Due to the expansion of open storage, from August 3 Garage Library will no longer be located in the Seasons of the Year pavilion. The new location and opening date will be announced later.

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Garage publishing program in collaboration with Ad Marginem Press. GARAGE PRO Series

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Литературно‑художественное издание с иллюстрациями Ильи Кабакова.

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Available on request

Viktor Pivovarov is an artist, illustrator, writer, and art theorist, one the founders of Moscow Conceptualism. While working on his exhibition The Snail’s Trail, which was shown at Garage in 2016, Pivovarov donated to the Museum several boxes of rare documents. These include the manuscript of his novel Agent in Love (published by Garage in 2016), his correspondence with Olga Serebryanaya, notes for the albums Kabakov and Pivovarov and Dramatis Personae, letters, handmade book dummies, illustrations, samizdat publications, and exhibition plans. A section of the archive focuses on poets Igor Kholin and Genrikh Sapgir. A close friend of both, Pivovarov has preserved many of their typescripts with inscriptions by the authors. These documents were shown at Garage’s exhibition Kholin and Sapgir. Manuscript in summer 2017. Offering insight into Pivovarov’s artistic life, the archive also allows researchers to trace his interactions and collaborations with his contemporaries.

<h2>Viktor Pivovarov</h2> (b. 1937, Moscow) studied at Kalinin Moscow College of Art and Industry and Moscow Polygraphic Institute. A representative of Soviet nonconformism and one of the founders of Moscow Conceptualism, he illustrated several cult books of the late Soviet period, including Ole Lukøje and The Black Hen. In the early 1980s, he emigrated to Prague, were he lives and works. His works are exhibited around the world, including in Russia.


Viktor Pivovarov is an artist, illustrator, writer, and art theorist, one the founders of Moscow Conceptualism. While working on his exhibition The Snail’s Trail, which was shown at Garage in 2016, Pivovarov donated to the Museum several boxes of rare documents. These include the manuscript of his novel Agent in Love (published by Garage in 2016), his correspondence with Olga Serebryanaya, notes for the albums Kabakov and Pivovarov and Dramatis Personae, letters, handmade book dummies, illustrations, samizdat publications, and exhibition plans. A section of the archive focuses on poets Igor Kholin and Genrikh Sapgir. A close friend of both, Pivovarov has preserved many of their typescripts with inscriptions by the authors. These documents were shown at Garage’s exhibition Kholin and Sapgir. Manuscript in summer 2017. Offering insight into Pivovarov’s artistic life, the archive also allows researchers to trace his interactions and collaborations with his contemporaries.

Viktor Pivovarov (b. 1937, Moscow) studied at Kalinin Moscow College of Art and Industry and Moscow Polygraphic Institute. A representative of Soviet nonconformism and one of the founders of Moscow Conceptualism, he illustrated several cult books of the late Soviet period, including Ole Lukøje and The Black Hen. In the early 1980s, he emigrated to Prague, were he lives and works. His works are exhibited around the world, including in Russia.

Viktor Pivovarov Archive

Литературно‑художественное издание с иллюстрациями Ильи Кабакова. Экземпляр с инскриптом Ильи Кабакова Виктору Пивоварову: «Витьке‑мерзавцу от автора этих и других прекрасных рисунков».

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VP-IX-L72135.jpg

Sretensky Boulevard Group

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Родился в Днепропетровске. Ведущий представитель московского концептуализма, создатель жанра тотальной инсталляции. Окончил отделение графики Московского государственного художественного института им. В. И. Сурикова (1951). После окончания вуза занимался иллюстрацией книг для издательств «Малыш» и «Детская литература». Со второй половины 1950‑х стал заниматься собственными художественными проектами. В 1988 году переехал в Нью‑Йорк, с 1989 года работал в соавторстве с женой Эмилией Кабаковой. Многократный участник крупных международных проектов в России и за рубежом: documenta IX (1993), Венецианской биеннале (1977 — Биеннале диссидентов; 1993 — павильон СНГ; 1988, 1997, 2001, 2003, 2007 — основной проект) и др.

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