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Каталог выставки с одноимённым названием, объединившей московских концептуалистов — художников и литераторов — в одну знаковую систему, так называемое досье эпохи. «Возможно, что Каталог станет (и уже становится) только фактом истории» (В. Левашов).

Каталог/ Catalogue

Available on request

Leonid Talochkin began to assemble his archive in the early 1960s. It contains several thousand documents, including his personal notebooks and diaries with detailed accounts of contemporary art events in Moscow; manuscripts by underground writers, poets (Genrikh Sapgir, Yuri Mamleev), and artists (Oskar Rabin, Evgeny Kropivnitsky); and correspondence with émigré artists (Mikhail Chernyshov, Vitaly Komar and Alexander Melamid), international specialists in Slavic cultures (Jindřich Chalupecký, John Bowlt), collectors, and representatives of Russian and foreign museums and art institutions. From the 1960s through the 1990s, Talochkin also collected hundreds of photographs, exhibition invitations (including some rare handwritten ones), booklets, postcards, slides, and images of works that are now in museums and private collections in Russia and abroad. The archive also includes a collection of catalogues and books, which are now available in Garage Library.

<h2>About Leonid Talochkin</h2>

Leonid Talochkin (1936–2002) was an archivist and collector of Soviet nonconformist art. In the early 1960s, he became part of the circle around the Moscow nonconformist artists and started collecting their work. By the mid‑1970s, he had around 600 works in his possession, and devoted all his time to archiving the activities of Moscow nonconformists. To avoid accusations of parasitism (which was illegal), he worked as a concierge, stoker, and night guard.


In 1987, Talochkin began working on exhibiting his collection (Retrospection. Moscow 1957–1987 (1988) and Other Art (1991)). In 1999, he lent his collection of over 2,000 artworks to the Museum Center of the Russian State University for the Humanities in Moscow. It became the core of the Other Art Museum at RSUH, which opened in 2000.

In 2014, Talochkin’s archive was acquired by Garage Museum of Contemporary Art and in 2016 his widow, Tatiana Wendelshtein, transferred his collection from RSUH to the State Tretyakov Gallery.


Leonid Talochkin began to assemble his archive in the early 1960s. It contains several thousand documents, including his personal notebooks and diaries with detailed accounts of contemporary art events in Moscow; manuscripts by underground writers, poets (Genrikh Sapgir, Yuri Mamleev), and artists (Oskar Rabin, Evgeny Kropivnitsky); and correspondence with émigré artists (Mikhail Chernyshov, Vitaly Komar and Alexander Melamid), international specialists in Slavic cultures (Jindřich Chalupecký, John Bowlt), collectors, and representatives of Russian and foreign museums and art institutions. From the 1960s through the 1990s, Talochkin also collected hundreds of photographs, exhibition invitations (including some rare handwritten ones), booklets, postcards, slides, and images of works that are now in museums and private collections in Russia and abroad. The archive also includes a collection of catalogues and books, which are now available in Garage Library.

About Leonid Talochkin

Leonid Talochkin (1936–2002) was an archivist and collector of Soviet nonconformist art. In the early 1960s, he became part of the circle around the Moscow nonconformist artists and started collecting their work. By the mid‑1970s, he had around 600 works in his possession, and devoted all his time to archiving the activities of Moscow nonconformists. To avoid accusations of parasitism (which was illegal), he worked as a concierge, stoker, and night guard.


In 1987, Talochkin began working on exhibiting his collection (Retrospection. Moscow 1957–1987 (1988) and Other Art (1991)). In 1999, he lent his collection of over 2,000 artworks to the Museum Center of the Russian State University for the Humanities in Moscow. It became the core of the Other Art Museum at RSUH, which opened in 2000.

In 2014, Talochkin’s archive was acquired by Garage Museum of Contemporary Art and in 2016 his widow, Tatiana Wendelshtein, transferred his collection from RSUH to the State Tretyakov Gallery.

Leonid Talochkin archive

Два листа, ч/б копия обложки и страницы каталога с изображением работы Юрия Лейдермана, рукописный текст синими чернилами.

Копия страниц каталога выставки «Каталог»

Каталог / Catalogue

Московский дворец молодёжи

Moscow

Image20170717130646-001.jpg

1990s

Conceptual art

Moscow Conceptualism

Unofficial art

Group exhibition catalogue

Levashov Vladimir

Author

Dyogot Ekaterina

Article author

Pepperstein Pavel

Mentioned

Piganov Ilya

Российский поэт, библиограф и эссеист, общественный деятель. Окончил филологический факультет Московского государственного заочного педагогического института (ныне Московский государственный гуманитарный университет имени М. А. Шолохова) в 1971 году. Один из основоположников и лидеров московского концептуализма в литературе. В середине 1970‑х годов под влиянием работы с библиотечными карточками создал собственный жанр «картотеки». В 1991 году выступил составителем литературно‑художественного альманаха «Личное дело №». Член Союза писателей с 1991 года. Лауреат Премии Андрея Белого 1999 года в номинации «Критика и гуманитарные исследования», премии русской эмиграции «Liberty» в 2003 году. Лауреат литературной премии «НОС‑2012» за книгу «Знаки внимания». В 2015 году была издана книга «Большая картотека», куда вошли все тексты Рубинштейна, написанные в «карточной» манере. 

Жил и работал в Москве.

Rubinstein Lev

Albert Yuri

Andrei Monastyrsky was born in Petsamo (Pechenga, Murmansk Oblast). He graduated from the Philology Faculty of Moscow State University. He was a founder (1976), theorist, and author of large‑scale actions in the group Collective Actions. He took part in the Biennale of Dissent (Venice, 1977), the 50th (main project, 2003), 52nd (main project, 2007) and 54th Venice Biennale (Russian Pavilion, 2011) and also documenta 12 (Kassel, 2007). He is a recipient of the Andrei Bely Prize for his important contribution to the development of Russian literature (2003) and the Innovation Prize in the nominations Theory, Criticism, Art History (2010) and For Creative Contribution to the Development of Contemporary Art (2015).

Monastyrsky Andrei

Viktor Pivovarov was born in Moscow. He studied at Kalinin Moscow Art and Industrial College and in the Graphics Department of Moscow Printing Institute from 1957 to 1962. He took part in the Biennale of Dissent (Venice, 1977). He is a recipient of the Innovation Prize in the nomination For Contribution to the Development of Contemporary Art (2017).

Pivovarov Viktor

Gundlakh Sven

Родилась в Москве. Живописец, график, художник книги, мастер масштабных инсталляций и энвайронментов. Окончила Московский полиграфический институт (1978). С 1978‑го — участник Клуба авангардистов (КЛАВА). В начале 1980‑х входила в круг МАНИ (Московского архива нового искусства) и художественной группы «Коллективные действия». В 2015‑м — экспонент Павильона России на 56‑й Венецианской биеннале.

Nakhova Irina

Hänsgen Sabine

Родился в Днепропетровске. Ведущий представитель московского концептуализма, создатель жанра тотальной инсталляции. Окончил отделение графики Московского государственного художественного института им. В. И. Сурикова (1951). После окончания вуза занимался иллюстрацией книг для издательств «Малыш» и «Детская литература». Со второй половины 1950‑х стал заниматься собственными художественными проектами. В 1988 году переехал в Нью‑Йорк, с 1989 года работал в соавторстве с женой Эмилией Кабаковой. Многократный участник крупных международных проектов в России и за рубежом: documenta IX (1993), Венецианской биеннале (1977 — Биеннале диссидентов; 1993 — павильон СНГ; 1988, 1997, 2001, 2003, 2007 — основной проект) и др.

Kabakov Ilya

Каталог/ Catalogue

Details