Critical Modernism: Where is Post‑Modernism Going?
After developing for thirty years as a movement in the arts, after being disputed and celebrated, Post‑Modernism has become an integral part of the cultural landscape. In this witty overview, Charles Jencks, the first to write a book defining the subject, argues that the movement is one more reaction from within modernism critical of its shortcomings. The unintended consequences of modernisation, such as the terrorist debacle and global warming, are typical issues motivating a Critical Modern response today. In a unique analysis, using many explanatory diagrams and graphs, he reveals the evolutionary, social and economic forces of this new stage of global civilisation. Critical Modernism emerges at two levels. As an underground movement, it is the fact that many modernisms compete, quarrel and criticise each other as they seek to become dominant. Secondly, when so many of these movements follow each other today in quick succession, they may reach a ‘critical mass,’ a Modernism”, and become a conscious tradition.
Details
1970s, 1980s, 1990s, 2000s, 9/11 culture, Architecture, Germany, Installation, 20th‑century history, Criticism, Land art, Art Nouveau, Museography, Politics, Nature, USA, Sculpture, Economy, Japan
Le Corbusier, Rosenquist James, Hirst Damien, Long Richard, Noguchi Isamu, Chadwick Helen, Ofili Chris, Guo-Qiang Cai, Aalto Alvar, Venturi Robert, Chetwood Laurie, Eisenman Peter, LeWitt Sol, Gehry Frank, Kiefer Anselm, Gropius Walter, Koolhaas Rem, Tolle Brian, Oldenburg Claes
Chichester
2007
240 pages
9780470030110
Available on request
Yes
No
701.2 Jen
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