7-9 years 

10-14 years 

15-17 years 

0-6 years 

Architecture

Photo

Journalism

Psychology

Music

Family

Stream

Series

Seminars, Workshops and Training

Lectures & Talks

Concerts & Performances

Film Screenings

Exhibitions

Courses

Tours

Concerts & performances

Conferences

Exhibitions & projects

News

Interview

Talks

Lecture cycles

Conferences and seminars

Book presentations

Art Guide

Garage publishing program

Sponsors, patrons, and partners

Information partners

Garage publishing program in collaboration with Artguide Editions

Garage International Publishing Program

Library events

Books in english

Garage Screen

Russian

English

Bilingual (russian/english)

Film programs

GARAGE Club

Programs for exhibitions

Events

Garage Live

Garage Dance

Academic program

Grants

Field research

Patronship

Garage Studios

Mosaic Music

GARAGE Student

Garage.txt

Film festival

Film distribution

Sign language

Mental disabilities

Migration

Audio description

Tactile models

Accessibility guide

Physical accessibility

GARAGE Individual

Digital accessibility

Diversity

Events at Garage

Garage publishing program and Strelka Press 

Text

Audio

Video

Feature

Guide

GARAGE Individual +1

Research laboratories

Artistic research

Translation to russian sign language

Subtitles

Adapted tours

Quiet room

Translation to uzbek, tajik, and kyrgyz

GARAGE Premium

“We Treasure Our Lucid Dreams”

Space 1520

Contemporary Critical Thought

Directors’ series

The Garage Journal

GARAGE Circle

Temporality

Disability

Affect

Overcoming

Body

Timelessness

Non-normative body

GARAGE Collectors Circle  

Experience of the other

Otherness

Developmental disabilities

Mental health

Trauma

Personal experience

Neural networks

Language

7-11 years

Plain language

Garage Café

The computer class schedule

Mediation

Oleg Baranov Going Down

Podcasts

Shelf of the Month. Theatrе

Publishing program page

Series of meetings with residents

Open call

Shelf of the Month. Cinema

Shelf of the Month. Modern Dance

Projects Oral History and Oral History 2.0

Visitors in a wheelchair

garage-txt

Open storage

Research Laboratory: I Am a Parcel, You Are a Stamp

VOKS kinema Research Laboratory

Avant-Garde Center Laboratory for the Study of Soviet Art Series

LISI_TsA

Region reviews

Artist reviews

Thematic reviews

Exhibition reviews

Public programs

Free

Registration required

Free for exhibition ticket holders

Paid

Booking required

Booking via phone or email is required

Booking on reception is required

Off-site projects

Architecture and design

Supervision

Museology

Philosophy

Economy

Cinematography

Critical biography

Memoirs and diaries

For Garage card holders

Exhibition catalogues

Research

For children

GARAGE + Ad Marginem

GARAGE PRO

Minima

Paperback

Hardcover

Hardcover with dust jacket

Book Selection

Professional programs

Video review

Garage publishing program in collaboration with Ad Marginem Press

Garage publishing program in collaboration with Ad Marginem Press. GARAGE PRO Series

Garage publishing program in collaboration with Ad Marginem Press. Minima Series

City tours

Exhibition tours

Seminars, workshops & training

Lectures & talks

Сборник является продолжением предыдущей книги «Мос‑Анджелес». Здесь собраны написанные в разное время статьи, воспоминания, заметки и рассказы. Темы, которые объединяют разные по жанру тексты, — это столкновение культур, конфликт своего и чужого, искусство глазами культуролога. Книга иллюстрирована фотодокументами из архива автора.

Мос-Анджелес Два

Available on request

<h2>About the Collection</h2>
In 2018, Garage Museum of Contemporary Art began building an archive collection that brought together materials related to the history of the local scene since the 1950s and documents covering the latest developments in contemporary art. 

The collection contains materials on the key artists and events of the St. Petersburg art scene, self‑organized initiatives, short‑lived artist associations, and various subcultures. The archive contains sections devoted to particular artists, events, institutions, street art and graffiti, and club culture. The core of the collection is formed by ephemera related to exhibitions and events (posters, programs, press releases, invitations, booklets), both digital and analogue. The collection also features archival documents, photographs, original artworks and prints, as well as zines. The library collection contains 4,000 publications on the history of Russian and international art in the twentieth and twenty‑first centuries. 

The collection expands through donations from artists, curators, researchers, collectors, and institutions, as well as through acquisitions based on research activity by Garage staff. The collection contains an archive and a library, which are continuously supplemented with new materials reflecting changes in the contemporary art scene and capturing important cultural phenomena of recent decades.

About the Collection
In 2018, Garage Museum of Contemporary Art began building an archive collection that brought together materials related to the history of the local scene since the 1950s and documents covering the latest developments in contemporary art. 

The collection contains materials on the key artists and events of the St. Petersburg art scene, self‑organized initiatives, short‑lived artist associations, and various subcultures. The archive contains sections devoted to particular artists, events, institutions, street art and graffiti, and club culture. The core of the collection is formed by ephemera related to exhibitions and events (posters, programs, press releases, invitations, booklets), both digital and analogue. The collection also features archival documents, photographs, original artworks and prints, as well as zines. The library collection contains 4,000 publications on the history of Russian and international art in the twentieth and twenty‑first centuries. 

The collection expands through donations from artists, curators, researchers, collectors, and institutions, as well as through acquisitions based on research activity by Garage staff. The collection contains an archive and a library, which are continuously supplemented with new materials reflecting changes in the contemporary art scene and capturing important cultural phenomena of recent decades.

Garage Museum of Contemporary Art archive in St. Petersburg

L65443.jpg

Memoirs

Applied art and design

Diary

Unofficial art

Collection

Паперный Владимир

Author

Калинин Илья

Editor

Vitaly Komar and Alexander Melamid

Mentioned

Родился в Днепропетровске. Ведущий представитель московского концептуализма, создатель жанра тотальной инсталляции. Окончил отделение графики Московского государственного художественного института им. В. И. Сурикова (1951). После окончания вуза занимался иллюстрацией книг для издательств «Малыш» и «Детская литература». Со второй половины 1950‑х стал заниматься собственными художественными проектами. В 1988 году переехал в Нью‑Йорк, с 1989 года работал в соавторстве с женой Эмилией Кабаковой. Многократный участник крупных международных проектов в России и за рубежом: documenta IX (1993), Венецианской биеннале (1977 — Биеннале диссидентов; 1993 — павильон СНГ; 1988, 1997, 2001, 2003, 2007 — основной проект) и др.

Кабаков Илья

Косолапов Александр

Гери Фрэнк

Moscow

Новое литературное обозрение

Библиотека журнала «Неприкосновенный запас»

Мос-Анджелес Два

Details