Lucy McKenzie in collaboration with Markus Proschek and Beca Lipscombe: Travertina

Lucy McKenzie in collaboration with Markus Proschek and Beca Lipscombe: TravertinaLucy McKenzie in collaboration with Markus Proschek and Beca Lipscombe: Travertina


The research project Travertina explores applied arts in the Soviet Union and the special relationship between style, ideology, and value under communism by comparing the histories of Soviet and Western design.

Artists Lucy McKenzie and Markus Proschek and fashion designer Beca Lipscombe are studying Soviet fashion and interior and museum design from the 1930s through the 1980s, starting with the Moscow and St. Petersburg metro systems, GUM department store, and museum technologies used in the Russian Museum of Ethnography and the Russian State Arctic and Antarctic Museum in St. Petersburg, the Orlov Museum of Paleontology, and VDNKh (the Exhibition National Economic Achievements). 

In the twentieth-century, applied arts and store design were important tools in the development of Western retail, tourism, and the entertainment industry. They contributed to the development of the economy of planned obsolescence. In the Soviet Union, stores and advertisements were part of the public space controlled by the government. In the absence of competition, Soviet outdoor advertising had a very different economic meaning. This paradigmatic difference between capitalist and socialist trade is the semantic center of the project. 

Status: 2018–2019

Researchers: Lucy McKenzie, Markus Proschek, Beca Lipscombe


Beca Lipscombe (b. 1973, Edinburgh; lives and works in Edinburgh) is a fashion and textile designer, printmaker, and a graduate of Central Saint Martins. Her professional practice is multi-layered and draws upon a vernacular aesthetic. This sensibility was evident in both her eponymous label (2000–2007) and her work as a freelance designer for various companies, including Liberty, Chloe, Stella McCartney, and Ann-Sofie Back.

Until 2011 she taught on the MA Fashion+Textiles at The Glasgow School of Art, stepping down from this post to concentrate on her own work and the work of her company Atelier E.B, which she runs in partnership with artist Lucy McKenzie. Lipscombe’s varied practice has included the production of fashion, commissioned display and interiors for public and private spaces, textiles, furniture, and publishing.

Lucy McKenzie (b. 1977, Glasgow; lives and works in Brussels) is a visual artist who works with painting—including public murals, interior décor, and illusionism—to explore hierarchical systems. She studied at a private school for decorative painting in Brussels in 2007–2008, and the commercial techniques she learned there have been central to her work ever since. Techniques such as fake wood, marble, and tromp l’oeil, with their labor-intensive modes of production, and alignment of value with skill are innately conservative idioms. For McKenzie this conservativism facilitates a tense relationship between form and content. 

She exhibits internationally, including solo shows at Tate Britain, London (2003), MoMA, New York (2008), Stedelijk Museum, Amsterdam (2013), and Fondazione Bevilacqua la Masa, Venice (2017). Since 2011 she has, together with designer Beca Lipscombe, produced fashion collections under the name Atelier E.B. The label explores alternative methods of producing, exhibiting, documenting, and distributing independent fashion. Their exhibition Atelier E.B – Passer-by was staged at Serpentine, London in 2018 and Lafayette Anticipations, Paris in 2019. Through the figure of the fashion mannequin it examines the intersection of art, fashion, commerce, and display.

Markus Proschek (b. 1981, Salzburg; lives and works in Berlin) is a visual artist whose paintings and installations often evolve around the ambiguous potential of ideological imagery, based on a system of references ranging from the (pre)historic to the contemporary, and introducing research-based footage into personalized counter narratives. Proschek shows internationally, mostly in institutions, including solo shows at Kunstraum Innsbruck, Salzburger Kunstverein, The Hellenic-American Union in Athens, and the Austrian Cultural Forum London.


Here we’ve put together materials to help you get ready for a visit to the Museum or to take a deep dive into the current programs at Garage.