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Video Art Theory: A Comparative Approach demonstrates how video art functions on the basis of a comparative media approach, providing a crucial understanding of video as a medium in contemporary art and of the visual mediations we encounter in daily life. The only study specifically devoted to theorizing the medium of video from the perspective of prominent characteristics which result from how video works deal with time, space, representation, and narrative.

Video Art Theory: A Comparative Approach

Open stacks

In 2012, Garage Center for Contemporary Culture acquired the archive of Art Projects Foundation, which became the core of its own archive collection. In 2014, the Center became Garage Museum of Contemporary Art and its archive became a museum collection. The collection has inherited the structure of the Art Projects Foundation archive and contains documents on Russian contemporary artists and art events, press cuttings, press releases, exhibition booklets, invitations, programs, and posters.


See also <a href="/en/catalogue/collection/garage-center-for-contemporary-culture">Archive of Garage Center for Contemporary Culture</a>


In 2012, Garage Center for Contemporary Culture acquired the archive of Art Projects Foundation, which became the core of its own archive collection. In 2014, the Center became Garage Museum of Contemporary Art and its archive became a museum collection. The collection has inherited the structure of the Art Projects Foundation archive and contains documents on Russian contemporary artists and art events, press cuttings, press releases, exhibition booklets, invitations, programs, and posters.


See also Archive of Garage Center for Contemporary Culture

Garage Museum of Contemporary Art archive

Image20160226132423-001.jpg

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Movements in the art of the second half of the 20th century (Minimalism, Conceptualism, Pop Art, video art, media art, street art) (including catalogues of exhibitions devoted to a particular movement)

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Video Art Theory: A Comparative Approach

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