<p>On&nbsp;Monday May&nbsp;13, the Museum, Caf&eacute;, and Shop will open at&nbsp;18:00.</p>
<p>On Monday May 13, the 0+ Space will be closed.</p>

Please note

7-9 years 

10-14 years 

15-17 years 

0-6 years 

Architecture

Photo

Journalism

Psychology

Music

Books in English

Family

Garage Dance

Garage.txt

Garage Screen

Stream

Contemporary Critical Thought

Directors’ series

The Garage Journal

Exhibition catalogues

Research

Children's books

Garage + Ad Marginem

Seminars, Workshops and Training

Lectures & Talks

Concerts & Performances

Film Screenings

Exhibitions

Courses

Tours

Concerts & performances

Conferences

Exhibitions & projects

News

Interview

Talks

Lecture cycles

Conferences and seminars

Book presentations

Art Guide

Garage publishing program

Sponsors, patrons, and partners

Information partners

Garage publishing program in collaboration with Artguide Editions

Garage International Publishing Program

Library events

Books in english

Russian

English

Bilingual (russian/english)

Film programs

GARAGE Club

Programs for exhibitions

Events

Garage Live

Academic program

Grants

Field research

Patronship

Garage Studios

Mosaic Music

GARAGE Student

Film festival

Film distribution

Sign language

Mental disabilities

Migration

Audio description

Tactile models

Accessibility guide

Physical accessibility

GARAGE Individual

Digital accessibility

Diversity

Events at Garage

Garage publishing program and Strelka Press 

Text

Audio

Video

Feature

Guide

GARAGE Individual +1

Research laboratories

Artistic research

Translation to russian sign language

Subtitles

Adapted tours

Quiet room

Translation to uzbek, tajik, and kyrgyz

GARAGE Premium

“We Treasure Our Lucid Dreams”

Space 1520

GARAGE Circle

Temporality

Disability

Affect

Overcoming

Body

Timelessness

Non-normative body

GARAGE Collectors Circle  

Experience of the other

Otherness

Developmental disabilities

Mental health

Trauma

Personal experience

Neural networks

Language

7-11 years

Plain language

Garage Café

The computer class schedule

Mediation

Oleg Baranov Going Down

Podcasts

Shelf of the Month. Theatrе

Publishing program page

Series of meetings with residents

Open call

Shelf of the Month. Cinema

Shelf of the Month. Modern Dance

Visitors in a wheelchair

Public programs

Free

Registration required

Free for exhibition ticket holders

Paid

Booking required

Booking via phone or email is required

Booking on reception is required

Off-site projects

Architecture and design

Supervision

Museology

Philosophy

Economy

Cinematography

Critical biography

Memoirs and diaries

For Garage card holders

For children

GARAGE + Ad Marginem

GARAGE PRO

Minima

Paperback

Hardcover

Hardcover with dust jacket

Book review

Professional programs

Video review

Garage publishing program in collaboration with Ad Marginem Press

Garage publishing program in collaboration with Ad Marginem Press. GARAGE PRO Series

Garage publishing program in collaboration with Ad Marginem Press. Minima Series

City tours

Exhibition tours

Seminars, workshops & training

Lectures & talks

Статья, посвященная культурным связям Японии и СССР на
стр. 13 «Русское искусство за рубежом».

Информационный бюллетень ВОКС. — 1926, № 8 (35)

Available on request

<p> The 1920s and 1930s were the only period in the history of artistic interaction between the USSR and Japan when it was possible to learn from periodical literature about the work of artists whose oeuvre was contemporary for the whole world and not just the USSR. By the beginning of the 1930s a critical approach had developed that was antagonistic to many artistic trends and their representatives and distorted the perception of the latest processes in the contemporary art of Japan. 

<h2> About the Archive </h2>

<p> The archive, which was collected by Viktor Belozerov, comprises more than 100 newspaper and journal publications from the late 1920s to the mid‑1930s, including articles, short notes, and photographic and illustrative materials. These documents cover various fields of Japanese art, from contemporary painting and sculpture to architecture and photography. There are separate sections for reviews of Japanese exhibitions and the participation of Japanese artists in group projects in the USSR, events and exhibitions in Japan involving Soviet artists, critical articles about the state of contemporary Japanese art (S. Kochawa, Genji Otsuki, S. Kibe) and publications by Soviet authors (David Arkin, Nikolai Punin, V. Milman, Boris Ternovets, Vsevolod Voinov) about contemporary Japanese art. A small selection of publications concerns classical architecture (Boris Denike), contemporary photography, and children’s art (Nina Sakulina, Anatoly Bakushinsky). 

<p> The archive also reflects the theme of proletarian art in Japan, including the movement as a whole and the role of some of its participants (Yabe Tomoe, Eitaro Ishigaki, Toki Okamoto, and others), and also the artistic characteristics of painting and poster design. From the late nineteenth century, Japanese artists ceased being linked geographically only to Japan, as was reflected in publications about the Japanese art community in Paris and in particular about the work of Tsuguharu Fujita and Sei Koyanagui. 

<h2> About the Founder </h2>

<p> Viktor Belozerov (b. 1996, Moscow) has a master’s degree in the theory and history of art and is a researcher and Japan expert. He graduated from the Art History Faculty of the Russian State University for the Humanities (Moscow). He is the founder of the education project Gendai Eye, which aims to promote contemporary Japanese art in Russia. He lives and works in Moscow.

 The 1920s and 1930s were the only period in the history of artistic interaction between the USSR and Japan when it was possible to learn from periodical literature about the work of artists whose oeuvre was contemporary for the whole world and not just the USSR. By the beginning of the 1930s a critical approach had developed that was antagonistic to many artistic trends and their representatives and distorted the perception of the latest processes in the contemporary art of Japan. 

 About the Archive 

 The archive, which was collected by Viktor Belozerov, comprises more than 100 newspaper and journal publications from the late 1920s to the mid‑1930s, including articles, short notes, and photographic and illustrative materials. These documents cover various fields of Japanese art, from contemporary painting and sculpture to architecture and photography. There are separate sections for reviews of Japanese exhibitions and the participation of Japanese artists in group projects in the USSR, events and exhibitions in Japan involving Soviet artists, critical articles about the state of contemporary Japanese art (S. Kochawa, Genji Otsuki, S. Kibe) and publications by Soviet authors (David Arkin, Nikolai Punin, V. Milman, Boris Ternovets, Vsevolod Voinov) about contemporary Japanese art. A small selection of publications concerns classical architecture (Boris Denike), contemporary photography, and children’s art (Nina Sakulina, Anatoly Bakushinsky). 

 The archive also reflects the theme of proletarian art in Japan, including the movement as a whole and the role of some of its participants (Yabe Tomoe, Eitaro Ishigaki, Toki Okamoto, and others), and also the artistic characteristics of painting and poster design. From the late nineteenth century, Japanese artists ceased being linked geographically only to Japan, as was reflected in publications about the Japanese art community in Paris and in particular about the work of Tsuguharu Fujita and Sei Koyanagui. 

 About the Founder 

 Viktor Belozerov (b. 1996, Moscow) has a master’s degree in the theory and history of art and is a researcher and Japan expert. He graduated from the Art History Faculty of the Russian State University for the Humanities (Moscow). He is the founder of the education project Gendai Eye, which aims to promote contemporary Japanese art in Russia. He lives and works in Moscow.

Информационный бюллетень ВОКС. — 1926, № 8 (35)

Details