<p class="p1">On&nbsp;December 15 the 0+ Space will be&nbsp;closed 18:00&ndash;21:00</p>

Please note

7-9 years 

10-14 years 

15-17 years 

0-6 years 

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Garage publishing program in collaboration with Ad Marginem Press. GARAGE PRO Series

Garage publishing program in collaboration with Ad Marginem Press. Minima Series

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Каталог выставки «Воспоминания. Ошибки памяти» в рамках проекта «Границы гендера».

Женщина в Искусстве / Воспоминания. Ошибки памяти

Available on request

<h2>About the archive </h2>
<p>
Tatyana Volkova’s art historical practice started at the beginning of the 2000s, under curator Andrey Erofeyev. The earliest period documented by her archive covers the projects she was involved in while working in the Department of the Newest Trends at Tsaritsyno Museum‑Reserve and the Department of the Newest Trends at State Tretyakov Gallery. In parallel to that, Volkova grew up professionally as an independent curator, soon becoming one of the pioneering Russian researchers of the new art movement known as activist art, or art activism. A key participant of art‑activist events since the late 2000s and co‑founder of the projects ZHIR (FAT), MediaUdar International Festival of Activist Art and the platform Fem‑Club, she has managed to collect a large amount of materials, including photo and video shoots, paper as well as digital documents. </p>

<p>An important part of the collection embraces records documenting the preparation of comprehensive institutional exhibitions realized with the curatorial involvement of Volkova: Russian Utopias, Garage Center for Contemporary Culture, Moscow (2010); Silence Equals Death: Art, Protest, Rock’n’Roll 1980–2010s, ARTPLAY Center of Design, Moscow (2012); global aCtIVISm, ZKM Karlsruhe (2013); 1st Garage Triennial of Contemporary Art, Garage Museum of Contemporary Art, Moscow (2017); dis/order. Art and Activism in Russia since 2000, Ludwig Forum, Aachen (2017). </p>

 <h2>About the collector </h2>

<p>Tatyana Volkova (b. 1978, Moscow) is a curator. She graduated in Cultural Management from the Moscow School of Social and Economic Sciences, where she received her master’s degree in 2000. Volkova also studied at the International Studio and Curatorial Program (ISCP) (New York, 2004). In 2000–2013 she worked in the team of curators headed by Andrey Erofeyev in the Department of the Newest Trends at Tsaritsyno Museum‑Reserve, the Department of the Newest Trends at State Tretyakov Gallery, and in the “ArtKladovka” Archive of Russian Contemporary Art.</p>

About the archive 

Tatyana Volkova’s art historical practice started at the beginning of the 2000s, under curator Andrey Erofeyev. The earliest period documented by her archive covers the projects she was involved in while working in the Department of the Newest Trends at Tsaritsyno Museum‑Reserve and the Department of the Newest Trends at State Tretyakov Gallery. In parallel to that, Volkova grew up professionally as an independent curator, soon becoming one of the pioneering Russian researchers of the new art movement known as activist art, or art activism. A key participant of art‑activist events since the late 2000s and co‑founder of the projects ZHIR (FAT), MediaUdar International Festival of Activist Art and the platform Fem‑Club, she has managed to collect a large amount of materials, including photo and video shoots, paper as well as digital documents. 

An important part of the collection embraces records documenting the preparation of comprehensive institutional exhibitions realized with the curatorial involvement of Volkova: Russian Utopias, Garage Center for Contemporary Culture, Moscow (2010); Silence Equals Death: Art, Protest, Rock’n’Roll 1980–2010s, ARTPLAY Center of Design, Moscow (2012); global aCtIVISm, ZKM Karlsruhe (2013); 1st Garage Triennial of Contemporary Art, Garage Museum of Contemporary Art, Moscow (2017); dis/order. Art and Activism in Russia since 2000, Ludwig Forum, Aachen (2017). 

 About the collector 

Tatyana Volkova (b. 1978, Moscow) is a curator. She graduated in Cultural Management from the Moscow School of Social and Economic Sciences, where she received her master’s degree in 2000. Volkova also studied at the International Studio and Curatorial Program (ISCP) (New York, 2004). In 2000–2013 she worked in the team of curators headed by Andrey Erofeyev in the Department of the Newest Trends at Tsaritsyno Museum‑Reserve, the Department of the Newest Trends at State Tretyakov Gallery, and in the “ArtKladovka” Archive of Russian Contemporary Art.

Tatiana Volkova archive

Монтаж выставки «Границы гендера» в Галерее 21 на Пушкинской, 10 в Санкт‑Петербурге.

Монтаж выставки «Границы гендера»

Первые две фотографии — проект Ольги Тобрелутс «Любовная история Мерлин Монро и Владимира Маяковского». Третья и четвертая фотографии — «Эстетика классического борделя» Беллы Матвеевой. Пятая и шестая фотографии — семинар Ольги Сусловой в Кибер‑Фемин‑Клубе. С седьмой по девятую — экспозиция и открытие выставки «Границы гендера», на девятой фотографии на переднем плане — Ольга Липовская, на заднем плане Владимир Пореш, Дмитрий Пиликин и Ренат Актуганов.

Выставка «Границы гендера»

Буклет к выставке «Границы гендера», 20 страниц, мягкий переплёт, чёрно‑белые иллюстрации.

Буклет проекта «Границы гендера»

Границы гендера

Галерея 21

St. Petersburg

Anamnesis Lapsus Memoriae (Воспоминания. Ошибки памяти)

Музейный центр РГГУ

Moscow

TV-B061.jpg

1990s

Gender studies

Project catalogue

Каменецкая Наталия

Article author

Альчук Анна

Петровская Елена

Ковылина Елена

Mentioned

Буйвид Вита

Тобрелутс Ольга

Aydan Salahova was born in Moscow. She graduated Moscow Surikov State Academic Art Institute (1987). From 1989 to 1992 she was co‑director and curator of First Gallery (Moscow). She was the founder of Aidan Gallery (Moscow, 1992–2012). She took part in the 44th and 54th Venice Biennale (Russian Pavilion, 1990; Azerbaijan Pavilion, 2011). She was a member of the Union of Artists of the USSR (1988) and is an academician of the Russian Academy of Arts (2002).

Салахова Айдан

Родилась в 1964 году, в Москве. Художница, фотограф и преподаватель в Школе им. А. Родченко. Работает преимущественно с черно‑белой аналоговой фотографией. Яркая представительница московской художественной среды 1980-90‑х. Жена фотографа Игоря Мухина. 
Окончила отделение фотографии Московского политехникума в 1985 году и Институт журналистского мастерства в 1987 году. С 1993 года член Союза фотохудожников России. В 1996–1998 годах стипендиат стипендии Президента РФ молодым деятелям культуры. Лауреат конкурса «Серебряный венок» ММКАИ и Московского Дома фотографии 2007 года. 

Участница персональных и групповых выставок Projection в XL Галерее (Москва, 1994), 
Werkstatt Moskau (Zeitgenossische Russische Fotokunst) в Akademie der Kunste im Marstall (Берлин, 1995), Реконструкция в Гете‑Институте (Москва, 1995), Xposition в XL Галерее (Москва, 1996), Женщины России. Антошина, Либерман, Mартынова в Галерее М.Гельмана (Москва, 1996), Renewal and Metamorphosis. Russian Photographers from the Late Soviet Era to the 1990’s в MIT Museum (Кембридж, 1996), After the Wall в Moderna Museet (Стокгольм, 1999), Искусство женского рода в Государственной Третьяковской галерее (Москва, 2022).

Либерман Татьяна

Женщина в Искусстве / Воспоминания. Ошибки памяти

Details