Kant After Duchamp
Kant after Duchamp brings together eight essays around a central thesis with many implications for the history of avant-gardes. Although Duchamp's readymades broke with all previously known styles, de Duve observes that he made the logic of modernist art practice the subject matter of his work, a shift in aesthetic judgment that replaced the classical “this is beautiful” with “this is art.” De Duve employs this shift (replacing the word “beauty” by the word “art”) in a rereading of Kant's Critique of Judgment that reveals the hidden links between the radical experiments of Duchamp and the Dadaists and mainstream pictorial modernism.
Details
Storage location
Subjects
Authors
Personalities
Type
Place of publication
Cambridge
Publisher
Year
1998
Number of pages
484 pages
Language
ISBN
9780262540940
Open stacks or available on request
Available on request
Illustrations
Yes
Bibliography
No
UDC code and author sign
701.2 Duv
Volumes
1
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