Due to&nbsp;the expansion of&nbsp;open storage Garage Library will no&nbsp;longer be&nbsp;located in&nbsp;the Seasons of&nbsp;the Year pavilion. The new location and opening date will be&nbsp;announced later.

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18+
НАСТОЯЩИЙ МАТЕРИАЛ (ИНФОРМАЦИЯ) ПРОИЗВЕДЁН ИНОСТРАННЫМ АГЕНТОМ ОСМОЛОВСКИМ АНАТОЛИЕМ ФЕЛИКСОВИЧЕМ ЛИБО КАСАЕТСЯ ДЕЯТЕЛЬНОСТИ ИНОСТРАННОГО АГЕНТА ОСМОЛОВСКОГО АНАТОЛИЯ ФЕЛИКСОВИЧА.

Художественный журнал. — 2002, № 2 (42)

Available on request

Art Projects Foundation came into existence in 2001, partly as a replacement for the Soros Center for Contemporary Art, which was active between 1994 and 2000. Its archive was transferred to the Foundation with the help of a grant from the Open Society Institute. In the 11 years it was managed by the Foundation, the archive saw the addition of new documents and publications donated by Moscow artists and art historians, and new material gathered by the staff. One of the main contributors to the archive was Yulia Ovchinnikova, an art historian and filmmaker who started documenting the Moscow art scene in 1994.
<h2>The Archive</h2>

The archive contains documentary materials relating to contemporary art in Moscow, Saint Petersburg, and other cities within Russia dating back to the late 1950s. Materials include documentary photographs and videos, articles published by newspapers and magazines, unpublished essays by artists and critics, exhibition posters, invitations and press releases.
Video documentation from the archive allows us to trace the careers of particular artists and identify the general currents of the Moscow art scene. Footage from the archive has already enabled the production of a range of films including the seven‑part Chronicles of Moscow Contemporary Art, and has been used in the making of many other documentaries and films about exhibitions in Moscow and abroad, as well as in educational events.


Art Projects Foundation came into existence in 2001, partly as a replacement for the Soros Center for Contemporary Art, which was active between 1994 and 2000. Its archive was transferred to the Foundation with the help of a grant from the Open Society Institute. In the 11 years it was managed by the Foundation, the archive saw the addition of new documents and publications donated by Moscow artists and art historians, and new material gathered by the staff. One of the main contributors to the archive was Yulia Ovchinnikova, an art historian and filmmaker who started documenting the Moscow art scene in 1994.
The Archive

The archive contains documentary materials relating to contemporary art in Moscow, Saint Petersburg, and other cities within Russia dating back to the late 1950s. Materials include documentary photographs and videos, articles published by newspapers and magazines, unpublished essays by artists and critics, exhibition posters, invitations and press releases.
Video documentation from the archive allows us to trace the careers of particular artists and identify the general currents of the Moscow art scene. Footage from the archive has already enabled the production of a range of films including the seven‑part Chronicles of Moscow Contemporary Art, and has been used in the making of many other documentaries and films about exhibitions in Moscow and abroad, as well as in educational events.

Art Projects Foundation Archive

Video art

Moscow Conceptualism

Science art

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Issue

Rappaport Alexander

Article author

Petrovskaya Elena

Konstantin Zvezdochotov was born in Moscow. From 1976 to 1981 he studied in the Production Department of the Higher School and Studio of Moscow Gorky Academic Art Theater. He was a founder and member of numerous art groups, including Toadstool Group and World Champions. Selected group exhibitions: 44th Venice Biennale (Aperto, 1990); documenta 9, Kassel (1992), 3rd Istanbul Biennial (1992); 2nd and 3rd Cetinski Bijenale (1994, 1997); 50th Venice Biennale (Russian Pavilion, 2003).

Zvezdochotov Konstantin

Kozlova Olga

Andrei Monastyrsky was born in Petsamo (Pechenga, Murmansk Oblast). He graduated from the Philology Faculty of Moscow State University. He was a founder (1976), theorist, and author of large‑scale actions in the group Collective Actions. He took part in the Biennale of Dissent (Venice, 1977), the 50th (main project, 2003), 52nd (main project, 2007) and 54th Venice Biennale (Russian Pavilion, 2011) and also documenta 12 (Kassel, 2007). He is a recipient of the Andrei Bely Prize for his important contribution to the development of Russian literature (2003) and the Innovation Prize in the nominations Theory, Criticism, Art History (2010) and For Creative Contribution to the Development of Contemporary Art (2015).

Художественный журнал. — 2002, № 2 (42)

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