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Сусанин. — 

Special collections

<h2>The Archive</h2>
<p>In 2018 Garage acquired one third of the archive left behind by the renowned Russian artist Vladislav Mamyshev‑Monroe (1969–2013). The other two parts belong to Moscow Museum of Modern Art and the Vladislav Mamyshev‑Monroe Foundation.</p>
<p>Garage Archive holdings include texts written by the artist, his letters, possessions, books, and a compilation of publications on the artist. Amongst the materials are the self‑published magazines Kh.V.Z (Khochu Vse Znat’, 1997) and M.V.U. (1994), texts written for Monroe’s first solo show Flora and Fauna. Painting &amp; Petting (with Bella Matveeva), full “profiles” of the characters impersonated by the artist, manuscripts and drafts for works of literature, preparatory sketches for installations, parts of stage costumes, and works by other artists given to him as gifts.</p>
<p>The Vladislav Mamyshev‑Monroe archive comprises biographical material that allows researchers to trace the career of the artist and study possible sources of his individual mythmaking.</p>
<h2>The Artist</h2>
<p>Vladislav Mamyshev‑Monroe (1969–2013) was a Russian artist and writer active in the 1990s and 2000s. His work includes dozens of photographic series and impersonations of famous historical and cultural figures. In 1990, together with Yuri Lesnik, Timur Novikov and Georgy Guryanov. he founded Pirate TV. Together with Sergei Bugaev (Afrika), Olesya Turkina, and Viktor Mazin he published the journal Kabinet. In 2004, Monroe was the presenter of “Rozovy blo” (Pink Section) on Artemy Troitsky’s TV show Priznaky zhizny (Signs of Life). He was awarded the Innovation Prize in 2014 and the Kandinsky Prize in 2007.</p>
<p></p>

The Archive
In 2018 Garage acquired one third of the archive left behind by the renowned Russian artist Vladislav Mamyshev‑Monroe (1969–2013). The other two parts belong to Moscow Museum of Modern Art and the Vladislav Mamyshev‑Monroe Foundation.
Garage Archive holdings include texts written by the artist, his letters, possessions, books, and a compilation of publications on the artist. Amongst the materials are the self‑published magazines Kh.V.Z (Khochu Vse Znat’, 1997) and M.V.U. (1994), texts written for Monroe’s first solo show Flora and Fauna. Painting &amp; Petting (with Bella Matveeva), full “profiles” of the characters impersonated by the artist, manuscripts and drafts for works of literature, preparatory sketches for installations, parts of stage costumes, and works by other artists given to him as gifts.
The Vladislav Mamyshev‑Monroe archive comprises biographical material that allows researchers to trace the career of the artist and study possible sources of his individual mythmaking.
The Artist
Vladislav Mamyshev‑Monroe (1969–2013) was a Russian artist and writer active in the 1990s and 2000s. His work includes dozens of photographic series and impersonations of famous historical and cultural figures. In 1990, together with Yuri Lesnik, Timur Novikov and Georgy Guryanov. he founded Pirate TV. Together with Sergei Bugaev (Afrika), Olesya Turkina, and Viktor Mazin he published the journal Kabinet. In 2004, Monroe was the presenter of “Rozovy blo” (Pink Section) on Artemy Troitsky’s TV show Priznaky zhizny (Signs of Life). He was awarded the Innovation Prize in 2014 and the Kandinsky Prize in 2007.


Vladislav Mamyshev‑Monroe archive

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Caricature

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Borisov Leonid

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Borovsky Alexander

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Koldobskaya Marina

Kovalsky Sergey

Pilikin Dmitry

Voinov Vadim

Chezhin Andrey

Khlobystin Andrei

Novikov Timur

Sorokin Vladimir

Kolovsky Zakhar

Orlov Evgeny

Vasin Kolya

Osmolovsky Anatoly

Misiano Viktor

Ter‑Oganyan Avdei

Backstein Joseph

Brener Alexander

Kulik Oleg

Bobrinskaya Ekaterina

Издание «Неполного собрания сочинений И.О.Сусанина» в Петербургском Архиве и Библиотеке Независимого Искусства (ПАиБНИ) при Культурном Центре «Пушкинская-10» приурочено к грядущему юбилею: в 2003 году, когда весь мир будет праздновать трехсотлетие основания Санкт-Петербурга, исполнится 390 лет бессмертному подвигу И.О.Сусанина.

В основу «Неполного собрания сочинений» ложатся редкие, чудом сохранившиеся издания самого популярного путеводителя по современной культуре рубежа тысячелетий — «Сусанин-2003», выходящего под лозунгом «Заразум!». «Сусанин» был и остается самым массовым (тираж до 175000), и доступным медиальным изданием, подметным письмом, передаваемым из рук в руки. Существует он и в сетях диковинных шкатулок японских. Своей крайней независимостью, оптимизмом, соленым словцом и художественно-классовым чутьем «Сусанин» заслужил любовь угнетенных художественных масс, стонущих под ярмом международных художественных фондов и их холуев — кураторов. Простые художники в своих незамысловатых перформансах и наивных инсталляциях верны заветам Сусанина, уводя недругов прочь от заезженных большаков заумного барского дискурса в дремучие чащи бесстыжей русской натуры.
Издание представлено на фоне мемориальной экспозиции, посвященной патриотической и творческой деятельности И.О.Сусанина за минувшие четыре столетия. В экспозиции представлены личные вещи, материальные остатки и продукты жизнедеятельности великого патриота и критика. В основу экспозиции находятся критические и публицистические сочинения Сусанина.

Принятые сокращения 
АПЧХИ — Ассоциация поддержания чрезвычайных художественных инициатив
ПУК — Петербургский уничерситет культуры

Сусанин

St. Petersburg

Moscow, Garage Archive Collection

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Сусанин. —

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