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Данная книга завершает трёхтомный труд, посвящённый истории видеоарта в России. В книге описываются новейшие тенденции, которым следует современное поколение видеохудожников в различных регионах России.

История российского видеоарта. Том 3 / History of Russian Video Art. Volume 3

Available on request

In 2012, Garage Center for Contemporary Culture acquired the archive of Art Projects Foundation, which became the core of its own archive collection. In 2014, the Center became Garage Museum of Contemporary Art and its archive became a museum collection. The collection has inherited the structure of the Art Projects Foundation archive and contains documents on Russian contemporary artists and art events, press cuttings, press releases, exhibition booklets, invitations, programs, and posters.


See also <a href="/en/catalogue/collection/garage-center-for-contemporary-culture">Archive of Garage Center for Contemporary Culture</a>


In 2012, Garage Center for Contemporary Culture acquired the archive of Art Projects Foundation, which became the core of its own archive collection. In 2014, the Center became Garage Museum of Contemporary Art and its archive became a museum collection. The collection has inherited the structure of the Art Projects Foundation archive and contains documents on Russian contemporary artists and art events, press cuttings, press releases, exhibition booklets, invitations, programs, and posters.


See also Archive of Garage Center for Contemporary Culture

Garage Museum of Contemporary Art archive

3.jpg

Video art

Geusa Antonio

Author

Andrei Monastyrsky was born in Petsamo (Pechenga, Murmansk Oblast). He graduated from the Philology Faculty of Moscow State University. He was a founder (1976), theorist, and author of large‑scale actions in the group Collective Actions. He took part in the Biennale of Dissent (Venice, 1977), the 50th (main project, 2003), 52nd (main project, 2007) and 54th Venice Biennale (Russian Pavilion, 2011) and also documenta 12 (Kassel, 2007). He is a recipient of the Andrei Bely Prize for his important contribution to the development of Russian literature (2003) and the Innovation Prize in the nominations Theory, Criticism, Art History (2010) and For Creative Contribution to the Development of Contemporary Art (2015).

Monastyrsky Andrei

Mentioned

Vilenskiy Dmitriy

Zakharov Vadim

Alimpiev Victor

Logutov Vladimir

Korobkov Ilya

Titov German

Preobrazhensky Kirill

Begalskaya Vika

Kovylina Elena

Sergei Shutov was born in 1955 in Potsdam. He was a member of the City Committee of Graphic Artists (Moscow) from 1978. He worked on the film Assa (1987) and took part in concerts by the band Pop‑Mekhanika. He founded the Institute of Art Technology (Moscow, 1992), ran practical sessions at Moscow Artistic Laboratory of New Media (Moscow, 1994), and was a VJ at the club Ptyuch (Moscow). He exhibited in the Russian Pavilion at the 49th Venice Biennale (2011).

Shutov Sergei

Bratkov Sergei

Minaev Roman

Chernyshev Aristarkh

Velikanov Andrey

Dmitry Gutov was born in 1960 in Moscow. He studied in the Psychology Faculty at Moscow V. I. Lenin State Pedagogical Institute and graduated from the Easel Painting Faculty of the People’s Correspondence University of the Arts and the Department of History and Theory of Visual Art of the Repin Institute of Painting, Sculpture, and Architecture (St. Petersburg). In 1994, he founded the Lifshitz Institute. He took part in the 46th (Russian Pavilion, 1995) and 53rd Venice Biennale (main project, 2011), Manifesta 1 (Rotterdam, 1996), documenta 12 (Kassel, 2007), and other exhibitions.

Gutov Dmitriy

Tobreluts Olga

Kuzkin Andrei

Buldakov Alexey

Mamyshev‑Monroe Vladislav

Litvin Anton

Yukhananov Boris

Kulik Oleg

Alexey Isaev was born in the village of Serebryanye Prudy (Moscow Oblast). He was an assistant camera operator at Tsentrnauchfilm (1978–1979), a member of the Studio of Eccentric Peculiarities (1993–1994), and a staff member of the NeuroVideoCenter of the Burdenko Neurosurgery Institute of the Russian Academy of Medical Sciences (1994–1995). In 2000, together with Olga Shishko, he founded the Moscow information and research center MediaArtLab. In the same year he became the initiator and curator of the annual international symposium Pro&Contra and director of the Media Forum program of Moscow International Film Festival. He created the international online festival Trash‑Art (1999) and was a curator and jury member of the Russian Internet art resources festival Da‑Da‑Net (2000). He was the organizer and curator of the International Festival of Experimental Video, Computer Animation, and Projective Synthesis (Moscow, 1994). In 1995 his solo exhibition Neuromancero took place at Ptyuch video gallery (Moscow). In 1996, together with the philosopher Valery Podoroga, he created the project Eisenstein Pavilion for Manifesta 1 (Rotterdam).

Isaev Alexei

История российского видеоарта. Том 3 / History of Russian Video Art. Volume 3

Details