On&nbsp;Wednesday November 26, the Museum, Library, Caf&eacute; and Shop will be&nbsp;closed.
On&nbsp;Friday November 28, the Museum, Library, Caf&eacute; and Shop will be&nbsp;closed.
From November 5 to&nbsp;25, new works will be&nbsp;installed in&nbsp;open storage. Tickets for the project <a href="https://garagemca.org/en/open-storage/open-storage-backstein-function" target="_blank">Backstein Function&sup2;</a> and&nbsp;the <a href="https://garagemca.org/ru/open-storage/the-artist-s-book-kabakov-meets-pivovarov-in-a-corridor-of-a-publishing-house" target="_blank">artists' books section</a> are available at&nbsp;half price

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Garage publishing program in collaboration with Ad Marginem Press. GARAGE PRO Series

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Первое издание альманаха «Синий всадник» — манифеста западноевропейских авангардистов — на русском языке. Вышедший в Мюнхене в 1912 году, он был в значительной своей части явлением русской культуры «серебряного века» с её поиском высокого духовного содержания, идеей синтеза звука, цвета, движения, слова, линии, с её желанием вырваться за рамки национального.

Синий всадник

Available on request

Art Projects Foundation came into existence in 2001, partly as a replacement for the Soros Center for Contemporary Art, which was active between 1994 and 2000. Its archive was transferred to the Foundation with the help of a grant from the Open Society Institute. In the 11 years it was managed by the Foundation, the archive saw the addition of new documents and publications donated by Moscow artists and art historians, and new material gathered by the staff. One of the main contributors to the archive was Yulia Ovchinnikova, an art historian and filmmaker who started documenting the Moscow art scene in 1994.
<h2>The Archive</h2>

The archive contains documentary materials relating to contemporary art in Moscow, Saint Petersburg, and other cities within Russia dating back to the late 1950s. Materials include documentary photographs and videos, articles published by newspapers and magazines, unpublished essays by artists and critics, exhibition posters, invitations and press releases.
Video documentation from the archive allows us to trace the careers of particular artists and identify the general currents of the Moscow art scene. Footage from the archive has already enabled the production of a range of films including the seven‑part Chronicles of Moscow Contemporary Art, and has been used in the making of many other documentaries and films about exhibitions in Moscow and abroad, as well as in educational events.


Art Projects Foundation came into existence in 2001, partly as a replacement for the Soros Center for Contemporary Art, which was active between 1994 and 2000. Its archive was transferred to the Foundation with the help of a grant from the Open Society Institute. In the 11 years it was managed by the Foundation, the archive saw the addition of new documents and publications donated by Moscow artists and art historians, and new material gathered by the staff. One of the main contributors to the archive was Yulia Ovchinnikova, an art historian and filmmaker who started documenting the Moscow art scene in 1994.
The Archive

The archive contains documentary materials relating to contemporary art in Moscow, Saint Petersburg, and other cities within Russia dating back to the late 1950s. Materials include documentary photographs and videos, articles published by newspapers and magazines, unpublished essays by artists and critics, exhibition posters, invitations and press releases.
Video documentation from the archive allows us to trace the careers of particular artists and identify the general currents of the Moscow art scene. Footage from the archive has already enabled the production of a range of films including the seven‑part Chronicles of Moscow Contemporary Art, and has been used in the making of many other documentaries and films about exhibitions in Moscow and abroad, as well as in educational events.

Art Projects Foundation archive

сканирование0541.jpg

Abstract art

Painting

Blue Rider

Expressionism

Collection

Kandinsky Wassily

Author

Marc Franz

Pyshnovskaya Zinaida

Article author

Mentioned

Burlyuk David

Larionov Mikhail

Translator

Moscow

Изобразительное искусство

Moscow, Garage Archive Collection

Movements and styles in the art of the first half of the 20th century, international (Dadaism, Surrealism, Cubism)

Синий всадник

Details