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October. — 2013. no. 143 (143)

Available on request

In 2012, Garage Center for Contemporary Culture acquired the archive of Art Projects Foundation, which became the core of its own archive collection. In 2014, the Center became Garage Museum of Contemporary Art and its archive became a museum collection. The collection has inherited the structure of the Art Projects Foundation archive and contains documents on Russian contemporary artists and art events, press cuttings, press releases, exhibition booklets, invitations, programs, and posters.


See also <a href="/en/catalogue/collection/garage-center-for-contemporary-culture">Archive of Garage Center for Contemporary Culture</a>


In 2012, Garage Center for Contemporary Culture acquired the archive of Art Projects Foundation, which became the core of its own archive collection. In 2014, the Center became Garage Museum of Contemporary Art and its archive became a museum collection. The collection has inherited the structure of the Art Projects Foundation archive and contains documents on Russian contemporary artists and art events, press cuttings, press releases, exhibition booklets, invitations, programs, and posters.


See also Archive of Garage Center for Contemporary Culture

Garage Museum of Contemporary Art archive

Abstract art

Avant‑garde

Painting

Art history and art criticism

Suprematism

Allan Kenneth R.

Article author

Buchloh Benjamin H. D.

Bois Yve‑Alain

Benson Timothy O.

Shatskikh Aleksandra

Franko Mark

Mentioned

Michaud Philippe-Alain

Stella Frank

Richter Hans

Galison Peter L.

Cox Christoph

Dickerman Leah

Chlenova Masha

Foster Harold Foss

Quaytman Rebecca

Malevich Kazimir

Описание на сайте: «At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts‑film, painting, music, media, photography, performance, sculpture, and literature‑and their various contexts of interpretation.
Examining relationships between the arts and their critical and social contexts, October addresses a broad range of readers. Original, innovative, and provocative, each issue presents the best, most current texts by and about today’s artistic, intellectual, and critical vanguard.»

October. — 2013. no. 143 (143)

Details