7-9 years 

10-14 years 

15-17 years 

0-6 years 

Architecture

Photo

Journalism

Psychology

Music

Books in English

Family

Garage Dance

Garage.txt

Garage Screen

Stream

Contemporary Critical Thought

Directors’ series

The Garage Journal

Exhibition catalogues

Research

Children's books

Garage + Ad Marginem

Seminars, Workshops and Training

Lectures & Talks

Concerts & Performances

Film Screenings

Exhibitions

Courses

Tours

Concerts & performances

Conferences

Exhibitions & projects

News

Interview

Talks

Lecture cycles

Conferences and seminars

Book presentations

Art Guide

Garage publishing program

Sponsors, patrons, and partners

Information partners

Garage publishing program in collaboration with Artguide Editions

Garage International Publishing Program

Library events

Books in english

Russian

English

Bilingual (russian/english)

Film programs

GARAGE Club

Programs for exhibitions

Events

Garage Live

Academic program

Grants

Field research

Patronship

Garage Studios

Mosaic Music

GARAGE Student

Film festival

Film distribution

Sign language

Mental disabilities

Migration

Audio description

Tactile models

Accessibility guide

Physical accessibility

GARAGE Individual

Digital accessibility

Diversity

Events at Garage

Garage publishing program and Strelka Press 

Text

Audio

Video

Feature

Guide

GARAGE Individual +1

Research laboratories

Artistic research

Translation to russian sign language

Subtitles

Adapted tours

Quiet room

Translation to uzbek, tajik, and kyrgyz

GARAGE Premium

“We Treasure Our Lucid Dreams”

Space 1520

GARAGE Circle

Temporality

Disability

Affect

Overcoming

Body

Timelessness

Non-normative body

GARAGE Collectors Circle  

Experience of the other

Otherness

Developmental disabilities

Mental health

Trauma

Personal experience

Neural networks

Language

7-11 years

Plain language

Garage Café

The computer class schedule

Mediation

Oleg Baranov Going Down

Podcasts

Shelf of the Month. Theatrе

Publishing program page

Series of meetings with residents

Open call

Shelf of the Month. Cinema

Shelf of the Month. Modern Dance

Projects <i>Oral History</i> and <i>Oral History 2.0</i>

Visitors in a wheelchair

garage-txt

Open storage

Public programs

Free

Registration required

Free for exhibition ticket holders

Paid

Booking required

Booking via phone or email is required

Booking on reception is required

Off-site projects

Architecture and design

Supervision

Museology

Philosophy

Economy

Cinematography

Critical biography

Memoirs and diaries

For Garage card holders

For children

GARAGE + Ad Marginem

GARAGE PRO

Minima

Paperback

Hardcover

Hardcover with dust jacket

Book review

Professional programs

Video review

Garage publishing program in collaboration with Ad Marginem Press

Garage publishing program in collaboration with Ad Marginem Press. GARAGE PRO Series

Garage publishing program in collaboration with Ad Marginem Press. Minima Series

City tours

Exhibition tours

Seminars, workshops & training

Lectures & talks

Вернисаж. — 1991, № 2 (3)

Available on request

<h2>The Archive</h2>
<p>Leonid Bazhanov is a Russian art critic, artistic director of the National Center for Contemporary Arts (1994–2016). The archival collection, transferred to the Pushkin State Museum of Fine Arts in 2022, includes documents from three organizations, created by Leonid Bazhanov in the 1980s and 1990s — the Hermitage Amateur Association, the Center for Artistic Culture and the Center for Contemporary Art on Yakimanka.</p>
<p>“Hermitage”, the first official amateur association of artists of the Soviet underground, was registered in 1986 and existed until the beginning of 1988. During this time, the association has held more than ten exhibitions. Among them are group shows “Modern Art Culture”, “Dwelling”, “Retrospection”, etc., personal displays of works by Ivan Chuikov, Eduard Steinberg, Pavel Saltzman, etc. The members of the association considered their activities as a practical laboratory that overcomes shop boundaries. The archive contains documents on the organizational activities of the association, materials for the exhibitions` preparation, correspondence with various official institutions, photographs, articles about exhibitions and about the association.</p>
<p>The Center of Artistic Culture (CAC) was founded on November 18, 1988 under the auspices of the Soviet Committee for the Protection of Peace and the club “Travels in Defense of Peace and Nature”. CAC continued and developed the creative activity of the amateur association “Hermitage”. The coordination council of the Center included such well‑known art historians as Evgeny Barabanov, Marina Bessonova, Dmitry Sarabyanov, etc. Initially, it was planned to open the CAC by the USSR Union of Cinematographers or the Correspondence People's University of Arts, as it could evidenced by the letters and regulations preserved in the archive. The archive also contains documents of a few exhibitions that were realized in the late 1980s.</p>
<p> The Yakimanka Center for Contemporary Art (CCA) was opened in 1990, its activities were led by a coordinating council, which included well‑known art historians, art critics, artists and architects. Alexander Chekmarev became the director of the association, and Leonid Bazhanov became the artistic director, and then he was replaced by Viktor Misiano in 1993. Several galleries were founded by the CCA and worked on its territory. According to the organizers, each gallery should have had its own specialization: photography (the “School” gallery), video art (the “TV” gallery), naive art (the “Gift"gallery), figurative painting (the “20” gallery), abstract painting (the “Hermitage” gallery), etc. Documents of this part of the archive can be divided into two large groups: materials on administrative issues and materials of creative projects of galleries that were part of the CCA. A significant part of the documents are newspaper and magazine reviews of exhibitions, performances and art events, photographs, catalogs, invitations, press releases, leaflets, postcards, posters, many of them with autographs of artists and curators.</p>
<h2>About the author</h2>
<p> Leonid Aleksandrovich Bazhanov (born 1945, Moscow) is an art critic and curator, a member of the International Association of Art Critics (AICA), the Russian Academy of Arts, the Association of Art Critics (Russia), an Honored Worker of Culture of the Russian Federation, a laureate of the “Innovation” State Prize in the field of contemporary art for his contribution to the contemporary art development. He graduated from the Department of Art History of the Faculty of History of the Lomonosov Moscow State University and went on to work in the Pushkin State Museum of Fine Arts, the Kremlin Museums, the board of the Union of Artists of the USSR, Moscow Central Exhibition Hall (the Manege), and the publisher Sovetskii khudozhnik (Soviet Artist). He made paintings and was a participant and organizer of unofficial exhibitions in Moscow, as well as filming documentaries. In the late 1980s he founded a number of art organizations: the amateur Hermitage Association, the Center for Artistic Culture, and the Center for Contemporary Art on Yakimanka. Bazhanov participated in the creation and work of other art institutions, headed the fine arts committee of the Ministry of Culture of the Russian Federation, and was artistic director of the National Center for Contemporary Arts. He is also the author of essays on the history, theory, and practice of contemporary art in Russia and abroad. He lives and works in Moscow.</p>

The Archive
Leonid Bazhanov is a Russian art critic, artistic director of the National Center for Contemporary Arts (1994–2016). The archival collection, transferred to the Pushkin State Museum of Fine Arts in 2022, includes documents from three organizations, created by Leonid Bazhanov in the 1980s and 1990s — the Hermitage Amateur Association, the Center for Artistic Culture and the Center for Contemporary Art on Yakimanka.
“Hermitage”, the first official amateur association of artists of the Soviet underground, was registered in 1986 and existed until the beginning of 1988. During this time, the association has held more than ten exhibitions. Among them are group shows “Modern Art Culture”, “Dwelling”, “Retrospection”, etc., personal displays of works by Ivan Chuikov, Eduard Steinberg, Pavel Saltzman, etc. The members of the association considered their activities as a practical laboratory that overcomes shop boundaries. The archive contains documents on the organizational activities of the association, materials for the exhibitions` preparation, correspondence with various official institutions, photographs, articles about exhibitions and about the association.
The Center of Artistic Culture (CAC) was founded on November 18, 1988 under the auspices of the Soviet Committee for the Protection of Peace and the club “Travels in Defense of Peace and Nature”. CAC continued and developed the creative activity of the amateur association “Hermitage”. The coordination council of the Center included such well‑known art historians as Evgeny Barabanov, Marina Bessonova, Dmitry Sarabyanov, etc. Initially, it was planned to open the CAC by the USSR Union of Cinematographers or the Correspondence People's University of Arts, as it could evidenced by the letters and regulations preserved in the archive. The archive also contains documents of a few exhibitions that were realized in the late 1980s.
 The Yakimanka Center for Contemporary Art (CCA) was opened in 1990, its activities were led by a coordinating council, which included well‑known art historians, art critics, artists and architects. Alexander Chekmarev became the director of the association, and Leonid Bazhanov became the artistic director, and then he was replaced by Viktor Misiano in 1993. Several galleries were founded by the CCA and worked on its territory. According to the organizers, each gallery should have had its own specialization: photography (the “School” gallery), video art (the “TV” gallery), naive art (the “Gift"gallery), figurative painting (the “20” gallery), abstract painting (the “Hermitage” gallery), etc. Documents of this part of the archive can be divided into two large groups: materials on administrative issues and materials of creative projects of galleries that were part of the CCA. A significant part of the documents are newspaper and magazine reviews of exhibitions, performances and art events, photographs, catalogs, invitations, press releases, leaflets, postcards, posters, many of them with autographs of artists and curators.
About the author
 Leonid Aleksandrovich Bazhanov (born 1945, Moscow) is an art critic and curator, a member of the International Association of Art Critics (AICA), the Russian Academy of Arts, the Association of Art Critics (Russia), an Honored Worker of Culture of the Russian Federation, a laureate of the “Innovation” State Prize in the field of contemporary art for his contribution to the contemporary art development. He graduated from the Department of Art History of the Faculty of History of the Lomonosov Moscow State University and went on to work in the Pushkin State Museum of Fine Arts, the Kremlin Museums, the board of the Union of Artists of the USSR, Moscow Central Exhibition Hall (the Manege), and the publisher Sovetskii khudozhnik (Soviet Artist). He made paintings and was a participant and organizer of unofficial exhibitions in Moscow, as well as filming documentaries. In the late 1980s he founded a number of art organizations: the amateur Hermitage Association, the Center for Artistic Culture, and the Center for Contemporary Art on Yakimanka. Bazhanov participated in the creation and work of other art institutions, headed the fine arts committee of the Ministry of Culture of the Russian Federation, and was artistic director of the National Center for Contemporary Arts. He is also the author of essays on the history, theory, and practice of contemporary art in Russia and abroad. He lives and works in Moscow.

Leonid Bazhanov Collection

Эстетические опыты

Государственный музей керамики и «Усадьба Кусково XVIII века»

Moscow

Никита Алексеев. Стожок сена

Первая галерея

II Московская международная художественная ярмарка АРТ‑МИФ

Центральный выставочный зал «Манеж»

1990s

Art market

Gallery business

Collecting

Criticism

Epikhin Sergei

Article author

Sviblova Olga

Perfiliev Valery

Editor

Bode Mikhail

Schwarts Aleksander

Chekalov Kirill

Author of text

Klyachko Tatiana

Nikita Alexeev was born in Moscow. From 1964 to 1967, he studied at Moscow Middle Art School of the Moscow Surikov State Art Institute and then at 1905 Moscow State Academic Art College in the Department of Industrial Graphics and Advertising. From 1973 to 1976, he studied at Moscow Printing Institute in the Faculty of Artistic and Technical Design of Print Products (he did not graduate). From 1976 to 1983, he was a member of the group Collective Actions. He took part in the Biennale of Dissent (Venice, 1977). He was one of the organizers of MANI (Moscow Archive of New Art). From 1982 to 1984, he was co‑founder and director of APTART Gallery, which was located in his studio apartment in Moscow.

Alexeev Nikita

Misiano Viktor

Mentioned

Tchaikovsky Pyotr

Filippov Andrei

Khorovsky Yury

Gashunin Nikita

Molochnikov Mikhail

Chahal Gor

Gorshkov Aleksandr

Chernysheva Olga

Dmitry Gutov was born in 1960 in Moscow. He studied in the Psychology Faculty at Moscow V. I. Lenin State Pedagogical Institute and graduated from the Easel Painting Faculty of the People’s Correspondence University of the Arts and the Department of History and Theory of Visual Art of the Repin Institute of Painting, Sculpture, and Architecture (St. Petersburg). In 1994, he founded the Lifshitz Institute. He took part in the 46th (Russian Pavilion, 1995) and 53rd Venice Biennale (main project, 2011), Manifesta 1 (Rotterdam, 1996), documenta 12 (Kassel, 2007), and other exhibitions.

Gutov Dmitriy

Вернисаж. — 1991, № 2 (3)

Details