The Destruction of Art: Iconoclasm and Vandalism Since the French Revolution
To explore the relationship between the destruction of art in this century and older forms of iconoclasm, the author presents case studies of such European and American controversies as the Suffragette protests in London's National Gallery and the hotly‑debated removal of Richard Serra's Tilted Arc in New York.
Details
USA, Photography, Installation, Sculpture, Religion, Eastern Europe, Caricature, Graphic art, Socialism, Politics, 20th‑century history, Germany, 1990s, 1960s, Hungary, Documentary, Communism, Revolution, Illustration, Painting, France, Dada
Goya Francisco, Vitaly Komar and Alexander Melamid, Serra Richard, Metzel Olaf, Rivera Diego, Lenin Vladimir, Epstein Jacob, Haacke Hans, Aeschbacher Hans, Lüchinger Roland, Moore Henry, Rehmann Erwin, Newman Barnett, Jahan Pierre, Richier Germaine, Duchamp Marcel, Baumeister Willi, Spoerri Daniel, Arman, Rauschenberg Robert, Morellet François, Ray Man, Zaugg Rémy, Weiss David, Fischli Peter, Minkoff Gérald, Oppenheim Meret, Picasso Pablo, Beuys Joseph, Morris Robert, Brâncuşi Constantin
New Haven, Connecticut
1997
416 pages
9780300071702
Available on request
Yes
Yes
701.2 Gam
1
- Spiritual Art and Art Education2014
- The Optical Unconscious1998
- Краткая история «нового» в российском дискурсе об искусстве2022
- Чтение белой стены2011
- Bachelors2000
- The Field of Cultural Production. Essays on Art and Literature1993
- The Future of the Image2019
- 13 Paintings Children Should Know2014
- Феномен открытой формы в искусстве ХХ века2012
- Коробка с карандашами: тексты, рисунки, дизайн. Медиа искусства2021
- Избранные искусствоведческие труды2000
- The Oxford Handbook of Creative Industries2015
