7-9 years 

10-14 years 

15-17 years 

0-6 years 

Architecture

Photo

Journalism

Psychology

Music

Books in English

Family

Garage Dance

Garage.txt

Garage Screen

Stream

Contemporary Critical Thought

Directors’ series

The Garage Journal

Exhibition catalogues

Research

Children's books

Garage + Ad Marginem

Seminars, Workshops and Training

Lectures & Talks

Concerts & Performances

Film Screenings

Exhibitions

Courses

Tours

Concerts & performances

Conferences

Exhibitions & projects

News

Interview

Talks

Lecture cycles

Conferences and seminars

Book presentations

Art Guide

Garage publishing program

Sponsors, patrons, and partners

Information partners

Garage publishing program in collaboration with Artguide Editions

Garage International Publishing Program

Library events

Books in english

Russian

English

Bilingual (russian/english)

Film programs

GARAGE Club

Programs for exhibitions

Events

Garage Live

Academic program

Grants

Field research

Patronship

Garage Studios

Mosaic Music

GARAGE Student

Film festival

Film distribution

Sign language

Mental disabilities

Migration

Audio description

Tactile models

Accessibility guide

Physical accessibility

GARAGE Individual

Digital accessibility

Diversity

Events at Garage

Garage publishing program and Strelka Press 

Text

Audio

Video

Feature

Guide

GARAGE Individual +1

Research laboratories

Artistic research

Translation to russian sign language

Subtitles

Adapted tours

Quiet room

Translation to uzbek, tajik, and kyrgyz

GARAGE Premium

“We Treasure Our Lucid Dreams”

Space 1520

GARAGE Circle

Temporality

Disability

Affect

Overcoming

Body

Timelessness

Non-normative body

GARAGE Collectors Circle  

Experience of the other

Otherness

Developmental disabilities

Mental health

Trauma

Personal experience

Neural networks

Language

7-11 years

Plain language

Garage Café

The computer class schedule

Mediation

Oleg Baranov Going Down

Podcasts

Shelf of the Month. Theatrе

Publishing program page

Series of meetings with residents

Open call

Shelf of the Month. Cinema

Shelf of the Month. Modern Dance

Projects <i>Oral History</i> and <i>Oral History 2.0</i>

Visitors in a wheelchair

garage-txt

Open storage

Public programs

Free

Registration required

Free for exhibition ticket holders

Paid

Booking required

Booking via phone or email is required

Booking on reception is required

Off-site projects

Architecture and design

Supervision

Museology

Philosophy

Economy

Cinematography

Critical biography

Memoirs and diaries

For Garage card holders

For children

GARAGE + Ad Marginem

GARAGE PRO

Minima

Paperback

Hardcover

Hardcover with dust jacket

Book review

Professional programs

Video review

Garage publishing program in collaboration with Ad Marginem Press

Garage publishing program in collaboration with Ad Marginem Press. GARAGE PRO Series

Garage publishing program in collaboration with Ad Marginem Press. Minima Series

City tours

Exhibition tours

Seminars, workshops & training

Lectures & talks

На дне. — 1998, № 33

Available on request

<h2>Archive of St. Petersburg’s interdisciplinary art 1990s‑2000s. Irina Aktuganova and Sergey Busov Archive</h2>

<p>The archive features three groups of materials documenting various projects that involved Irina Aktuganova and Sergey Busov, including Gallery 21, Cyber‑Femin‑Club, and Gallery of Experimental Sound GEZ (GEZ‑21).</p>

<p>Gallery 21 (1994–2001), founded by Irina Aktuganova in 1994, was located in the space #21 on Pushkinskaya, 10 from where it received its name. From 1994 to 1997, the gallery operated as a unique experimental exhibition venue that worked with current art and the art of new technologies. Over the years of its existence, Gallery 21 ran over 300 events along with participation in some major Russian and international projects. Its subsidiary projects include Techno‑Art Center (1994), Cyber‑Femin‑Club (1994), GEZ‑21 (1999), Art‑Buffet (2002), and Philosophical Café (2002). The main block of documents related to the activities of Gallery 21 contain a vast selection of photo and video records documenting events run by the gallery beginning from the mid‑1990s. A separate section is composed of archival materials documenting particular projects, including business correspondence and internal documentation. The funds also include a narrow selection of booklets, catalogues, and periodicals. </p>

<p>Cyber‑Femin‑Club is St. Petersburg’s first feminist art organization, established by Irina Aktuganova and Alla Mitrofanova in 1995 as a Gallery 21 filial. Cyber‑Femin‑Club carried out Russia’s first international feminist conferences and round tables, thematic exhibitions, performances, concerts, media projects, and educational initiatives. The club’s activity was based on the intersection of artistic and social practices. It also was one of the pioneering organizations to realize participatory projects and engage various communities in its work. Archival documents dedicated to Cyber‑Femin‑Club include a selection of press materials covering the events run by the club, as well as booklets and thematic publications. Photo and video materials, including documentation of events and particular artworks, form a separate block of the archive. </p>

<p>Gallery of Experimental Sound GEZ (GEZ‑21) is a cultural institution established in order to create, study, and promote experimental music, laboratory work with sound, original music instruments, and techniques of sound‑production. GEZ‑21 played host to regular concerts of Russian and foreign artists, performances, subcultural and thematic gigs and events. In 2015, the Museum of Sound was founded as a branch of GEZ‑21 featuring a collection of musical instruments, a sound archive, and a map of St. Petersburg’s sounds. Materials related to the active years of GEZ‑21 consist of archival records, including descriptions of projects, various reports and internal documentation, as well as a comprehensive section devoted to photo and video documentation preserved on different mediums and a selection of press.</p>

<p>Records related to Philosophical Café and Agency 21-an organization founded by Irina Aktuganova in the mid‑2000s with the aim of realizing art&science projects‑form a separate block of the archive and include documentation of projects, archival and printed materials.</p>

<p><h2>Irina Aktuganova</h2> (b. 1963, Novosibirsk) is an art historian, cultural promoter, museum designer, founder and director at Gallery 21 (St. Petersburg, 1994–2001) and Cyber‑Femin‑Club (together with Alla Mitrofanova; St. Petersburg, 1994–2007). Together with Sergey Busov and Nikolay Sudnikov, in 1999, she established GEZ‑21 Gallery (St. Petersburg). Aktuganova is also a curator in the field of technology art, art&science, and science museum design. She curated projects developed by St. Petersburg‑based artists working with technologies for exhibitions in Austria, Germany, Netherlands, USA, and Finland. Aktuganova reads the lecture course Curatorship at Science Museums and Centers of Science Popularization at ITMO University (St. Petersburg). Chief coordinator of the Museum Descent competition initiated by Vladimir Potanin Charity Foundation. She lives and works in St. Petersburg.</p>

<p><h2>Sergey Busov</h2> (b. 1946, Omsk) is a physicist, director of St. Petersburg’s Techno‑Art Center (since 1999), editor of the journal Obschina (Community; together with Vladimir Poresh and Alexander Ogorodnikov), co‑founder of Gallery 21 (1994–2001), co‑founder of Gallery of Experimental Sound GEZ (GEZ‑21; together with Irina Aktuganova, Nikolay Sudnikov and Alexander Lebedev‑Frontov). He lives and works in St. Petersburg. </p>

Archive of St. Petersburg’s interdisciplinary art 1990s‑2000s. Irina Aktuganova and Sergey Busov Archive

The archive features three groups of materials documenting various projects that involved Irina Aktuganova and Sergey Busov, including Gallery 21, Cyber‑Femin‑Club, and Gallery of Experimental Sound GEZ (GEZ‑21).

Gallery 21 (1994–2001), founded by Irina Aktuganova in 1994, was located in the space #21 on Pushkinskaya, 10 from where it received its name. From 1994 to 1997, the gallery operated as a unique experimental exhibition venue that worked with current art and the art of new technologies. Over the years of its existence, Gallery 21 ran over 300 events along with participation in some major Russian and international projects. Its subsidiary projects include Techno‑Art Center (1994), Cyber‑Femin‑Club (1994), GEZ‑21 (1999), Art‑Buffet (2002), and Philosophical Café (2002). The main block of documents related to the activities of Gallery 21 contain a vast selection of photo and video records documenting events run by the gallery beginning from the mid‑1990s. A separate section is composed of archival materials documenting particular projects, including business correspondence and internal documentation. The funds also include a narrow selection of booklets, catalogues, and periodicals. 

Cyber‑Femin‑Club is St. Petersburg’s first feminist art organization, established by Irina Aktuganova and Alla Mitrofanova in 1995 as a Gallery 21 filial. Cyber‑Femin‑Club carried out Russia’s first international feminist conferences and round tables, thematic exhibitions, performances, concerts, media projects, and educational initiatives. The club’s activity was based on the intersection of artistic and social practices. It also was one of the pioneering organizations to realize participatory projects and engage various communities in its work. Archival documents dedicated to Cyber‑Femin‑Club include a selection of press materials covering the events run by the club, as well as booklets and thematic publications. Photo and video materials, including documentation of events and particular artworks, form a separate block of the archive. 

Gallery of Experimental Sound GEZ (GEZ‑21) is a cultural institution established in order to create, study, and promote experimental music, laboratory work with sound, original music instruments, and techniques of sound‑production. GEZ‑21 played host to regular concerts of Russian and foreign artists, performances, subcultural and thematic gigs and events. In 2015, the Museum of Sound was founded as a branch of GEZ‑21 featuring a collection of musical instruments, a sound archive, and a map of St. Petersburg’s sounds. Materials related to the active years of GEZ‑21 consist of archival records, including descriptions of projects, various reports and internal documentation, as well as a comprehensive section devoted to photo and video documentation preserved on different mediums and a selection of press.

Records related to Philosophical Café and Agency 21-an organization founded by Irina Aktuganova in the mid‑2000s with the aim of realizing art&amp;science projects‑form a separate block of the archive and include documentation of projects, archival and printed materials.

Irina Aktuganova (b. 1963, Novosibirsk) is an art historian, cultural promoter, museum designer, founder and director at Gallery 21 (St. Petersburg, 1994–2001) and Cyber‑Femin‑Club (together with Alla Mitrofanova; St. Petersburg, 1994–2007). Together with Sergey Busov and Nikolay Sudnikov, in 1999, she established GEZ‑21 Gallery (St. Petersburg). Aktuganova is also a curator in the field of technology art, art&amp;science, and science museum design. She curated projects developed by St. Petersburg‑based artists working with technologies for exhibitions in Austria, Germany, Netherlands, USA, and Finland. Aktuganova reads the lecture course Curatorship at Science Museums and Centers of Science Popularization at ITMO University (St. Petersburg). Chief coordinator of the Museum Descent competition initiated by Vladimir Potanin Charity Foundation. She lives and works in St. Petersburg.

Sergey Busov (b. 1946, Omsk) is a physicist, director of St. Petersburg’s Techno‑Art Center (since 1999), editor of the journal Obschina (Community; together with Vladimir Poresh and Alexander Ogorodnikov), co‑founder of Gallery 21 (1994–2001), co‑founder of Gallery of Experimental Sound GEZ (GEZ‑21; together with Irina Aktuganova, Nikolay Sudnikov and Alexander Lebedev‑Frontov). He lives and works in St. Petersburg. 

Irina Aktuganova and Sergey Busov archive

L36701-001.jpg

L36701-002.jpg

L36701-003.jpg

L36701-004.jpg

L36701-005.jpg

L36701-006.jpg

L36701-007.jpg

L36701-008.jpg

L36701-009.jpg

Art history and art criticism

Ostrov Egor

Article author

Koldobskaya Marina

Varsopko Alexey

Kolovsky Zakhar

Pilikin Dmitry

Kostroma Aleksei

Blagodatov Nikolay

Mamonov Petr

Mentioned

Чёрно‑белая уличная газета, выходившая в Санкт‑Петербурге с 1994 по 2011 годы и освещавшая проблемы социально незащищённых групп общества. 27 мая 2003 года была преобразована в журнал «Путь домой» карманного формата. 27 мая 2008 года журнал вновь стал газетой. 

С 1997 года в газете существовала рубрика «Над не», посвящённая современному искусству. Ведущим рубрики был Дмитрий Пиликин.

На дне

St. Petersburg

St. Petersburg, Garage Archive Collection

Contact&nbsp;Us

Hours

GARAGE Card

Today at Garage

Youtube

Telegram

Mailing list

Subscribe to our mailing list and get the latest news from Garage

Press Mailing List

To join our press mailing list, please include your email address in the field

Toward the Source

An international online platform, initiated by Garage Museum of Contemporary Art, bringing together archives on Russian art from the postwar period to the present.

Russian Art Archive Network

На дне. — 1998, № 33

Details