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Artforum International. — 2002. no. 20

Available on request

Artist and art historian Andrei Khlobystin collected archival documents relating to the art scene in St. Petersburg over several decades. In 2000, part of his collection became the core of the St. Petersburg Archive and Library of Independent Art at the Museum of Nonconformist Art at Pushkinskaya 10. The remainder was transferred to Garage Archive in St. Petersburg.


The Andrei Khlobystin archive contains documents on the history of Leningrad and St. Petersburg art from the 1980s to the 2000s, including a large collection of photographs of artists, exhibitions, and bohemian life, posters, leaflets, invitations, and other ephemera that allows us to reconstruct the history of the city’s cultural events, including its famous dance nights.


A section of the archive is devoted to the New Artists and the New Academy of Fine Arts, and features Timur Novikov’s manuscripts, artefacts related to the work of Georgy Guryanov and Vladislav Mamyshev‑Monroe, self‑published catalogues and posters, Vadim Ovchinnikov’s mail art, documents about the NCH/VCH Club and more. The archive also contains materials on the institutions created to provide a platform for and promote new art (Leningrad Art Historians’ Club, City Institute of Art and Culture) and documents on specific exhibitions and events.

It contains a large number of manuscripts by Alla Mitrofanova, Viktor and Margarita Tupitsyn, Timur Novikov, Boris Koshelokhov, Andrei Khlobystin, and others. Along with writing on art theory the archive includes a selection of journal and newspaper articles on art events in Leningrad and St. Petersburg.


The archive also contains artists’ books and handmade catalogues, samizdat publications, underground periodicals like Susanin, Khudozhestvennaya volya and Mitin zhurnal, and limited‑edition catalogues of artists including Vladislav Mamyshev‑Monroe and Irina Waldron. Many publications and catalogues from Andrei Khlobystin’s collection are now available at Garage Library in St. Petersburg.


Andrei Khlobystin (b. 1961, Leningrad) is an artist and art historian based in St. Petersburg. After graduating in Art History from Zhdanov Leningrad State University in 1983, he managed the Lower Park Palaces at Peterhof, and worked as a registrar at the Hermitage Museum’s Research Library and the Diaghilev Museum of Modern Art of St. Petersburg State University. He has taught at Herzen State Pedagogical University of Russia, Russian Christian Academy for the Humanities, and St. Petersburg State University. He was among the founders of the Leningrad Art Historians’ Club in 1985, collaborated with the New Artists from the early the 1980s, and became the Secretary of The New Academy of Fine Arts in 1995. He published the journals Khudozhestvennaya volya and Geniy and the newspaper Susanin (www.susanin.zarazum.ru).


In 2000, he founded St. Petersburg Archive and Library of Independent Art at Pushkinskaya 10, and in 2008 the St. Petersburg Video Archive. He has published texts in samizdat and is the editor of the reference book Neofitsialnaya Stolitsa (2000) and the author of Shizorevolyutsiya. Ocherki peterburgskoi kultury vtoroi poloviny XX veka [Schizorevolution. Essays on St. Petersburg Culture of the Second Half of the 20th Century, 2017].


Artist and art historian Andrei Khlobystin collected archival documents relating to the art scene in St. Petersburg over several decades. In 2000, part of his collection became the core of the St. Petersburg Archive and Library of Independent Art at the Museum of Nonconformist Art at Pushkinskaya 10. The remainder was transferred to Garage Archive in St. Petersburg.


The Andrei Khlobystin archive contains documents on the history of Leningrad and St. Petersburg art from the 1980s to the 2000s, including a large collection of photographs of artists, exhibitions, and bohemian life, posters, leaflets, invitations, and other ephemera that allows us to reconstruct the history of the city’s cultural events, including its famous dance nights.


A section of the archive is devoted to the New Artists and the New Academy of Fine Arts, and features Timur Novikov’s manuscripts, artefacts related to the work of Georgy Guryanov and Vladislav Mamyshev‑Monroe, self‑published catalogues and posters, Vadim Ovchinnikov’s mail art, documents about the NCH/VCH Club and more. The archive also contains materials on the institutions created to provide a platform for and promote new art (Leningrad Art Historians’ Club, City Institute of Art and Culture) and documents on specific exhibitions and events.

It contains a large number of manuscripts by Alla Mitrofanova, Viktor and Margarita Tupitsyn, Timur Novikov, Boris Koshelokhov, Andrei Khlobystin, and others. Along with writing on art theory the archive includes a selection of journal and newspaper articles on art events in Leningrad and St. Petersburg.


The archive also contains artists’ books and handmade catalogues, samizdat publications, underground periodicals like Susanin, Khudozhestvennaya volya and Mitin zhurnal, and limited‑edition catalogues of artists including Vladislav Mamyshev‑Monroe and Irina Waldron. Many publications and catalogues from Andrei Khlobystin’s collection are now available at Garage Library in St. Petersburg.


Andrei Khlobystin (b. 1961, Leningrad) is an artist and art historian based in St. Petersburg. After graduating in Art History from Zhdanov Leningrad State University in 1983, he managed the Lower Park Palaces at Peterhof, and worked as a registrar at the Hermitage Museum’s Research Library and the Diaghilev Museum of Modern Art of St. Petersburg State University. He has taught at Herzen State Pedagogical University of Russia, Russian Christian Academy for the Humanities, and St. Petersburg State University. He was among the founders of the Leningrad Art Historians’ Club in 1985, collaborated with the New Artists from the early the 1980s, and became the Secretary of The New Academy of Fine Arts in 1995. He published the journals Khudozhestvennaya volya and Geniy and the newspaper Susanin (www.susanin.zarazum.ru).


In 2000, he founded St. Petersburg Archive and Library of Independent Art at Pushkinskaya 10, and in 2008 the St. Petersburg Video Archive. He has published texts in samizdat and is the editor of the reference book Neofitsialnaya Stolitsa (2000) and the author of Shizorevolyutsiya. Ocherki peterburgskoi kultury vtoroi poloviny XX veka [Schizorevolution. Essays on St. Petersburg Culture of the Second Half of the 20th Century, 2017].

Andrei Khlobystin archive

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2000s

The Arefiev Circle

Eastern Europe

Moscow Conceptualism

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Issue

Иванов Правдолюб

Mentioned

Российский поэт, библиограф и эссеист, общественный деятель. Окончил филологический факультет Московского государственного заочного педагогического института (ныне Московский государственный гуманитарный университет имени М. А. Шолохова) в 1971 году. Один из основоположников и лидеров московского концептуализма в литературе. В середине 1970‑х годов под влиянием работы с библиотечными карточками создал собственный жанр «картотеки». В 1991 году выступил составителем литературно‑художественного альманаха «Личное дело №». Член Союза писателей с 1991 года. Лауреат Премии Андрея Белого 1999 года в номинации «Критика и гуманитарные исследования», премии русской эмиграции «Liberty» в 2003 году. Лауреат литературной премии «НОС‑2012» за книгу «Знаки внимания». В 2015 году была издана книга «Большая картотека», куда вошли все тексты Рубинштейна, написанные в «карточной» манере. 

Жил и работал в Москве.

Rubinstein Lev

Collective Actions was founded in 1976 in Moscow. The initial group comprised Nikita Alexeev (until 1980), George Kiesewalter, Andrei Monastyrsky, Nikolai Panitkov and Lev Rubinstein. In 1979 Sergei Romashko, Elena Elagina, Igor Makarevich joined the group, followed by Sabina Hänsgen in 1985. The group took part in the Biennale of Dissent (Venice, 1977) and exhibited in the Russian Pavilion at the 54th Venice Biennale (2011).

Collective Actions

Prigov Dmitri

Mukhomor (Toadstool)

Chernyshov Mikhail

Gnezdo (Nest)

Cherkasov Valery

Koshelokhov Boris (Bob)

Infante-Arana Francisco

Tarasov Vladimir

Konstantin Zvezdochotov was born in Moscow. From 1976 to 1981 he studied in the Production Department of the Higher School and Studio of Moscow Gorky Academic Art Theater. He was a founder and member of numerous art groups, including Toadstool Group and World Champions. Selected group exhibitions: 44th Venice Biennale (Aperto, 1990); documenta 9, Kassel (1992), 3rd Istanbul Biennial (1992); 2nd and 3rd Cetinski Bijenale (1994, 1997); 50th Venice Biennale (Russian Pavilion, 2003).

Zvezdochotov Konstantin

Московская арт‑группа. Основана в декабре 1987 года Павлом Пепперштейном, Сергеем Ануфриевым и Юрием Лейдерманом — тремя «старшими инспекторами» группы. На раннем этапе существования в группе участвовал Антон Носик, предложивший её название. В 1991 году Лейдерман покинул группу, в качестве «старшего инспектора» к ней присоединился Владимир Фёдоров. До 1993 года в группу также входили «младшие инспектора», впоследствии — «Инспекционная Коллегия МГ». Работы группы находятся в собраниях галерей Grita Insam (Вена, Австрия), Walcheturm (Цюрих, Швейцария), Krings‑Ernst (Кельн, Германия), а также галериста Рудольфа Цвирнера (Берлин, Германия).

Inspection Medical Hermeneutics

Artforum International. — 2002. no. 20

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