On Wednesday April 8, the Museum, Library, Caf&eacute;, and Shop will open at 12:00.

Please note

7-9 years 

10-14 years 

15-17 years 

0-6 years 

Architecture

Photo

Journalism

Psychology

Music

Family

Stream

Series

Seminars, Workshops and Training

Lectures & Talks

Concerts & Performances

Film Screenings

Exhibitions

Courses

Tours

Concerts & performances

Conferences

Exhibitions & projects

News

Interview

Talks

Lecture cycles

Conferences and seminars

Book presentations

Art Guide

Garage publishing program

Sponsors, patrons, and partners

Information partners

Garage publishing program in collaboration with Artguide Editions

Garage International Publishing Program

Library events

Books in english

Garage Screen

Russian

English

Bilingual (russian/english)

Film programs

GARAGE Club

Programs for exhibitions

Events

Garage Live

Garage Dance

Academic program

Grants

Field research

Patronship

Garage Studios

Mosaic Music

GARAGE Student

Garage.txt

Film festival

Film distribution

Sign language

Mental disabilities

Migration

Audio description

Tactile models

Accessibility guide

Physical accessibility

GARAGE Individual

Digital accessibility

Diversity

Events at Garage

Garage publishing program and Strelka Press 

Text

Audio

Video

Feature

Guide

GARAGE Individual +1

Research laboratories

Artistic research

Translation to russian sign language

Subtitles

Adapted tours

Quiet room

Translation to uzbek, tajik, and kyrgyz

GARAGE Premium

“We Treasure Our Lucid Dreams”

Space 1520

Contemporary Critical Thought

Directors’ series

The Garage Journal

GARAGE Circle

Temporality

Disability

Affect

Overcoming

Body

Timelessness

Non-normative body

GARAGE Collectors Circle  

Experience of the other

Otherness

Developmental disabilities

Mental health

Trauma

Personal experience

Neural networks

Language

7-11 years

Plain language

Garage Café

The computer class schedule

Mediation

Oleg Baranov Going Down

Podcasts

Shelf of the Month. Theatrе

Publishing program page

Series of meetings with residents

Open call

Shelf of the Month. Cinema

Shelf of the Month. Modern Dance

Projects Oral History and Oral History 2.0

Visitors in a wheelchair

garage-txt

Open storage

Research Laboratory: I Am a Parcel, You Are a Stamp

VOKS kinema Research Laboratory

Avant-Garde Center Laboratory for the Study of Soviet Art Series

LISI_TsA

Region reviews

Artist reviews

Thematic reviews

Exhibition reviews

Public programs

Free

Registration required

Free for exhibition ticket holders

Paid

Booking required

Booking via phone or email is required

Booking on reception is required

Off-site projects

Architecture and design

Supervision

Museology

Philosophy

Economy

Cinematography

Critical biography

Memoirs and diaries

For Garage card holders

Exhibition catalogues

Research

For children

GARAGE + Ad Marginem

GARAGE PRO

Minima

Paperback

Hardcover

Hardcover with dust jacket

Book Selection

Professional programs

Video review

Garage publishing program in collaboration with Ad Marginem Press

Garage publishing program in collaboration with Ad Marginem Press. GARAGE PRO Series

Garage publishing program in collaboration with Ad Marginem Press. Minima Series

City tours

Exhibition tours

Seminars, workshops & training

Lectures & talks

Гуманитарный фонд. — 1992, № 49 (152)

Available on request

The collection is based on materials from the collections of the Smolensk artist and musician Vlad Makarov and the poet and artist Eduard Kulemin. These have been supplemented by the archive of the newspaper Gumanitarnyi fond, the archive of the writer Oleg Razumovsky, photographs by the artist and historian Vladimir Markov, the archive of the literary and philosophical journal Slovo, and archive materials from the Smolensk Rock Club, Dom Molodezhei Gallery, and several local media outlets. The archive of Smolensk art is constructed primarily around local unofficial artists and independent self‑organized collective initiatives, covering the period from the mid‑1980s until the late 2000s.
The archive includes biographical information, portfolios, information about events, press releases, photographs from exhibitions, concerts, and festivals, and also samizdat poetry collections, almanacs, exhibition catalogues, journals, and articles.

Most of the materials are digital copies, with the originals held by the authors.

The collection is based on materials from the collections of the Smolensk artist and musician Vlad Makarov and the poet and artist Eduard Kulemin. These have been supplemented by the archive of the newspaper Gumanitarnyi fond, the archive of the writer Oleg Razumovsky, photographs by the artist and historian Vladimir Markov, the archive of the literary and philosophical journal Slovo, and archive materials from the Smolensk Rock Club, Dom Molodezhei Gallery, and several local media outlets. The archive of Smolensk art is constructed primarily around local unofficial artists and independent self‑organized collective initiatives, covering the period from the mid‑1980s until the late 2000s.
The archive includes biographical information, portfolios, information about events, press releases, photographs from exhibitions, concerts, and festivals, and also samizdat poetry collections, almanacs, exhibition catalogues, journals, and articles.

Most of the materials are digital copies, with the originals held by the authors.

The Collection of Smolensk Archive: A Different Local History

Второй смоленский международный!

II Международный фестиваль современного искусства «Артбдения-92»

Смоленская областная филармония

Smolensk

Открытие II Международного фестиваля современного искусства «Артбдения‑92»

Концерт в рамках II Международного фестиваля современного искусства «Артбдения‑92»

«Поэзия и другие» в рамках II Международного фестиваля современного искусства «Артбдения -92»

Смоленский областной Дом работников просвещения

Выставка смоленских художников, прошедшая в рамках II Международного фестиваля современного искусства «Артбдения‑92»

Выставочный зал Смоленского музея‑заповедника

Гуманитарный фонд. — 1992, № 49 (152)

Details