII no. 9

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