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Заключительный том книги Райнера Марии Рильке «Вопрсведе», в который вошли несколько эссе о немецких пейзажистах и заключительная статья переводчика Владимира Микушевича о поэте.

Ворпсведе. Том 2. Эссе

Open stacks

In 2012, Garage Center for Contemporary Culture acquired the archive of Art Projects Foundation, which became the core of its own archive collection. In 2014, the Center became Garage Museum of Contemporary Art and its archive became a museum collection. The collection has inherited the structure of the Art Projects Foundation archive and contains documents on Russian contemporary artists and art events, press cuttings, press releases, exhibition booklets, invitations, programs, and posters.


See also <a href="/en/catalogue/collection/garage-center-for-contemporary-culture">Archive of Garage Center for Contemporary Culture</a>


In 2012, Garage Center for Contemporary Culture acquired the archive of Art Projects Foundation, which became the core of its own archive collection. In 2014, the Center became Garage Museum of Contemporary Art and its archive became a museum collection. The collection has inherited the structure of the Art Projects Foundation archive and contains documents on Russian contemporary artists and art events, press cuttings, press releases, exhibition booklets, invitations, programs, and posters.


See also Archive of Garage Center for Contemporary Culture

Garage Museum of Contemporary Art archive

photo_2020-11-17_16-01-20.jpg

Painting

Germany

Criticism

Rilke Rainer Maria

Author

Mikyshevich Vladimir

Article author

Mackensen Fritz

Mentioned

Overbeck Fritz

Modersohn Friedrich Wilhelm Otto

Am Ende Hans

Vogeler Heinrich

Translator

Filippov Chekhov Aleksandr

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Moscow

libra

Moscow, Garage Archive Collection

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If our soup can could speak: Mikhail Lifshitz and the Soviet Sixties

Ворпсведе. Том 2. Эссе

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