7-9 years 

10-14 years 

15-17 years 

0-6 years 

Architecture

Photo

Journalism

Psychology

Music

Family

Stream

Series

Seminars, Workshops and Training

Lectures & Talks

Concerts & Performances

Film Screenings

Exhibitions

Courses

Tours

Concerts & performances

Conferences

Exhibitions & projects

News

Interview

Talks

Lecture cycles

Conferences and seminars

Book presentations

Art Guide

Garage publishing program

Sponsors, patrons, and partners

Information partners

Garage publishing program in collaboration with Artguide Editions

Garage International Publishing Program

Library events

Books in english

Garage Screen

Russian

English

Bilingual (russian/english)

Film programs

GARAGE Club

Programs for exhibitions

Events

Garage Live

Garage Dance

Academic program

Grants

Field research

Patronship

Garage Studios

Mosaic Music

GARAGE Student

Garage.txt

Film festival

Film distribution

Sign language

Mental disabilities

Migration

Audio description

Tactile models

Accessibility guide

Physical accessibility

GARAGE Individual

Digital accessibility

Diversity

Events at Garage

Garage publishing program and Strelka Press 

Text

Audio

Video

Feature

Guide

GARAGE Individual +1

Research laboratories

Artistic research

Translation to russian sign language

Subtitles

Adapted tours

Quiet room

Translation to uzbek, tajik, and kyrgyz

GARAGE Premium

“We Treasure Our Lucid Dreams”

Space 1520

Contemporary Critical Thought

Directors’ series

The Garage Journal

GARAGE Circle

Temporality

Disability

Affect

Overcoming

Body

Timelessness

Non-normative body

GARAGE Collectors Circle  

Experience of the other

Otherness

Developmental disabilities

Mental health

Trauma

Personal experience

Neural networks

Language

7-11 years

Plain language

Garage Café

The computer class schedule

Mediation

Oleg Baranov Going Down

Podcasts

Shelf of the Month. Theatrе

Publishing program page

Series of meetings with residents

Open call

Shelf of the Month. Cinema

Shelf of the Month. Modern Dance

Projects Oral History and Oral History 2.0

Visitors in a wheelchair

garage-txt

Open storage

Research Laboratory: I Am a Parcel, You Are a Stamp

VOKS kinema Research Laboratory

Avant-Garde Center Laboratory for the Study of Soviet Art Series

LISI_TSA

Public programs

Free

Registration required

Free for exhibition ticket holders

Paid

Booking required

Booking via phone or email is required

Booking on reception is required

Off-site projects

Architecture and design

Supervision

Museology

Philosophy

Economy

Cinematography

Critical biography

Memoirs and diaries

For Garage card holders

Exhibition catalogues

Research

For children

GARAGE + Ad Marginem

GARAGE PRO

Minima

Paperback

Hardcover

Hardcover with dust jacket

Book review

Professional programs

Video review

Garage publishing program in collaboration with Ad Marginem Press

Garage publishing program in collaboration with Ad Marginem Press. GARAGE PRO Series

Garage publishing program in collaboration with Ad Marginem Press. Minima Series

City tours

Exhibition tours

Seminars, workshops & training

Lectures & talks

Каталог выставки «Воспоминания. Ошибки памяти» в рамках проекта «Границы гендера».

Женщина в Искусстве / Воспоминания. Ошибки памяти

Available on request

<h2>About the archive </h2>

Tatyana Volkova’s art historical practice started at the beginning of the 2000s, under curator Andrey Erofeyev. The earliest period documented by her archive covers the projects she was involved in while working in the Department of the Newest Trends at Tsaritsyno Museum‑Reserve and the Department of the Newest Trends at State Tretyakov Gallery. In parallel to that, Volkova grew up professionally as an independent curator, soon becoming one of the pioneering Russian researchers of the new art movement known as activist art, or art activism. A key participant of art‑activist events since the late 2000s and co‑founder of the projects ZHIR (FAT), MediaUdar International Festival of Activist Art and the platform Fem‑Club, she has managed to collect a large amount of materials, including photo and video shoots, paper as well as digital documents. 

An important part of the collection embraces records documenting the preparation of comprehensive institutional exhibitions realized with the curatorial involvement of Volkova: Russian Utopias, Garage Center for Contemporary Culture, Moscow (2010); Silence Equals Death: Art, Protest, Rock’n’Roll 1980–2010s, ARTPLAY Center of Design, Moscow (2012); global aCtIVISm, ZKM Karlsruhe (2013); 1st Garage Triennial of Contemporary Art, Garage Museum of Contemporary Art, Moscow (2017); dis/order. Art and Activism in Russia since 2000, Ludwig Forum, Aachen (2017). 

 <h2>About the collector </h2>

Tatyana Volkova (b. 1978, Moscow) is a curator. She graduated in Cultural Management from the Moscow School of Social and Economic Sciences, where she received her master’s degree in 2000. Volkova also studied at the International Studio and Curatorial Program (ISCP) (New York, 2004). In 2000–2013 she worked in the team of curators headed by Andrey Erofeyev in the Department of the Newest Trends at Tsaritsyno Museum‑Reserve, the Department of the Newest Trends at State Tretyakov Gallery, and in the “ArtKladovka” Archive of Russian Contemporary Art.

About the archive 

Tatyana Volkova’s art historical practice started at the beginning of the 2000s, under curator Andrey Erofeyev. The earliest period documented by her archive covers the projects she was involved in while working in the Department of the Newest Trends at Tsaritsyno Museum‑Reserve and the Department of the Newest Trends at State Tretyakov Gallery. In parallel to that, Volkova grew up professionally as an independent curator, soon becoming one of the pioneering Russian researchers of the new art movement known as activist art, or art activism. A key participant of art‑activist events since the late 2000s and co‑founder of the projects ZHIR (FAT), MediaUdar International Festival of Activist Art and the platform Fem‑Club, she has managed to collect a large amount of materials, including photo and video shoots, paper as well as digital documents. 

An important part of the collection embraces records documenting the preparation of comprehensive institutional exhibitions realized with the curatorial involvement of Volkova: Russian Utopias, Garage Center for Contemporary Culture, Moscow (2010); Silence Equals Death: Art, Protest, Rock’n’Roll 1980–2010s, ARTPLAY Center of Design, Moscow (2012); global aCtIVISm, ZKM Karlsruhe (2013); 1st Garage Triennial of Contemporary Art, Garage Museum of Contemporary Art, Moscow (2017); dis/order. Art and Activism in Russia since 2000, Ludwig Forum, Aachen (2017). 

 About the collector 

Tatyana Volkova (b. 1978, Moscow) is a curator. She graduated in Cultural Management from the Moscow School of Social and Economic Sciences, where she received her master’s degree in 2000. Volkova also studied at the International Studio and Curatorial Program (ISCP) (New York, 2004). In 2000–2013 she worked in the team of curators headed by Andrey Erofeyev in the Department of the Newest Trends at Tsaritsyno Museum‑Reserve, the Department of the Newest Trends at State Tretyakov Gallery, and in the “ArtKladovka” Archive of Russian Contemporary Art.

Tatiana Volkova archive

Монтаж выставки «Границы гендера» в Галерее 21 на Пушкинской, 10 в Санкт‑Петербурге.

Монтаж выставки «Границы гендера»

Первые две фотографии — проект Ольги Тобрелутс «Любовная история Мерлин Монро и Владимира Маяковского». Третья и четвертая фотографии — «Эстетика классического борделя» Беллы Матвеевой. Пятая и шестая фотографии — семинар Ольги Сусловой в Кибер‑Фемин‑Клубе. С седьмой по девятую — экспозиция и открытие выставки «Границы гендера», на девятой фотографии на переднем плане — Ольга Липовская, на заднем плане Владимир Пореш, Дмитрий Пиликин и Ренат Актуганов.

Выставка «Границы гендера»

Буклет к выставке «Границы гендера», 20 страниц, мягкий переплёт, чёрно‑белые иллюстрации.

Буклет проекта «Границы гендера»

Границы гендера

Галерея 21

St. Petersburg

Anamnesis Lapsus Memoriae (Воспоминания. Ошибки памяти)

Музейный центр РГГУ

Moscow

TV-B061.jpg

1990s

Gender studies

Project catalogue

Kamenetskaya Nataliya

Article author

Alchuk Anna

Petrovskaya Elena

Kovylina Elena

Mentioned

Buivid Vita

Tobreluts Olga

Aydan Salahova was born in Moscow. She graduated Moscow Surikov State Academic Art Institute (1987). From 1989 to 1992 she was co‑director and curator of First Gallery (Moscow). She was the founder of Aidan Gallery (Moscow, 1992–2012). She took part in the 44th and 54th Venice Biennale (Russian Pavilion, 1990; Azerbaijan Pavilion, 2011). She was a member of the Union of Artists of the USSR (1988) and is an academician of the Russian Academy of Arts (2002).

Salakhova Aidan

Liberman Tatiana

Sarkisyan Oksana

Vera Miturich‑Khlebnikova was born in Makhachkala. She graduated from the Faculty of Artistic and Technical Design for Print Production of Moscow Printing Institute (1977). She has participated in numerous group projects in Russia and abroad, including the exhibitions The Artist’s Book (Museum of Private Collections, Pushkin State Museum of Fine Arts, Moscow, 1999), Petr, Vera, Mai, Vera. Four Creative Portraits (State Tretyakov Gallery, Moscow, 2001), Collage in Russia. 20th Century (State Russian Museum, St. Petersburg, 2005), and The Book as Art: Twenty Years of Artists’ Books from the National Museum of Women in the Arts (Washington, D.C., 2006). She is a member of the Union of Artists of Russia.

Miturich‑Khlebnikova Vera

Belyaev‑Gintovt Alexey

Elagina Elena

Sazhina Vera

Женщина в Искусстве / Воспоминания. Ошибки памяти

Details