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Online Book Presentation: Open Systems: Self-Organized Art Initiatives in Russia, 2000–2020

18 February 2021
19:30–21:30

DESCRIPTION

Featuring 101 self-organized art initiatives based in Russia, from Kaliningrad to Vladivostok.

The book Open Systems: Self-Organized Art Initiatives in Russia, 2000–2020 is the result of a long-term research initiative launched by Garage in 2015. Conceived with the aim of enriching the Museum’s archive with current (and rapidly disappearing) documentation of artistic processes in the 2000s and 2010s, the project focused on self-organizations—associations of artists and curators who work independently to implement their artistic ideas.

The exhibition Open Systems: Self-Organized Art Initiatives in Russia, 2000–2015, which took place at Garage in 2015, presented the materials and became a starting point for the project team to set out on a journey across Russia in order to study self-organizations more closely, collect additional documentation, and produce exhibitions about the non-institutional art environment.

Following three years of fieldwork and exhibitions held in eight Russian cities, we decided to pause and analyze what had been done. One hundred and one initiatives from all over the country became the heroes of the publication, which features questionnaire-based information about the selected self-organizations, photographs, and statements by the members of these initiatives. It is the largest possible survey of the variety of voices operating in contemporary Russian art.

Initiatives are grouped by city and then in the chronological order of their emergence.

The publication also features articles that approach self-organizations from different perspectives: an introduction by the initiator of the project, Sasha Obukhova; a description of the methodology used by the compiling editor of the book Antonina Trubitsyna; artist Ruslan Polanin’s theoretical reflections on the nature of self-organizations; researcher Margarita Kuleva’s sociological view of them; and curator Elena Ishchenko’s reflection on the subject of self-exploitation.

The speakers include the editor-compiler of the book, researcher, staff member of Garage Research department Antonina Trubitsyna; initiator of the project, Garage Archive curator Sasha Obukhova; curator and art critic Elena Ischenko; artist, researcher, staff member of Garage Research department, participant and co-founder of the NONSNS independent self-organization and art group Ruslan Polanin; sociologist of art, Associate Professor at the Department of Sociology, Division Head of Design and Contemporary Art at HSE Campus in St. Petersburg Margarita Kuleva; artist, co-organizer of Electrozavod Gallery Dima Filippov; philologist, independent cultural worker, education programs curator at Voronezh Center for Contemporary Art Tatyana Danilevskaya; curator, screenwriter, co-curator of the Arctic Art Forum 2016–2020 Kristina Dryagina; art historian, co-curator of the Arctic Art Forum, member of the board of the Arctic Arts Summit Ekaterina Sharova.

HOW TO TAKE PART

Broadcast will be available on YouTube.

Transitory Parerga: Access and Inclusion in Contemporary ArtIssue 01 of The Garage Journal Learn more

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