7-9 years 

10-14 years 

15-17 years 

0-6 years 

Architecture

Photo

Journalism

Psychology

Music

Books in English

Family

Garage Dance

Garage.txt

Garage Screen

Stream

Contemporary Critical Thought

Directors’ series

The Garage Journal

Exhibition catalogues

Research

Children's books

Garage + Ad Marginem

Seminars, Workshops and Training

Lectures & Talks

Concerts & Performances

Film Screenings

Exhibitions

Courses

Tours

Concerts & performances

Conferences

Exhibitions & projects

News

Interview

Talks

Lecture cycles

Conferences and seminars

Book presentations

Art Guide

Garage publishing program

Sponsors, patrons, and partners

Information partners

Garage publishing program in collaboration with Artguide Editions

Garage International Publishing Program

Library events

Books in english

Russian

English

Bilingual (russian/english)

Film programs

GARAGE Club

Programs for exhibitions

Events

Garage Live

Academic program

Grants

Field research

Patronship

Garage Studios

Mosaic Music

GARAGE Student

Film festival

Film distribution

Sign language

Mental disabilities

Migration

Audio description

Tactile models

Accessibility guide

Physical accessibility

GARAGE Individual

Digital accessibility

Diversity

Events at Garage

Garage publishing program and Strelka Press 

Text

Audio

Video

Feature

Guide

GARAGE Individual +1

Research laboratories

Artistic research

Translation to russian sign language

Subtitles

Adapted tours

Quiet room

Translation to uzbek, tajik, and kyrgyz

GARAGE Premium

“We Treasure Our Lucid Dreams”

Space 1520

GARAGE Circle

Temporality

Disability

Affect

Overcoming

Body

Timelessness

Non-normative body

GARAGE Collectors Circle  

Experience of the other

Otherness

Developmental disabilities

Mental health

Trauma

Personal experience

Neural networks

Language

7-11 years

Plain language

Garage Café

The computer class schedule

Mediation

Oleg Baranov Going Down

Podcasts

Shelf of the Month. Theatrе

Publishing program page

Series of meetings with residents

Open call

Shelf of the Month. Cinema

Shelf of the Month. Modern Dance

Visitors in a wheelchair

Public programs

Free

Registration required

Free for exhibition ticket holders

Paid

Booking required

Booking via phone or email is required

Booking on reception is required

Off-site projects

Architecture and design

Supervision

Museology

Philosophy

Economy

Cinematography

Critical biography

Memoirs and diaries

For Garage card holders

For children

GARAGE + Ad Marginem

GARAGE PRO

Minima

Paperback

Hardcover

Hardcover with dust jacket

Book review

Professional programs

Video review

Garage publishing program in collaboration with Ad Marginem Press

Garage publishing program in collaboration with Ad Marginem Press. GARAGE PRO Series

Garage publishing program in collaboration with Ad Marginem Press. Minima Series

City tours

Exhibition tours

Seminars, workshops & training

Lectures & talks

Занойза. — 1997, № 0

Available on request

Lena Popova began collecting her archive in the first half of the 1990s. It comprises documents on the history of club culture in St. Petersburg and its connection to contemporary art. The archive features ephemera, press cuttings, photographs, and documents related to Popova’s own creative projects.

The selection of ephemera includes flyers and invitations to St. Petersburg dance parties from the first half of the 1990s through the early 2000s, which took place in the clubs Tonnel, Planetarium, and Griboedov. The archive also contains ephemera from open airs: an invitation card to the first travel rave on the ruined Znamenka state (1996) and flyers for “tough picnics” organized in industrial zones by Tsentr Tizholava Izkustva and other parties in the St. Petersburg suburbs. Of particular note are the flyers for “girls only” club events with dressing up and themed sets from female DJs, including Lena Popova and DJ Angela. The archive also contains ephemera of projects bringing together electronic music and visual art: the Stubnitz art boat and raves at which Vladislav Mamyshev-Monroe, the Rechniki group, Tsentr Tizholava Izkustva (Igor Mezheritsky and Artem Solomatin), and other artists acted as organizers, performers, and set designers.

The archive contains photographic portraits of Timur Novikov, Georgy Guryanov, Andrei Khlobystin, Oleg Maslov and Viktor Kuznetsov, Bella Matveeva, and other representatives of the St. Petersburg art scene. A separate section comprises documentary photography from various openings, including exhibitions at the New Academy of Fine Arts and Borey Gallery, backstage shoots of the projects Woe from Wit by Olga Tobreluts and Russian Questions by Vladislav Mamyshev-Monroe, the costume gig Hitler’s Last Party at the Tonnel club (1993), and photographs of Timur Novikov and Andrei Khlobystin’s trips to Berlin in the mid-1990s.

The archive also features a selection of rare thematic magazines from the 1990s covering avant-garde fashion, new lifestyles, and electronic music. Likbez, Ptyuch, Zanoza, and issues of Pampers magazine, published by the club Griboedov, are vivid examples of the visual culture of their time, featuring interviews with Lena Popova and other musicians who pioneered Russian club culture.

Lena Popova (b. 1968, Kalinin) is a techno DJ, radio host, and a participant and organizer of the first club parties and large-scale raves and open airs in Russia. Popova’s music career began in 1994, when she became a resident and promoter of the Tonnel techno club (St. Petersburg, 1993–1997/2002–2011). With her participation, the club organized thematic art parties, exhibitions of contemporary art, and education events dedicated to media art and philosophy.

In the mid-1990s, Popova contributed to a number of projects by artists from the New Academy of Fine Arts, including Oleg Maslov and Viktor Kuznetsov’s Blue Lagoon (1993–1994) and the film Woe from Wit (1994) by Olga Tobreluts, while also participating in the filming of Vladislav Mamyshev-Monroe’s photographic series Russian Questions (1997). She curated several projects at Pushkinskaya 10, as well as the show Family Album (with Andrei Khlobystin, 1992) at Borey Gallery (St. Petersburg).

In 1998, she co-hosted (with Aleksei Haas) the program Dynamite on the noncommercial radio station Port FM, featuring guest artists, DJs, and musicians, including Timur Novikov, Vladislav Mamyshev-Monroe, and Oleg Maslov. Drawing on the legacy of girls only parties, in 2003 Popova launched the feminist music project Provençal, a platform exclusively for female DJs. Since 2001 she has hosted the program Technical Break, which covers noncommercial electronic music, on St. Petersburg’s Radio Record. She lives and works in St. Petersburg.

Lena Popova began collecting her archive in the first half of the 1990s. It comprises documents on the history of club culture in St. Petersburg and its connection to contemporary art. The archive features ephemera, press cuttings, photographs, and documents related to Popova’s own creative projects.

The selection of ephemera includes flyers and invitations to St. Petersburg dance parties from the first half of the 1990s through the early 2000s, which took place in the clubs Tonnel, Planetarium, and Griboedov. The archive also contains ephemera from open airs: an invitation card to the first travel rave on the ruined Znamenka state (1996) and flyers for “tough picnics” organized in industrial zones by Tsentr Tizholava Izkustva and other parties in the St. Petersburg suburbs. Of particular note are the flyers for “girls only” club events with dressing up and themed sets from female DJs, including Lena Popova and DJ Angela. The archive also contains ephemera of projects bringing together electronic music and visual art: the Stubnitz art boat and raves at which Vladislav Mamyshev-Monroe, the Rechniki group, Tsentr Tizholava Izkustva (Igor Mezheritsky and Artem Solomatin), and other artists acted as organizers, performers, and set designers.

The archive contains photographic portraits of Timur Novikov, Georgy Guryanov, Andrei Khlobystin, Oleg Maslov and Viktor Kuznetsov, Bella Matveeva, and other representatives of the St. Petersburg art scene. A separate section comprises documentary photography from various openings, including exhibitions at the New Academy of Fine Arts and Borey Gallery, backstage shoots of the projects Woe from Wit by Olga Tobreluts and Russian Questions by Vladislav Mamyshev-Monroe, the costume gig Hitler’s Last Party at the Tonnel club (1993), and photographs of Timur Novikov and Andrei Khlobystin’s trips to Berlin in the mid-1990s.

The archive also features a selection of rare thematic magazines from the 1990s covering avant-garde fashion, new lifestyles, and electronic music. Likbez, Ptyuch, Zanoza, and issues of Pampers magazine, published by the club Griboedov, are vivid examples of the visual culture of their time, featuring interviews with Lena Popova and other musicians who pioneered Russian club culture.

Lena Popova (b. 1968, Kalinin) is a techno DJ, radio host, and a participant and organizer of the first club parties and large-scale raves and open airs in Russia. Popova’s music career began in 1994, when she became a resident and promoter of the Tonnel techno club (St. Petersburg, 1993–1997/2002–2011). With her participation, the club organized thematic art parties, exhibitions of contemporary art, and education events dedicated to media art and philosophy.

In the mid-1990s, Popova contributed to a number of projects by artists from the New Academy of Fine Arts, including Oleg Maslov and Viktor Kuznetsov’s Blue Lagoon (1993–1994) and the film Woe from Wit (1994) by Olga Tobreluts, while also participating in the filming of Vladislav Mamyshev-Monroe’s photographic series Russian Questions (1997). She curated several projects at Pushkinskaya 10, as well as the show Family Album (with Andrei Khlobystin, 1992) at Borey Gallery (St. Petersburg).

In 1998, she co-hosted (with Aleksei Haas) the program Dynamite on the noncommercial radio station Port FM, featuring guest artists, DJs, and musicians, including Timur Novikov, Vladislav Mamyshev-Monroe, and Oleg Maslov. Drawing on the legacy of girls only parties, in 2003 Popova launched the feminist music project Provençal, a platform exclusively for female DJs. Since 2001 she has hosted the program Technical Break, which covers noncommercial electronic music, on St. Petersburg’s Radio Record. She lives and works in St. Petersburg.

Lena Popova Archive

L46347-001.jpg

L46347-002.jpg

Сlub culture

Graffiti

1990s

Haas Aleksey

Article author

Popova Lena

Author of text

Shulzhenko Anzhela

Mentioned

Albi Marina

Barkhin Misha

Занойза

St. Petersburg

St. Petersburg, Garage Archive Collection

Contact&nbsp;Us

Hours

Buy Tickets

GARAGE Card

Today at Garage

Odnoklassniki

Youtube

Telegram

Tiktok

Mailing list

Subscribe to our mailing list and get the latest news from Garage

Press Mailing List

To join our press mailing list, please include your email address in the field

Toward the Source

An international online platform, initiated by Garage Museum of Contemporary Art, bringing together archives on Russian art from the postwar period to the present.

Russian Art Archive Network

If our soup can could speak: Mikhail Lifshitz and the Soviet Sixties

Andro Wekua. Dolphin in the Fountain

The Other Trans-Atlantic

Discounts in Garage Café and the shops in the Museum and the Narkomfin Building, special tour offers, and access to the communal block of the Narkomfin Building

GARAGE card

key:subscription

Film screenings in the Museum auditorium

GARAGE SCREEN

Занойза. — 1997, № 0

Details