Urban design as a tool for cultural self-determination.
Singapore, Taiwan, and Hong Kong are three points on the map with different political systems but similar historical trajectories: a colonial past, rapid modernization, and export-oriented economies. Until the late twentieth century, design here was mainly a tool of logistics, trade, and urban planning. But in the 2000s, within these «pragmatic» systems, a distinct culture of artistic design emerged—one highly attuned to local identity and memory.
In technologically advanced Taiwan design often serves as a way of reconnecting with local knowledge via materials, crafts, and narratives. In Hong Kong design becomes a struggle for cultural autonomy amid growing political pressure and the erosion of urban memory. Here the designer acts as an archivist, chronicler, and sometimes activist. Singapore, with its advanced digital infrastructure, transparent business environment, and state investment in the creative economy, is increasingly seen as a potential hub for dialogue among Asian designers.